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Vor sechs Jahren wurde ich schwer verletzt zum Sterben zurückgelassen. Die gute Nachricht: Ich bin nicht tot. Die schlechte Nachricht: Ich habe nicht die geringste Ahnung, wer mich umbringen wollte und warum. An mein altes Leben kann ich mich nicht mehr erinnern. Mein Therapeut vermutet, dass ich deshalb gern längst vergessene Kriminalfälle löse. Während ich an einem dieser Fälle arbeite, treffe ich einen attraktiven, mysteriösen Mann - genau die Art von Mann, vor dem Mütter ihre Töchter warnen. Angeblich weiß er, wer ich bin und was mit mir passiert ist.

Now a student at Wurthaven, Will is confronted with the truth of the present. The powerful magic embodied by wizards like his grandfather is but a distant memory. Though the practice of the current day is timid and uninspired, Will needs the knowledge that’s preserved and managed by the college. At every turn he finds that sorcery is supreme, while wizards are trained merely to assist and support those who hold the real power - a power based on an evil so deep that few who are living know the truth of its foundation.

Herbert George Wells (21 September 1866 - 13 August 1946) was an English writer. Prolific in many genres, he wrote dozens of novels, short stories, and works of social commentary, history, satire, biography and autobiography. His work also included two books on recreational war games. THE TRUTH ABOUT PYECRAFT: He sits not a dozen yards away. If I glance over my shoulder I can see him. And if I catch his eye - and usually I catch his eye - it meets me with an expression.

Herbert George Wells (21 September 1866 - 13 August 1946) was an English writer. Prolific in many genres, he wrote dozens of novels, short stories, and works of social commentary, history, satire, biography and autobiography. His work also included two books on recreational war games. THE TRUTH ABOUT PYECRAFT: He sits not a dozen yards away. If I glance over my shoulder I can see him. And if I catch his eye-and usually I catch his eye - it meets me with an expression.

Most people assume that racism grows from a perception of human difference: the fact of race gives rise to the practice of racism. Sociologist Karen E. Fields and historian Barbara J. Fields argue otherwise: the practice of racism produces the illusion of race, through what they call “racecraft.” And this phenomenon is intimately entwined with other forms of inequality in American life. So pervasive are the devices of racecraft in American history, economic doctrine, politics, and everyday thinking that the presence of racecraft itself goes unnoticed.

What does it mean to be truthful? What role does truth play in our lives? What do we lose if we reject truthfulness? No philosopher is better suited to answer these questions than Bernard Williams. Writing with his characteristic combinationof passion and elegant simplicity, he explores the value of truth and finds it to be both less and more than we might imagine.