Zeigt Titel in Renaissance

From the fall of Constantinople in 1453 until the 18th century, many Western European writers viewed the Ottoman Empire with almost obsessive interest. In this path-breaking audiobook, Noel Malcolm ranges through these vital centuries of East-West interaction, studying all the ways in which thinkers in the West interpreted the Ottoman Empire as a political phenomenon - and Islam as a political religion. 

Léonard de Vinci était enfant illégitime, homosexuel, gaucher, végétarien, distrait et parfois hérétique. Cette inadéquation aux moeurs de l'époque a décuplé sa créativité. À travers les milliers de pages de ses carnets et les plus récentes découvertes des historiens, Walter Isaacson dépeint l'émergence de son génie, alimenté par une curiosité passionnée, une capacité d'observation de tous les instants et une imagination sans limites.

In a life of extraordinary drama, Jane Boleyn was catapulted from relative obscurity to the inner circle of King Henry VIII. As powerful men and women around her became victims of Henry’s ruthless and absolute power, including her own husband and sister-in-law, Queen Anne Boleyn, Jane’s...

Convulsed by a civilizational crisis, the great thinkers of the Renaissance set out to reconceive the nature of society. Corrupt and reckless tyrants sowing discord and ruling through fear; elites who prized wealth and status over the common good; military leaders waging endless wars. Their solution was simple and radical. They would rebuild their city, and their civilization, by transforming the moral character of its citizens. Soulcraft, they believed, was a precondition of successful statecraft.

Bloomsbury presents Young Queens by Leah Redmond Chang, read by Olivia Dowd. LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTION WATERSTONES' BEST BOOKS OF THE YEAR: HISTORY The boldly original, dramatic intertwined story of Catherine de’ Medici, Elisabeth de Valois and Mary, Queen of Scots –...

Bloomsbury presents Catherine de' Medici by Mary Hollingsworth, read by Sophie Hunter and Rachel Bavidge. A new biography of Catherine de' Medici, the most powerful woman in sixteenth-century Europe, whose author uses neglected primary sources to recreate the life and times of a remarkable –...

What accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, ""succeed[ing] where others have fallen short."" (Boston Globe) 1599 was an epochal year for...

Set in the court of Urbino in 1507, Castiglione’s The Book of the Courtier presents an invaluable look at court life and culture during the Renaissance. Over four nights of dialogue, the book explores the key question, ‘What should a courtier be like?’ and presents a deep and timeless discussion that is reminiscent of Plato’s Symposium and Aristotle’s Nicomachean Ethics and invites comparisons with Machiavelli’s The Prince.

Brought to you by Penguin. An ageing queen, an heirless state, conspiracy all round: here is the court of Elizabeth I as never known before. History has pictured Elizabeth I as Gloriana, an icon of strength and power -- and has focused on the early years of her reign. But in 1583, when Elizabeth...

WINNER OF THE 2019 PEN HESSELL-TILTMAN PRIZE The fascinating history of Christopher Columbus’s illegitimate son Hernando, guardian of his father’s flame, courtier, bibliophile and catalogue supreme, whose travels took him to the heart of 16th-century Europe’ Honor Clerk, Spectator, Books...

Simonetta Vespucci war die Geliebte Giuliano de Medicis und Muse Botticellis. Als Venus strahlte die Schönheit im Mittelpunkt seines Meisterwerkes "Primavera". Als Mäzene von Künstlern wie Botticelli oder Michelangelo erwerben sich die Medici ihren guten Ruf. Aber die Ästheten vom Arno sind zugleich Meister einer diskreten Staatspolitik. Ohne ein politisches Amt avanciert Cosimo der Alte zum heimlichen Herrscher von Florenz, der wie Don Corleone im Film "Der Pate" alle Fäden in seiner Hand hält. Im 16. Jahrhundert steigen die Medici zu Herzögen auf.

Every age and social strata has its bad eggs, rule-breakers, and nose-thumbers. As acclaimed popular historian and author of How to Be a Victorian Ruth Goodman reveals in her madcap chronicle, Elizabethan England was particularly rank with troublemakers, from snooty needlers who took aim with a cutting "thee" to lowbrow drunkards with revolting table manners. Goodman draws on advice manuals, court cases, and sermons to offer this colorfully crude portrait of offenses most foul.  

One of the most famous figures in Christian history, Francis of Assisi (1181/82-1226) was revered as a miracle worker during his life and quickly canonized after his death. He has inspired generations of Christians and other spiritual seekers, from medieval ascetics to 1960s hippies and modern environmentalists. The "poverello" wrote poems praising the sun, moon, and stars, spoke to the birds, and—so the story goes—even tamed a wolf. But what do we know for sure about who he was, and what is simply legend?

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished. 

From the death of Richard III on Bosworth Field in 1485 to the execution of Charles I, after the Civil Wars of 1642-48, England was transformed by two Dynasties. Firstly the Tudors, who won the crown on the battlefield and changed both the nature of kingship but also the nation itself. England became a Protestant nation and began to establishment itself as a trading power; facing down impossible odds it defeated its enemies on land and sea.

More than ever before, the Renaissance stands out as one of the defining moments in world history. Between 1400 and 1600, European perceptions of society, culture, politics, and even humanity itself emerged in ways that continue to affect not only Europe but the entire world. In this wide-ranging exploration of the Renaissance, Jerry Brotton shows the period as a time of unprecedented intellectual excitement, cultural experimentation, and interaction on a global scale, alongside a darker side of religion, intolerance, slavery, and massive inequality of wealth and status. 

In this engaging, accessible account, Nadine Akkerman and Pete Langman explore the methods spies actually used in the period, including disguises, invisible inks, and even poisons. Drawing on a vast array of archival sources, they show how understanding the tricks and tools of espionage allows us to reimagine well-known stories such as the Babington and Gunpowder plots.

The Renaissance, or rebirth, was a period of time when Europeans began to question what they had been told was sacrosanct. Through art, inventions, science, literature, and theology, the separate nations of the European continent sought answers that the Roman Catholic Church was unwilling, or perhaps unable, to offer. It was a triumph of the human spirit and a confirmation of human ability, even as it affirmed the willingness of men and women to die for the right to think freely.

Age of Discovery explores a world on the brink of a new Renaissance and asks: how do we share more widely the benefits of unprecedented progress? How do we endure the inevitable tumult generated by accelerating change? How do we each thrive through this tangled, uncertain time? From gains in health, education, wealth and technology to crises of conflict, disease and mass migration, the similarities between today's world and that of the 15th century are both striking and prophetic: we have been here before.

È la fine del settembre 1545 quando Tiziano arriva a Roma. La lascerà un anno più tardi, e per allora la città non sarà più la stessa e anche il Rinascimento avrà perso il suo splendore. Ma per il momento, la Roma di cui racconta Antonio Forcellino è davvero la Città Eterna: misteriosa, avvolgente e sospesa nel tempo, luogo nevralgico di potere, di gelosie private e di pubblici intrighi. La percorrono personaggi formidabili: ambigui uomini di Chiesa come monsignor Della Casa, splendidi mecenati come Paolo III, donne dalla bellezza leggendaria come Giulia Farnese.