Ergebnis für "Poe" in Anthologien & Kurzgeschichten

Edgar Allan Poe (1809- 1849) war ein US-amerikanischer Schriftsteller. Er prägte entscheidend die Gattung der Kurzgeschichte sowie die Genres der Kriminal-, Horror- und Schauerliteratur. Einzelne Erzählungen haben spätere Autoren der Science-Fiction wie Jules Verne beeinflusst. Seine Lyrik, in Europa u. a. von Charles Baudelaire rezipiert, wurde zum Fundament des Symbolismus und damit der modernen Dichtung.

Der Handlung gehen essayistische Bemerkungen voran, mit denen der Erzähler seine eigene Geschichte einleitet und bekräftigt. Grauenvolle Themen ließen sich nur da literarisch darstellen, „wo Ernst und Majestät der Wahrheit sie heiligen“. Er zählt eine Reihe von Katastrophen wie das Erdbeben zu Lissabon und die Große Pest von London auf, um schließlich zu konstatieren, dass das „furchtbarste Unheil […] den Einzelnen, nicht die Gemeinschaft“ treffe.

This carefully curated volume brings together a rich diversity of styles and genres, showcasing the evolution of storytelling across generations. Readers will encounter the dark imagination of Edgar Allan Poe, the warmth and moral insight of Louisa May Alcott, and the bold, thought-provoking narratives of Kate Chopin. Expanding into the realms of science fiction and modern literature, the anthology features the cosmic horror of H. P. Lovecraft, the powerful prose of Ernest Hemingway, and the visionary ideas of Ayn Rand.

Masters of Action & Adventure brings together twenty-six timeless works by the greatest storytellers of the modern age — tales of courage, mystery, exploration, and survival written by masters who defined entire genres. Together, these stories capture the essence of adventure in all its forms — the pursuit of truth, the confrontation with danger, and the testing of human spirit against the unknown. Each work stands as a testament to its author's imagination and narrative power, yet all are united by a shared sense of urgency, discovery, and wonder.

This recording is of the 11 essays and stories contained in Volume Five and includes two examples of Poe’s activity as a literary critic. Poe’s dry wit is laced through many of these tales and will bring a wry smile to your lips even as you shiver at the consequences of “betting the devil your head”.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

Descend into one of Edgar Allan Poe’s most gripping sea tales, where terror, survival, and the overwhelming power of nature collide in a haunting classic of suspense and imagination.

El narrador relata un suceso de la amistad que entabló con William Legrand (un hombre solitario), quien vivía en la isla con un ya liberado sirviente llamado Júpiter. En una de sus visitas a su amigo Legrand, el melancólico hombre le comentó que había encontrado un escarabajo que parecía de oro. Legrand dibujó el insecto en un pergamino y lo entregó a su amigo para que lo observara, pero su allegado solo atinó a decir que el dibujo parecía una calavera. Legrand, malhumorado, tomó el pergamino y lo examinó; finalmente guardó el pergamino en un cajón.

"Eleonora" is a short story by American writer Edgar Allan Poe, first published in 1842 in Philadelphia in the literary annual The Gift. It is often regarded as somewhat autobiographical and has a relatively "happy" ending. The story follows an unnamed narrator who lives with his cousin and aunt in "The Valley of the Many-Colored Grass", an idyllic paradise full of fragrant flowers, fantastic trees, and a "River of Silence". It remains untrodden by the footsteps of strangers and so they live isolated but happy.

The Colloquy Of Monos And Una: Una. "Born again?" Monos. Yes, fairest and best beloved Una, "born again." These were the words upon whose mystical meaning I had so long pondered, rejecting the explanations of the priesthood, until Death himself resolved for me the secret. Una. Death! Monos. How strangely, sweet Una, you echo my words! I observe, too, a vacillation in your step — a joyous inquietude in your eyes. You are confused and oppressed by the majestic novelty of the Life Eternal. Yes, it was of Death I spoke.

Von Kempelen and his Discovery (1849). First published in The Flag of Our Union, April 14, 1849. Created as a hoax during the California Gold Rush. After the very minute and elaborate paper by Arago, to say nothing of the summary in 'Silliman's Journal,' with the detailed statement just published by Lieutenant Maury, it will not be supposed, of course, that in offering a few hurried remarks in reference to Von Kempelen's discovery, I have any design to look at the subject in a scientific point of view.

During a pedestrian tour last summer through one or two of the river counties of New York, the narrator finds himself lost as day declines, the land undulating remarkably and his path winding confusedly through valleys in effort to keep in them. A smoky mist, resembling that of Indian summer, enveloped all things and added to his uncertainty. Not caring much about the matter, he remained unconcerned, prepared to bivouac in the open air with his knapsack for a pillow and his hound as a sentry.

The mountain pinnacles slumber; valleys, crags and caves are silent. - “Listen to me,” said the Demon, as he placed his hand upon my head. “The region of which I speak is a dreary region in Libya, by the borders of the river Zäire. And there is no quiet there, nor silence.

"La musique," says Marmontel, with the same odd confusion of thought and language which leads him to give his very equivocal narratives the title of "Contes Moraux" — "la musique est le seul des talens qui jouissent de lui même; tous les autres veulent des temoins." He here confounds the pleasure derivable from sweet sounds with the capacity for creating them.

"A Predicament" is a humorous short story by Edgar Allan Poe, usually combined with its companion piece "How to Write a Blackwood Article". The paired stories parody the Gothic sensation tale, popular in England and America since the early 19th century. The story follows a female narrator, Signora Psyche Zenobia. While walking through "the goodly city of Edina" with her 5-inch-tall (130 mm) poodle and her 3-foot-tall (0.91 m) black servant, Pompey, she is drawn to a large Gothic cathedral.

Lion-izing (A Tale): I am — that is to say, I was, a great man. But I am neither the author of Junius, nor the man in the mask — for my name is Thomas Smith, and I was born somewhere in the city of Fum-Fudge. The first action of my life was the taking hold of my nose with both hands. My mother saw this and called me a genius. My father wept for joy, and bought me a treatise on Nosology.

"The System of Doctor Tarr and Professor Fether" is a dark comedy short story by the American author Edgar Allan Poe. First published in Graham's Magazine in November 1845, the story centers on a naïve and unnamed narrator's visit to a mental asylum in the southern provinces of France. The story follows an unnamed narrator who visits a mental institution in southern France (more accurately, a "Maison de Santé") known for a revolutionary new method of treating mental illnesses called the "system of soothing".

Let me introduce you to Signora Psyche Zenobia. An adopted name of course, but for someone so flamboyant, appropriate. The good signora has aspirations. She would like to be a writer. At present she is the corresponding secretary to an interesting group of notables in Philadelphia which goes by a lengthy name with the initials of P.R.E.T.T.Y. B.L.U.E. B.A.T.C.H.! But how to get published? She travels to Edinburgh to meet with the esteemed proprietor and editor of 'Blackwood Magazine.' A real publication of the 1830s.

As it is well known that the "wise men" came "from the East," and as Mr. Touch-and-go Bullet-head came from the East, it follows that Mr. Bullet-head was a wise man; and if collateral proof of the matter be needed, here we have it — Mr. B. was an editor. Irascibility was his sole foible; for in fact the obstinacy of which men accused him was anything but his foible, since he justly considered it his forte. It was his strong point — his virtue; and it would have required all the logic of a Brownson to convince him that it was "anything else.

Antiochus Epiphanes is very generally looked upon as the Gog of the prophet Ezekiel. This honor is, however, more properly attributable to Cambyses, the son of Cyrus. And, indeed, the character of the Syrian monarch does by no means stand in need of any adventitious embellishment.