“This last sequence, a series of English sonnets spoken in the voices of two of [Ethel] Wilson’s characters as well as a third-person narrator, is particularly well realized. Oliver proves herself a master at her chosen form; the sonnet and its demanding rhyme scheme serve as a springboard for the narrative moments and reflections she depicts.” — Quill & Quire

“Oliver is a master of the punchy satirical pronouncement ... Her allusions are always exquisitely peppered, not merely clever mélanges of this and that, and her structures impeccable.” — Marrow Reviews

“Alexandra Oliver, Canada’s sublime formal poet, grabs centuries-old traditions by the throat and gives them a huge contemporary shaking in Hail, the Invisible Watchman. Terrifyingly clever, dazzlingly skilled, and chillingly accurate in her social observations, she plunges from lyric to narrative and back again in this, her third volume, where a housewife has 'a waist like a keyhole' and a 'good mood' has a 'scent.' But as wearing the perfect clothes can hide—for just so long—the wackiness of the personality beneath, the poet’s impeccable meters explode with desperate emotions. Oliver’s triumph comes as she takes the characters of a 1947 novel about a scandal and drops them into a stunning sonnet sequence. With Hail, the Invisible Watchman Oliver again alters the landscape of Canadian poetry.” — Molly Peacock, author of The Analyst