Ergebnis für "Richard E Shaw" in Literatur & Belletristik

Eight of George Bernard Shaw's most memorable plays in one splendid collection: Mrs. Warren’s Profession, Arms and the Man, Candida, The Devil’s Disciple, Major Barbara, The Doctor’s Dilemma, Misalliance, and Pygmalion.

A turn off the beaten track, and the life I knew was in ruins. Then out of nowhere, an apprentice and a move to the capital. Entry to the Academy of Magic, and hours spent in the library trying to eradicate a magic bond. Only none of it went the way I expected. Not by a long shot.

George Bernard Shaw - or Bernard Shaw, as he preferred to be known - was one of Ireland's foremost dramatists and thinkers. His plays range from contemporary satires to historical allegories, and are infused with ideas, insight, wit and wisdom. Included here are some of his best works, adapted for radio and brought together in reverse chronological order in one statement collection.

Dash, an aspiring football player with his dreams firmly insight, was ready to face the difficulties in life. He loves the thrill and toll that accompanies attempts to realize his dreams, but unfortunately, life throws curveballs after curveballs at him.

For all we know, or think we know, about Sherlock Holmes and Dr. Watson, what we don't know is far, far greater. In one of the duo's most exciting cases, The Adventure of the Speckled Band, we know when Helen Stoner arrives "in a considerable state of excitement" at the door of 221B Baker Street, seeking the assistance of Holmes and Watson: "It was early in April in the year '83..." But what happened during the rest of 1883? Or all of 1884?

This book is a study of the decline and fall of a powerful man and his family. The TV series Empire embodies themes similar to those in King Lear, with some extra creative material, which makes it a hip-hop version of King Lear. When you hear King Lear and watch the show Empire, you will be impressed with its Shakespearean connection.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. This decade is resplendent with literature and its many prodigiously talented authors who write on as varied a range of subjects as might be thought possible. Yet each is studded with careful literary precision and narrative verve. It is a remarkable decade.

As Islam moved from its Arabian heartland to a wider geographic area, its core message remained albeit adapted to different lands, to different ears. Poets were ever eager to provide an alternate way of delivering the ‘message’ in beautiful verse. Their simplicity was embracing, their ornateness a humble offering to greater forces. The poems here are both profound and wide-ranging.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of Continental Europe and its male authors whose time has now come again.

With classics such as ‘My Last Duchess’ and ‘The Pied Piper of Hamelin’ Robert Browning’s status as one of the great Victorian poets will always be secure in popular culture, while for the more literary he is considered a master of dramatic verse and dramatic monologues. It is interesting to note that his career bloomed late. Indeed, it was only after the death of his wife Elizabeth in 1861 and his return to England from their life in Italy that his work came into wider acceptance and critical acclaim.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of 1800 to 1849 and its male authors whose time has now come again.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

In the English language ‘bittersweet’ is that most pivotal of words. The mixture of sadness and happiness that suggest both but often bringing us smartly to earth, smack dab in-between them both, with little of either.

A train seems a very reliable mode to bring out the best in authors and sometimes the worst in their fictional characters. In this volume our narratives are usually set inside the carriage compartment where they are really up close and personal with each other. All our authors need to do is to light the touchpaper and stand well back.

Richard Garnett C.B. was born on the 27th February 1835. As an author he wrote several volumes of verse, a book of short stories and several biographies and history books. In 1901, Garnett was elected as a member to the American Philosophical Society. Richard Garnett died on the 13th April 1906. He was 71.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents whose time has now come again.

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

With the publication of his debut novel, The Privateer, in 1981, Walter Jon Williams began one of the most varied and prolific careers in contemporary popular fiction. But much of Williams' best work takes place in the shorter forms, as this generous volume, filled to overflowing with award-winning and award-nominated stories, clearly proves. The Best of Walter Jon Williams reflects its author's affection for - and mastery of - the novella form.

In modern society writing a letter, on paper, is almost unheard of. We all scribble notes and reminders but very rarely compose our thoughts in lengthy prose for another person to read. In this volume our talented authors bring us a plethora of narratives that centre themselves on how vital a few lines are to characters navigating through the twists and turns of a story.

Anton Pavlovich Chekhov was born on 29th January 1860 in Taganrog, on the south coast of Russia. His family life was difficult; his father was strict and overbearing, but his mother was a passionate story-teller, a subject Chekhov warmed to. As he later said; ‘our talents we got from our father, but our soul from our mother’. Chekhov wrote over 500 short stories which included many, many classics including ‘The Kiss’ and ‘The Lady with a Dog’. His collection ‘At Dusk’ won him the coveted Pushkin Prize when was only 26.