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On a cold winter day in 1832, Sarah Maria Cornell was found dead in a quiet farmyard in a small New England town. When her troubled past and a secret correspondence with charismatic Methodist minister Reverend Ephraim Avery was uncovered, more questions emerged. Was Sarah’s death a suicide...or something much darker? Determined to uncover the real story, Victorian writer Catharine Read Arnold Williams threw herself into the investigation as the trial was unfolding and wrote what many claim to be the first American true-crime narrative, Fall River.

On a sweltering summer day in 2007, having just lost her brother to illness, Livia Manera Sambuy finds herself standing before a 1924 photograph of a stunningly elegant Indian princess at a museum in Mumbai. What's written in the caption will change her life forever. This gorgeous Punjabi princess, it's said, sold her jewels in occupied Paris to save Jewish lives, only to be arrested by the Gestapo and sent to a concentration camp, where she died within a year. Could it be true? And if so, how could such a sensational story have gone unnoticed?

From the New York Times bestselling author of Capote’s Women comes an astonishing account of the revolutionary artist Andy Warhol and his scandalous relationships with the ten women he deemed his “Superstars”.

Before Constance Wu, Sandra Oh, Awkwafina, or Lucy Liu, there was Anna May Wong. In her time, she was a legendary beauty, witty conversationalist, and fashion icon. Plucked from her family’s laundry business in Los Angeles, Anna May Wong rose to stardom in Douglas Fairbanks’s blockbuster The Thief of Bagdad. Fans and the press clamored to see more of this unlikely actress, but when Hollywood repeatedly cast her in stereotypical roles, she headed abroad in protest. Not Your China Doll showcases the vibrant, radical life of a groundbreaking artist.

When we talk about motherhood and politics together, we usually talk about isolated moments - the policing of breastfeeding, or the cost of childcare. But this is not enough: we need to understand motherhood itself as an inherently political state, one that has the potential to pose a serious challenge to the status quo. In Mother State, Helen Charman uses this provocative insight to write a new history of Britain and Northern Ireland. Beginning with Women's Liberation and ending with austerity, the book follows mothers' fights for an alternative future.

Only 30 years ago, rape within marriage was not a crime, Judges saw rape victims as complicit for wearing short skirts; teenage runaways were groomed, pimped and then arrested as ‘common prostitutes’, and harassment, stalking, forced marriage and honour-based violence were not defined or recognised as separate offences in law. Since then there have been important legislative reforms but the law is only as good as those who enforce it. Telling the stories of a series of ground-breaking cases, Harriet Wistrich illustrates how far misogyny is baked into our justice system.

The captivating second volume of this Eleanor Roosevelt biography covers tumultuous era of the Great Depression, the New Deal, and the gathering storms of World War II, the years of the Roosevelts' greatest challenges and finest achievements. In her remarkably engaging narrative, Cook gives us the complete Eleanor Roosevelt - an adventurous, romantic woman, a devoted wife and mother, and a visionary policymaker and social activist who often took unpopular stands, counter to her husband's policies, especially on issues such as racial justice and women's rights.

From the distant past to the present, with fingers and felt-tipped pens, metallic powders and gel pots, humans have been drawn to lining their eyes. The aesthetic trademark of figures ranging from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools; ancient royals and Gen Z beauty influencers alike would attest to its uniquely transformative power. It is undeniably fun—yet it is also far from frivolous.

In the wake of World War II, four agents were critical in helping build a new organization that we now know as the CIA. Adelaide Hawkins, Mary Hutchison, Eloise Page, and Elizabeth Sudmeier, called the “wise gals” by their male colleagues because of their sharp sense of humor and even quicker intelligence, were not the stereotypical femme fatale of spy novels.

Nine months before Rosa Parks kicked off the bus boycotts, Claudette Colvin was arrested for refusing to give up her seat on a segregated bus in Montgomery, Alabama. She was fifteen. In 1912, women’s rights activists organized a massive march in support of women’s suffrage. Leading them up Fifth Avenue in Manhattan was not one of the mothers of the movement, but a teenage Chinese immigrant named Mabel Ping-Hua Lee.

What was mothering like in the past? When acclaimed historian Sarah Knott became pregnant, she asked herself this question. But accounts of motherhood are hard to find. For centuries, historians have concerned themselves with wars, politics and revolutions, not the everyday details of carrying and caring for a baby. These details matter: they shape our feelings and give structure to our hours. But they leave little historical trace. Much to do with becoming a mother, past or present, is lost or forgotten.

Away from the frontlines of World War II, in towns and villages across Great Britain, ordinary women were playing a vital role in their country's war effort. As members of the Women's Institute, an organization with a presence in a third of Britain's villages, they ran canteens and knitted garments for troops, collected tons of rosehips and other herbs to replace medicines that couldn't be imported, and advised the government on issues ranging from evacuee housing to children's health to postwar reconstruction. But they are best known for making jam.

From the moment John Brown arrived as a servant to Queen Victoria's household, he became known across the land as her loyal companion, her fierce protector, and her right-hand man, their friendship immortalised in print and later on-screen. But what if there was more to their relationship than we know? And what has history been hiding from us? In this provocative exploration of Victoria's emotional world, and her passionate midlife, the acclaimed historian Fern Riddell re-examines everything we thought we knew about one of Britain's most iconic women.

From the moment Teddy Roosevelt's outrageous and charming teenage daughter strode into the White House—carrying a snake and dangling a cigarette—the outspoken Alice began to put her imprint on the whole of the twentieth-century political scene. Her barbed tongue was as infamous as her scandalous personal life, but whenever she talked, powerful people listened, and she reigned for eight decades as the social doyenne in a town where socializing was state business.

While this nation has yet to elect its first woman president—and though history has downplayed her role—just over a century ago a woman became the nation’s first acting president. In fact, she was born in 1872, and her name was Edith Bolling Galt Wilson. For the first time, we have a biography that takes an unflinching look at the woman whose ascent mirrors that of many powerful American women before and since, one full of the compromises and complicities women have undertaken throughout time in order to find security for themselves and make their mark on history.

Edda Mussolini was Benito's favourite daughter: spoilt, venal, uneducated but clever, faithless but flamboyant, a brilliant diplomat, wild but brave and ultimately strong and loyal. She was her father's confidante during the 20 years of Fascist rule, acting as envoy to both Germany and Britain, and playing a part in steering Italy to join forces with Hitler. From her early 20s, she was effectively first lady of Italy. She married Galeazzo Ciano, who would become the youngest foreign secretary in Italian history.

At thirty-two years old, everything in Nona Willis Aronowitz’s life, and in America, was in disarray. Her marriage was falling apart. Her nuclear family was slipping away. Her heart and libido were both in overdrive. Embroiled in an era of fear, reckoning, and reimagining, her assumptions of what “sexual liberation” meant were suddenly up for debate.

Nora May French and Carrie Sterling arrive at Carmel-by-the-Sea at the turn of the twentieth century with dramatically different ambitions. Nora, a stunning, brilliant, impulsive writer in her early twenties, seeks artistic recognition and Bohemian refuge among the most celebrated counter-culturalists of the era. Carrie, long-suffering wife of real estate developer George Sterling, wants the opposite: a semblance of the stability she thought her advantageous marriage would offer, threatened now that her philandering husband has taken to writing poetry.

A riveting history of the American West told for the first time through the pioneering women who used the challenges of migration and settlement as opportunities to advocate for their rights, and transformed the country in the process.

Elinor Cleghorn became an unwell woman 10 years ago. She was diagnosed with an autoimmune disease after a long period of being told her symptoms were anything from psychosomatic to a possible pregnancy. As Elinor learned to live with her unpredictable disease, she turned to history for answers, and found an enraging legacy of suffering, mystification, and misdiagnosis. In Unwell Women, Elinor Cleghorn traces the almost unbelievable history of how medicine has failed women by treating their bodies as alien and other, often to perilous effect.