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The poems in Hail, the Invisible Watchman are as tidy as a picket-fence—and as suggestive. Behind the charms of iambs lurks a dark exploration of domestic and social alienation. Metered rhyme sets the tone like a chilling piano score as insidiousness creeps into the neighborhood. A spectral narrator surveils social gatherings in the town of Sherbet Lake; community members chime in, each revealing their various troubles and hypocrisies; an eerie reimagining of an Ethel Wilson novel follows a young woman into a taboo friendship with an enigmatic divorcée.

Noah Westwood is tired of life on the streets, so he turns to Marcello Maltese, a man who owns a small media empire...and a few covert businesses, such as an escort service. Noah volunteers for this, but he's playing a dangerous game. A secret from his past could turn his new friends into enemies, and he isn't sure he can perform the duties he signed up for, especially when he's more interested in falling in love than hopping into the beds of his clients. This is complicated further when his hunky coworker, Harold Franklin, seems to be interested. Or is he?

What if you weren't sexually attracted to anyone? A growing number of people are identifying as asexual. They aren't sexually attracted to anyone, and they consider it a sexual orientation - like gay, straight, or bisexual. Asexuality is the invisible orientation. Most people believe that "everyone" wants sex, that "everyone" understands what it means to be attracted to other people, and that "everyone" wants to date and mate. But that's where asexual people are left out - they don't find other people sexually attractive, and if and when they say so, they are very rarely treated as though that's okay.