Ergebnis für "Europa" in Popularkultur

Jens Balzer, einer der profiliertesten deutschen Kulturjournalisten, zeichnet ein farbiges Panorama der Siebziger, von der Mondlandung und Woodstock über die Ölkrise und den Deutschen Herbst bis hin zum Nihilismus des Punk. Ein Jahrzehnt, in dem sich so ziemlich alles ändert: Die Hippies erproben unerhörte Lebensweisen, die antiautoritäre Erziehung und die Emanzipationsbewegung ordnen die Familien- und Geschlechterverhältnisse neu, weltumspannender Idealismus trifft auf apokalyptische Weltuntergangsängste, und spätestens als Hacker den ersten "Personal Computer" bauen, wird deutlich: Genau hier beginnt unsere Gegenwart.

Es sieht nicht alles schlimm aus in den achtziger Jahren. Aber vieles. Es ist das Jahrzehnt der explodierenden Dauerwellen und Pornoschnauzbärte, der aufgepumpten Schulterpolsterjacketts und schrillen Herumprotzerei; in den Achtzigern werden die Yuppies zu Vorreitern einer neuen Egoistenkultur. Doch gleichzeitig herrscht die Angst vor der Apokalypse, vor dem Atomtod und der Umweltzerstörung; die Menschen sehnen sich nach Utopien und Zukunft, nach neuer Gemeinschaft und Wärme.

Die zweiten Olympischen Spiele auf deutschem Boden sind das erste Weltereignis in der BRD: München 72 bietet die einmalige Chance, das moderne Deutschland vorzuzeigen. Alle wollen zum Aufbruch in die neue Zeit beitragen: berühmte Athleten, Helfer, eifrige Hostessen. Es ist ihr deutscher "Summer of Love". Bis es zum Terroranschlag auf die israelische Mannschaft kommt – und die "heiteren Spiele" ein abruptes Ende finden. "München 72" erzählt kunstvoll vom geteilten Deutschland, von alltäglichem Rassismus, Mode und Musik, Aufklärung und Sex.

Es gibt keine Grenzen mehr: Das glaubt man jedenfalls am Beginn der Neunzigerjahre. Die Berliner Mauer fällt, die Welt rückt zusammen, und sie vernetzt sich. Die ersten Knoten des World Wide Web werden geknüpft, die ersten Suchmaschinen programmiert. In Berlin wird Techno zum Soundtrack der Wiedervereinigung, Neonfarben beherrschen das Bild, Piercings und Tätowierungen erobern den Mainstream, das Arschgeweih gerät zum stilistischen Symbol der Dekade. Aber unter der heiteren Oberfläche brechen alte Konflikte auf, Gespenster aus der Vergangenheit kehren zurück.

Schieber, Spieler und Rebellen: Der Bundesligaskandal erschüttert das Land, die Nationalelf um Beckenbauer und Netzer spielt Zauberfußball im Wembley-Stadion und wird Europameister, Willy Brandt übersteht das Misstrauensvotum, die RAF hält Deutschland in Atem, die Band Ton Steine Scherben liefert den Sound für Aufbruch und Protest. Stan Libuda und Rio Reiser sind die Träumer, die die Leser durch ein aufregendes Jahr begleiten und ein Schlaglicht werfen auf die Anatomie der bundesdeutschen Gesellschaft.

At the beginning of 2022, after eight years of political reporting in the US, Jon Sopel returned home to the UK – and having spent almost a third of his career abroad, he found a very different place to the one he left. In Strangeland, his first book since launching the global hit podcast The News Agents, he asks: What is the Britain he’s come home to? In the US, Jon was the outsider looking in, firm in the belief that the common language of English masked our fundamental differences; in terms of values and beliefs, it seemed the British had much more in common with our European neighbours.

The pub is an English institution. But its history has been obscured by myth and nostalgia. In this unique book, Philip Howell takes the public house as an object, or rather as a series of objects: he takes the pub apart and examines its constituent elements, from pub signs to the bar staff to the calling of "time." But Pub also explores the hidden features of the pub, such as corporate control, cultural acceptance and exclusion, and the role of the pub in communities.

Die Entstehung und Geschichte der EU sind vor allem von Integrationsfortschritten auf wirtschaftlichem Gebiet bestimmt, die auch die tragende Funktion der "ersten Säule" für die Gemeinschaft ausmachen. Die Chancen eines gemeinsamen Marktes für Wirtschaftswachstum und Wohlstandsmehrung im Durchschnitt der beteiligten Mitgliedstaaten und ihrer Bevölkerungen waren wohl bis hin zu den jüngsten EU-Erweiterungen die Hauptmotive der Beitrittsgesuche.

Britain's empire has gone. Our manufacturing base is a shadow of its former self; the Royal Navy has been reduced to a skeleton. In military, diplomatic and economic terms, we no longer matter as we once did. And yet there is still one area in which we can legitimately claim superpower status: our popular culture.

Prince Harry has made headlines all over the world with his unruly antics, but instead of being sidelined as the House of Windsor's biggest liability, Prince Henry of Wales has emerged as the jewel in the crown of the modern British Monarchy. Today Harry is the most popular member of the monarchy after Her Majesty herself. He has won the public's heart as the loveable rogue prince and royal heartthrob for girls and women around the world.

London is full of curiosities. Who knew that beneath the Albert Memorial lies a chamber resembling a church crypt? Or that there are catacombs under Camden? Who would expect to find a lighthouse in East London, sphinxes in South London, dummy houses in West London, or a huge bust of film director Alfred Hitchcock in North London?

"Royal Family, News Headlines and True Crime: Britain in the 20th Century" is a book in the series "Bitesize Britain". The book will take listeners on a unique voyage through time, offering bite sized chunks of social history helping the listener gain an understanding and appreciation of the key events that shaped Britain.

Su cosa camminiamo quando percorriamo le strade di Roma? "Sul tetto di case antiche" avrebbe risposto Montaigne, perché è l’unico luogo dove i resti sono "profondi fino agli antipodi". Costruzioni, distruzioni, ricostruzioni, sovrapposizioni, riutilizzi. Strutture edificate e dissolte, mai scomparse seppure incendiate, ridotte a calce, annichilite o trafugate, perché trasformate, riemerse casualmente o reinventate. Se vogliamo conoscere Roma, la città dalle infinite stratificazioni, dobbiamo avvicinare la complessità.

Che cos’hanno in comune una rivolta di pescatori corsi in un mare colorato di rosso, un volantino piegato in quattro trovato nella tasca di una giacca, un circuito elettrico nascosto da un controsoffitto, una telefonata nel cuore della notte e un testo poetico usato nel posto sbagliato? L’inizio di una storia. O di più storie, individuali e collettive, ma sempre con due protagonisti in comune: l’ex magistrato Gian Carlo Caselli e l’Italia.

Tales of Hardship, Love and Happiness in Tate & Lyle’s East End Factories. On an autumn day in 1944, Ethel Alleyne walked the short distance from her house to Tate & Lyle’s refinery on the shining curve of the Thames. Looking up at the giant gates, Ethel felt like she had been preparing for this moment all her life. She smoothed down her frizzy hair, scraped a bit of dirt off the corner of her shoe and strode through. She was quite unprepared for the sight that met her eyes …

While "freaks" have captivated our imagination since well before the 19th century, the Victorians flocked to shows featuring dancing dwarves, bearded ladies, "missing links", and six-legged sheep. Indeed, this period has been described by Rosemarie Garland-Thomson as the epoch of "consolidation" for freakery: an era of social change, enormously popular freak shows, and taxonomic frenzy. Victorian Freaks: The Social Context of Freakery in Britain, edited by Marlene Tromp, turns to that rich nexus, examining the struggle over definitions of "freakery".

In the late 1990s, Manchester was a city in upheaval. The devastation of the IRA bomb and the closure of the infamous Haçienda nightclub were seismic events that rocked the city’s confidence at a time when identikit bands were flooding its clubs and bars, fuelled on anthemic guitar rock and swagger. Stereotypes were everywhere, while the spirit of Manchester was silently suffocating. Mancunians: Where do we start, where do I begin? is the story of those who didn’t fit the typecast.

The story goes that under the influence of blues and rock and roll, Britain suddenly started making spectacularly great music in the 1960s like some clever, quick-learning cultural satellite of America. But Britain’s mid-20th-century pop music explosion didn’t happen from a standing start. The reasons, both dazzling and multifaceted, appear to lie deeper than those legendary deliveries of blues records to Liverpool’s port and the legacy of music halls.

A dispetto delle tante divisioni, storiche e attuali, c'è qualcosa che ci accomuna come italiani. Una serie di tratti che ci rendono immediatamente riconoscibili in qualsiasi luogo del mondo; nel male, ma anche nel bene. Corrado Augias ci accompagna in un viaggio alla scoperta di ciò che definisce il nostro carattere nazionale. Un viaggio particolare, che procede nello spazio e nel tempo, dall'attualità alla ricostruzione storica, passando per il racconto biografico.

Before The Beatles landed on American shores in February 1964, only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for 60% of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman's Hermits, the Dave Clark Five, the Animals, and more placed more than 130 songs on the American Top Forty.