Ergebnis für "Orlando" in Geschichte

Experience Virginia Woolfs audacious satire that explores the nuances of British culture, customs, literature, philosophy, and politics from the Elizabethan era to 1928, all through the eyes of her famously long-lived and genderfluid protagonist. Dive into a journey that challenges conventions and celebrates the fluidity of identity. - Summary by Nicole J. LeBoeuf

Mitreißend, prägnant und menschlich berührend erzählt Orlando Figes die Geschichte Russlands. Dabei entfaltet er das große Panorama der russischen Seele: von unsterblichen Mythen über die großartigen kulturellen Leistungen bis zur Weltmachtpolitik des 20. Jahrhunderts und unserer Gegenwart. In einer packenden Reise durch die Zeit erzählt Orlando Figes, wie die Russen sich selbst erlebten und wie sie sich im Laufe ihrer Geschichte immer wieder neu erfanden: Er ergründet ihre Anfänge als Jäger und Sammler und schildert das Leben der Bauern Russlands im ersten nachchristlichen Jahrtausend.

Opening with a panorama of Russian society, from the cloistered world of the Tsar to the brutal life of the peasants, A People’s Tragedy follows workers, soldiers, intellectuals and villagers as their world is consumed by revolution and then degenerates into violence and dictatorship. Drawing on vast original research, Figes conveys above all the shocking experience of the revolution for those who lived it, while providing the clearest and most cogent account of how and why it unfolded.

No other country has been so divided over its own past as Russia. None has changed its story so often. How the Russians came to tell their story, and to reinvent it as they went along, is a vital aspect of their history, their culture and beliefs. To understand what Russia’s future holds—to grasp what Putin’s regime means for Russia and the world—we need to unravel the ideas and meanings of that history. In The Story of Russia, Orlando Figes brings into sharp relief the vibrant characters that comprise Russia’s rich history.

Beginning in the 18th century with the building of St. Petersburg - a 'window on the West' - and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself - its character, spiritual essence and destiny. He skillfully interweaves the great works - by Dostoevsky, Stravinsky, and Chagall - with folk embroidery, peasant songs, religious icons and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world.

The terrible conflict that dominated the mid-19th century, the Crimean War, killed at least 800,000 men and pitted Russia against a formidable coalition of Britain, France and the Ottoman Empire. It was a war for territory, provoked by fear that if the Ottoman Empire were to collapse then Russia could control a huge swathe of land from the Balkans to the Persian Gulf. But it was also a war of religion, driven by a fervent, populist and ever more ferocious belief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land.

Narración compacta de la historia de Colombia, desde la llegada de los primeros pobladores hasta la firma del acuerdo de paz de 2016. Además de presentar los hechos fundamentales del pasado, ofrece explicaciones e interpretaciones, que destacan, en el pasado, los elementos que pueden ayudar a...

The Gallic War is Julius Caesar's autobiographical diary of the wars in what is now France, Belgium, and parts of Britain, Germany, and Switzerland, in which he describes the battles that took place from 58 to 51 BCE when he fought the Germanic and Celtic peoples that opposed Roman conquest. Modern-day Provence and Languedoc-Roussillon were already under Roman control, so Caesar’s Gaul referred to the regions that the Romans had not yet conquered. The book comprises seven parts and chronicles the wars against the Helvetii, Belgae, Britons, Eburones, Suebi, Veneti, and more.

Drawing on a huge range of sources - letters, memoirs, conversations - Orlando Figes tells the story of how Russians tried to endure life under Stalin. Those who shaped the political system became, very frequently, its victims. Those who were its victims were frequently quite blameless. The Whisperers recreates the sort of maze in which Russians found themselves, where an unwitting wrong turn could either destroy a family or, perversely, later save it: a society in which everyone spoke in whispers - whether to protect themselves, their families, neighbours or friends - or to inform on them.

La historia de Rusia se ha visto marcada como pocas por el empleo de mitos con fines políticos. Ningún otro país ha reinventado su propio relato con tanta frecuencia, en un esfuerzo perpetuo por adaptarse a los cambios de las ideologías dominantes, y esa tendencia es precisamente un aspecto vital de su cultura. Para comprender lo que depara el futuro del país—y lo que significa el régimen de Putin para Rusia y para el resto del mundo—debemos desentrañar las ideas y los significados de esa historia.

In 1946, after five years as a prisoner - first as a Soviet POW in Nazi concentration camps, then as a deportee in the Arctic Gulag - 29-year-old Lev Mishchenko unexpectedly received a letter from Sveta, the sweetheart he had hardly dared hope was still alive. Amazingly, over the next eight years, the lovers managed to exchange more than 1,500 messages and even to smuggle Sveta herself into the camp for secret meetings. Their recently discovered correspondence is the only known real-time record of life in Stalin's Gulag.

Assyria was a Mesopotamian kingdom which became a brutal empire of the ancient Near East and the Levant. This encyclopaedic text covers the lay of the land, the capital, and other cities, plus the language, cuneiform writing, customs, religion, arts, and architecture of Assyria. The city state of Ashur dates back to about the 25th century BCE. The history deals with the Assyrian conquests of Anatolia, Babylonia, the Iranian plateau, and the Levant, until it suffered a series of defeats at the hand of the Medes, Persians, and Babylonians.

Edward Chisholm's spellbinding memoir of his time as a Parisian waiter takes you below the surface of one of the most iconic cities in the world and right into its glorious underbelly. He inhabits a world of inhuman hours, snatched sleep and dive bars; scraping by on coffee, bread and cigarettes, often under sadistic managers, with a wage so low you're fighting your colleagues for tips. Colleagues—including thieves, narcissists, ex-Legionnaires, paperless immigrants, wannabe actors and drug dealers—who are the closest thing to family that you've got.

Holmes and Watson at the darkest place on earth in April 1945.

La historia de Colombia ha estado marcada por varios períodos violentos: La Conquista, la Colonia, la Independencia, la consolidación de la República, la violencia bipartidista, el narcotráfico en los 80, las luchas guerrilleras del siglo XX y XXI.

Just six weeks apart in the spring of 1981, Pope John Paul II and President ­Ronald Reagan took bullets from would-be assassins. Few realized at the time how close both men came to dying. Surviving these near-death experiences created a singular bond between the pope and the president that ­historians have failed to appreciate. When John Paul II and Reagan met only a year later, they confided to each other a shared conviction: that God had spared their lives for a ­reason. That reason? To defeat Communism. In private, Reagan had a name for this: “The DP” - the Divine Plan.

When Orlando was first approached about making a documentary about the Shroud of Turin, he was skeptical of the project—and the Shroud itself. Then, he came across conflicting opinions in history and science. This, along with his desire to learn more about the life of Jesus and make sense of the final things, led him to investigate “a new crime scene.” This book was inspired by his new documentary with the same title.

El siglo XIX europeo, un momento de logros artísticos sin precedentes, fue la primera era de la globalización cultural, una época en que las comunicaciones masivas y los viajes en tren de alta velocidad reunieron a Europa, superando las barreras del nacionalismo y facilitando el surgimiento de un verdadero canon europeo de obras artísticas, musicales y literarias. Llegado 1900, se leían los mismos libros, se reproducían las mismas obras artísticas, se representaban las mismas óperas y se interpretaba la misma música en los hogares.

"Días de sumisión recoge con mucha agudeza la infiltración comunista, desde La Habana, en Venezuela. También cómo Hugo Chávez se preparó minuciosamente para ser golpista. El libro es un triunfo. Una gran contribución intelectual y ética para Venezuela." (Jaime Bayly, periodista peruano)

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