Ergebnis für "Introduction" in Frauenliteratur

When Barbara Pym died in 1980, she left a considerable amount of unpublished material. This volume contains an early novel, Civil to Strangers, three novellas and an autobiographical essay, 'Finding a Voice', Pym's only written comment on her writing career.

In a small East Anglian town, Florence Green decides, against polite but ruthless local opposition, to open a bookshop. Hardborough becomes a battleground. Florence has tried to change the way things have always been done, and as a result she has to take on not only the people who have made themselves important but natural and even supernatural forces, too. Her fate will strike a chord with anyone who knows that life has treated them with less than justice.

Dulcie Mainwaring is always helping others, but never looks out for herself—especially in the realm of love. Her friend Viola is besotted by the alluring Dr Aylwin Forbes, so surely it isn't prying if Dulcie helps things along? Aylwin, however, is smitten with Dulcie's pretty young niece. And perhaps Dulcie herself, however ridiculous it might be, is falling, just a little, for Aylwin. Once life's little humiliations are played out, maybe love will be returned, and fondly, after all.

Savushun chronicles the life of a Persian family during the Allied occupation of Iran during World War II. It is set in Shiraz, a town which evokes images of Persepolis and pre-Islamic monuments, the great poets, the shrines, Sufis, and nomadic tribes within a historical web of the interests, privilege, and influence of foreign powers; corruption, incompetence, and arrogance of persons in authority; the paternalistic landowner-peasant relationship; tribalism; and the fear of famine.

Formidable Miss Doggett fills her life by giving tea parties for young academics and acting as watchdog for the morals of North Oxford. Anthea, her great-niece, is in love with a dashing undergraduate with political ambitions. Of this, Miss Doggett thoroughly approves. However, Anthea's father, an Oxford don, is carrying on in the most unseemly fashion with a student—they have been spotted together at the British museum! But the only liaison Miss Doggett isn't aware of is taking place under her very own roof.

If any American fictional character of the 20th century seems likely to be immortal, it is Lorelei Lee of Little Rock, Arkansas, the not-so-dumb blonde who knew that diamonds are a girl's best friend. Outrageous, charming, and unforgettable, she's been portrayed on stage and screen by Carol Channing and Marilyn Monroe, and has become the archetype of the footloose, good-hearted gold digger, with an insatiable appetite for orchids, champagne, and precious stones.

Ellen has two lives. A single artist living alone on New York’s Upper West Side in the 1970s, she periodically descends into episodes of what she calls “radiances.” While under the influence of the radiance, she becomes Princess Esmeralda, and West 72nd Street becomes the kingdom over which she rules. Life as Esmeralda is a colorful, glorious, and liberating experience for Ellen, who, despite the chaos and stigma these episodes can bring, relishes the respite from the confines of the everyday.

A woman's fortitude saves her village from disaster. A teenager explores their identity in a moment of quiet. A petition writer reflects on his life as a dog lies nursing her puppies. A tormented girl tries to find love through a horrific act. A headmaster makes his way to work, treading the fine line between life and death. My Pen Is the Wing of a Bird is a landmark collection: the first anthology of short fiction by Afghan women. Eighteen writers tell stories that are both unique and universal.

In this bold reimagining of the classic Grimm’s fairy tales, five iconic heroines—Cinderella, Snow White, Sleeping Beauty, Mother Holle, and The Goose Girl—are given the chance to reclaim their stories. While the original tales remain intact, each is followed by a sharp, witty essay from the perspective of the so-called villains. From wicked stepmothers to jealous queens, these familiar antagonists finally get to speak for themselves—adding unexpected humor, insight, and a touch of irreverence to the timeless tales.

When sixty-five-year-old Bindu Desai inherits a million dollars, she’s astounded—and horrified. The windfall threatens to expose a shameful mistake from her youth. On an impulse, Bindu quickly spends it on something unexpected: a condo in a posh retirement community in Florida. The impulsive decision blindsides Bindu’s daughter-in-law, Aly. At forty-seven, Aly still shares a home with Bindu even after her divorce from Bindu’s son. But maybe this change is just the push Aly needs to fight for her own dreams.

Best friends Miranda Montana, Germaine St. Germaine-Chang, and Sicily Bell were the darlings of Hollywood who rose from teen success to in-demand idols of screaming fans and paparazzi. They rode the momentum like there was no tomorrow. But nothing lasts forever. Now Miranda, the wild-child movie star, drifts from rehab to dead-end relationships as she tries for a comeback from a very public fall from grace. Germaine, the daughter of billionaire hotel moguls, has lost her purpose.

Sultana, a Muslim woman living in colonial India, falls asleep and wakes up in a transformed future world: a utopia in which men rather than women are relegated to the domestic sphere. Women, now free to explore the outside world at will and pursue an education, run a peaceful and just society, using scientific principles to harvest energy from the sun and live in harmony with nature. Sultana’s Dream was published in 1905 in the Indian Ladies Magazine, the first English language periodical edited by, and targeted at, Indian women. Like the periodical, the story broke new ground.

When Four Stories by American Women was first published by Penguin Classics in 1990, it understandably reflected the second-wave feminist interpretations of that time—a period marked by an impressive recovery of what were then considered to be minor American writers. This updated and expanded volume, Twelve Stories by American Women edited by Arielle Zibrak, offers a more diverse selection of writers—including Frances Ellen Watkins Harper, María Cristina Mena, Zitkala-Ša, Sui Sin Far, and Barbara E. Pope.

This collection brilliantly explores the ways in which women are horrifying, as much as it captures the horrors that are done to them. Spanning a range of genres and topics - from the mundane to the murderous and supernatural - these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable.

M.J. Rose and Fiona Davis' Stories from Suffragette City is a collection of short stories from a chorus of best-selling writers all set on the same day, October 23, 1915, in which over a million women marched for the right to vote in New York City - featuring an introduction by Kristin Hannah....

Harriet is leaving her boyfriend Claude, "the French rat". That at least is how Harriet sees things, even if it’s Claude who has just asked Harriet to leave his Greenwich Village apartment. Well, one way or another she has no intention of leaving. To the contrary, she will stay and exact revenge - or would have if Claude had not had her unceremoniously evicted. Still, though moved out, Harriet is not about to move on. Not in any way. Girlfriends circle around to patronize and advise, but Harriet only takes offense, and it’s easy to understand why.

The daughter of a Swedish minister growing up in Colorado, Thea Kronborg's musical talent sets her apart from her contemporaries. Driven by her determination to satisfy her artistic impulse, she moves to Chicago, where she falls in love with a wealthy married man. Her ability to resolve the tensions between her personal and professional lives and to communicate through her art makes her an unusual and thoroughly modern heroine.

Bridget O'Connor was one of the great short story writers of her generation. She had a voice that was viscerally funny and an eye for both the glaring reality and the absurdity of the everyday. In After A Dance, we meet a selection of O'Connor's most memorable characters often living on the margin of their own lives: from the anonymous thief set on an unusual prize to the hungover best man clinging to what he's lost, to the unrepentant gold-digger who always comes out on top. From unravelling narcissists to melancholy romantics all human life is here - at its best and at its delightful worst.