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You probably know George Eliot as the author of legendary dramatic works like Middlemarch and The Mill on the Floss—but did you know she also wrote sci-fi tales of gothic horror? First published anonymously in Blackwood’s Magazine in 1859, this short but skin-crawling tale is very different...

Mary Anne Evans was born on 22nd November 1819, at Nuneaton in Warwickshire, England. Her first major literary work was completing an English translation of Strauss's ‘The Life of Jesus’ in 1846. Under the pseudonym of George Eliot that we know so well, ‘Adam Bede’ was published in 1859, followed by her other great novels: ‘Mill on the Floss’, ‘Silas Marner’ and ‘Middlemarch’. ‘The Lifted Veil’ is a both a beautiful story and typical of Eliot’s formidable powers of writing.

In this engrossing and enlightening debut, Blake Healy shares the story of his unusual gift. Having been born with the ability to see angels and demons as regularly and clearly as anything else in waking life, his journey has been one of unique perspective and unique challenge. It is an amazingly clear view into the realm of the spirit, as well as a true testament to the power of living a life in pursuit of deeper relationship with God.

The Lifted Veil is a captivating novella by George Eliot, first published in 1859. Departing from the realistic fiction she is celebrated for, Eliot delves into the realms of extrasensory perception, the nature of physical existence, the possibility of life after death, and the intricate workings of fate. This thought-provoking work stands as a remarkable entry in the Victorian tradition of horror fiction, inviting readers to explore the unknown. (Summary from Wikipedia)

The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can't help trying to subvert his vividly glimpsed destiny, it is easy to understand The Lifted Veil as being autobiographically revealing of Eliot's sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella's publication).

Premonitions about a strange and desolate land assail Ophelia and Thomas, which not even the forest goddess Axelia has an answer for. Once again calling upon the assistance from the room of enchantments, Axelia is able to bring forth three deities that may be able to unravel the enigma of Ophelia and Thomas' visions. But the help will come at a cost - and an agreement to the destiny of the library, the hidden city, and even the entirety of magic itself must be made - and soon.

This 1859 novella by George Eliot takes a rather dramatic departure from her usual realistic fiction. Now canonized along with other great works of Victorian horror literature, The Lifted Veil plays with the theme of extrasensory perception. It discusses the power of fate in our everyday lives and even flirts with the possibilities of life after death.

George Eliot's The Lifted Veil was first published in Blackwood's Edinburgh Magazine in 1859 and has now become one of the author's most widely read and critically discussed stories. Told from the point of view of a young, egocentric, and morbid clairvoyant man, Latimer, it is a dark fantasy portrait of an artist whose visionary powers merely blight his life. The story reflected the scientific interest of the time in the physiology of the brain, mesmerism, phrenology, and experiments in revivification.

One of George Eliot's most intriguing works. During a period of illness, Latimer first discovers an unusual ability. He is able to read other peoples' minds and see visions of the future. Rather than being a gift, this strange phenomenon increasingly becomes a curse. But the one thing that keeps him going is his love for Bertha who Latimer knows will one day marry him, and who is the one person whose thoughts remain a mystery to him.

George Eliot’s 1859 novella, "The Lifted Veil", departs radically from the grounded realism of her longer and better known works, such as "Middlemarch" and "Daniel Deronda". Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins ("The Moonstone"), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker ("Dracula") and Mary Shelley ("Frankenstein"). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen.

Delve into George Eliot’s 1859 novella, The Lifted Veil, which breaks away from the realistic narratives of her more renowned novels like Middlemarch and Daniel Deronda. This haunting tale echoes the works of middlebrow Sensationists, such as Wilkie Collins (The Moonstone), and renowned Victorian horror writers like Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot navigates the realm of the unseen, exploring mystical themes and the psychological underpinnings of her protagonist, Latimer, whose supposed clairvoyance is intricately tied to his tumultuous early life. As Latimer ...

Latimer is convinced that he has a special power. According to him, he can see into the future and he can also read people's mind. Actually everybody’s but one; his brother’s wife Bertha's mind remains closed to him. Although he marries her after his brother’s death, he still cannot manage to read her thoughts. What he realizes however is that Bertha is manipulative and her heart is not pure.

The Lifted Veil is a novella by George Eliot, first published in 1859. Quite unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores themes of extrasensory perception, the essence of physical life, possible life after death, and the power of fate. This book has been carefully adapted into modern English to allow for easy listening. Enjoy!

Mary Ann Evans (1819-1880), known by her pen name George Eliot, was one of the leading writers of the Victorian era. Her novels are known for their realism and psychological insight. Four of them are included in this volume: Middlemarch, Daniel Deronda, The Mill on the Floss, and The Lifted Veil.

The Lifted Veil is a novella by George Eliot, first published in 1859. Quite unlike the realistic fiction for which Eliot is best known, The Lifted Veil explores themes of extrasensory perception, the essence of physical life, possible life after death, and the power of fate. The novella is a significant part of the Victorian tradition of horror fiction. (Summary from Wikipedia)

Brigid Donovan has found some of her Fae magic, but some is still missing. Her new boyfriend doesn't remember who she is, and the witch coven still wants to take everything from her. Her call for help brought her human best friend, but she hasn't any magic—although she makes up for it with enthusiasm. To get her stolen magic back, Brigid's going to have to master the magic she does have. Putting out a call to her Fae great-grandfather could be the best idea yet, or it could be the worst. The Fae aren't known for their compassion.