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Liverpool, 1935. Monica Savage is delighted when new neighbours move in next door and she and Joan Copperfield quickly become firm friends. While Monica's father has a good job as a guard on the railway, Joan's family are harder up, with her sailor dad Billy mostly off at sea and restless when he's home - Mersey View is no substitute for the exotic places he sails to.

For as long as she can remember, Peggy O’Shea has been expected to work at the family dairy, look after her younger siblings, and eventually marry cow-keeper Martin Gallagher. And that’s the way it has predictably gone, apart from one glorious summer when, at the age of eight, she meets handsome Anthony Giardano. But there’s bad blood between the Irish O’Sheas and the Italian Giardanos, so perhaps for the sake of both of their families, it’s a good thing when Anthony suddenly disappears. Ten years later, at the start of the war, Peggy bumps into Anthony again.

In this blazing, razor-sharp takedown of popular culture in the twenty-first century, Girl on Girl turns 90s and 00s nostalgia on its head, and shows how the media of that era repackaged the feminist movement as a containable, commodifiable (and hugely successful) product: 'Girl Power'. From the Spice Girls to the Kardashians, to #GirlBoss and OnlyFans, Pulitzer Prize-finalist Sophie Gilbert illustrates how the cultural forces of the last few decades have systematically shaped - and warped - women's relationships with themselves and other women.

Eltern sollten ihre Kinder lieben und beschützen. Was, wenn sie das Gegenteil tun? "Mein Name ist Alexandra Gracie, ich bin 15 Jahre alt. Bitte rufen Sie die Polizei." Unzählige Male hat sich Lex Gracie vor ihrer Flucht aus dem Elternhaus diesen Satz vorgesprochen, angekettet an ihr Bett, vor Dreck starrend, bis auf die Knochen abgemagert.

What happened to feminism in the twenty-first century? This question feels increasingly urgent after a period of cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization.

It was Hannah who found April’s body 10 years ago. It was Hannah who didn’t question what she saw that day. Did her testimony put an innocent man in prison? She needs to know the truth. Even if it means questioning her own friends. Even if it means putting her own life at risk. Because if the killer wasn’t a stranger, it's someone she knows….

Anne Heche reads The Girl Who Loved Tom Gordon, the story of nine-year-old Trisha McFarland who gets lost in the woods while on a walk with her family. Boston Red Sox closing pitcher Tom Gordon becomes Trisha's imaginary companion - and the key to her survival against an unidentified someone (or some thing) leaving death and destruction in its wake.

I am Lex Gracie: but they call me Girl A. I grew up with my family on the moors. I escaped when I was 15 years old. Now something is pulling me back....

Life in the wasteland is a constant struggle. No one knows it better than Taimin. Crippled, and with only his indomitable aunt to protect him, Taimin must learn to survive in a world scorched by two suns and frequented by raiders. But when Taimin discovers his homestead ransacked and his aunt killed, he sets off with one mission: to seek revenge against those who stole everything. With nowhere to call home, his hunt soon takes a turn when he meets a mystic, Selena, who convinces him to join her search for the fabled white city.

For over a hundred years until it closed in 1981, Henry Tate’s flagship sugar refinery at Love Lane dominated the Liverpool skyline - and was the beating heart of the local community. More than 10,000 workers passed through the doors of the factory during its lifetime, with some families counting four or even five generations of service. Young women leaving school in the post-war years were drawn by the good wages and the unrivalled social life that Tate & Lyle offered.

When the call comes in about Lucy, a 17-year-old girl murdered after the secret party she held in her parents’ home, Detective Lottie Parker is first on the scene. As Lottie breaks the news to Lucy’s heartbroken parents and the devastated partygoers, she discovers that hours before her death Lucy had revealed a terrible secret about her friend Hannah. And when Lottie finds Lucy’s bloodstained clothing hidden in Hannah’s bedroom, she has no option but to bring the shy, frightened girl into custody. But Hannah claims to have no memory of the night Lucy died.

Layken and Will’s love has managed to withstand the toughest of circumstances, and the young lovers, now married, are beginning to feel safe and secure in their union. As much as Layken relishes their new life together, she finds herself wanting to know everything there is to know about her husband, even though Will makes it clear he prefers to keep the painful memories of the past where they belong. Still, he can’t resist his wife’s pleas, and so he begins to untangle his side of the story, revealing for the first time his most intimate feelings and thoughts.

Vianne rushes through the crowded streets of Paris as the German bombs begin to fall. As she rounds the corner she sees the familiar spires of the old church burst into flames. Too late, she realizes that her mother and sister are trapped inside....

For years, Emma Carey was a regular young adult who would wake up and go about their day on autopilot, someone who would look at a sunset and feel unaffected, someone who was living, but not really alive. That is, until something happened that enabled her to really see life for the gift it is. Emma was in a skydiving accident that made her a paraplegic. This book is not just about Emma's fall from the sky and how she learned to walk without ever regaining feeling in her legs but also about the beliefs and ideas that helped her survive.

April Clarke-Cliveden was the first person Hannah Jones met at Oxford. Vivacious, bright, occasionally vicious, and the ultimate It girl, she quickly pulled Hannah into her dazzling orbit. Together, they developed a group of devoted and inseparable friends—Will, Hugh, Ryan, and Emily—during their first term. By the end of the year, April was dead.

Anyone caring for girls today knows that our daughters, students, and girls next door are more anxious and more prone to depression and self-harming than ever before. The question that no one has yet been able to credibly answer is Why? Now we have answers. As award-winning writer Donna Jackson Nakazawa deftly explains in Girls on the Brink, new findings reveal that the crisis facing today’s girls is a biologically rooted phenomenon: the earlier onset of puberty mixes badly with the unchecked bloom of social media and cultural misogyny.