Ergebnis für "Das Mittelalter" in Sozialwissenschaften

In 13 Prozessen aus Geschichte und Gegenwart begegnet Marion Gibson Menschen vom Rande der Gesellschaft, meist Frauen, die als böse und gefährlich abgestempelt, als Hexen angeklagt, verurteilt und nicht selten getötet werden. Die Geschichte hat sie zum Schweigen gebracht, Marion Gibson gibt ihnen ihre Stimmen zurück. Sie erforscht die Überschneidungen von Geschlecht und Macht, indigener Spiritualität und kolonialer Herrschaft sowie politischer Verschwörung und individuellem Widerstand - und zeigt, wie in jeder Epoche und an jedem Ort der Welt Angst als Waffe gegen unliebsame Menschen eingesetzt werden kann.

War das Mittelalter wirklich prüde? War die Kritik an Obrigkeit und Kirche tatsächlich tabu? Wie stand es um die Rolle der Frau in Literatur und Gesellschaft? Diese und viele weitere Fragen werden Natalie Mlynarski-Jung und Hans Levin als Hosts anhand spannender Kurzerzählungen aus dem Mittelalter mit verschiedenen Expert*innen der Germanistischen Mediävistik erörtern. Für einzelne dieser Erzählungen ist auch zu diskutieren, aus welcher (kritischen) Haltung heraus eine Auseinandersetzung mit ihnen erfolgen sollte: Wie und wozu muten wir uns (mutmaßlich) misogyne, obszöne und brutale ...

Der Podcast über Alltagsleben, Politik und Kultur im Mittelalter. Mönchsgeflüster ist mehr als ein Geschichtspodcast: Hier berichten Wissenschaftler*innen aus der Archäologie, Kunstgeschichte, den Geschichts- und Sprachwissenschaften aus ihrem je eigenen Blickwinkel über eine bunte Auswahl spannender Themen. Der Podcast entsteht im Rahmen der Großen Landesausstellung "Welterbe des Mittelalters – 1300 Jahre Klosterinsel Reichenau" und legt daher einen Schwerpunkt auf Themen der Kloster- und Kirchengeschichte. Die Große Landesausstellung "Welterbe des Mittelalters – 1300 Klosterinsel ...

In The Once and Future Sex, Janega unravels the restricting expectations on medieval women and the ones on women today. She boldly questions why, if our ideas of women have changed drastically over time, we cannot reimagine them now to create a more equitable future.

Obwohl Geburten zentral für unser gesellschaftliches Zusammenleben und Fortbestehen sind, bleiben konkrete Erfahrungen des Geborenwerdens und Gebärens oft im Dunkeln und werden im öffentlichen Diskurs häufig als »Nischenthema« oder spezielle Ausnahmeerfahrung mit begrenzter gesellschaftlicher Relevanz diskutiert. Helena Barop findet die Ursachen dafür in einer bis heute nachwirkenden Kultur der Bevormundung von Schwangeren unter der Geburt.

Jason and the Golden Fleece is one of the finest tales of Ancient Greece, an epic journey of adventure and trial standing beside similar stories of Perseus, Theseus and the Labours of Heracles. The finest classic account comes from Apollonius of Rhodes, the Greek poet of the 3rd century BCE and librarian at Alexandria. Though less well-known than Homer's Iliad and Odyssey, and much shorter, it is an epic poem which is both exciting and moving, with remarkably vivid portraits of the main characters, Jason and Medea.

Under the order of King Pelias, Jason embarks on a perilous journey to steal the Golden Fleece from the Land of Colchis. Far from heroic, Jason is the typical everyman. Often compared with Homer's Iliad and Odyssey, Jason and the Argonauts is the only surviving poem from the Hellenistic period and was hugely influential on later literature, especially the Roman poetry of Virgil and Ovid.

How much of our fate is tied to the status of our parents and grandparents? How much does this influence our children? More than we wish to believe. While it has been argued that rigid class structures have eroded in favor of greater social equality, The Son Also Rises proves that movement on the social ladder has changed little over eight centuries.

Valkyries: the female supernatural beings that choose who dies and who lives on the battlefield. They protect some, but guide spears, arrows, and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war - to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings.

The Battle of Hastings and its aftermath nearly wiped out the leading families of Anglo-Saxon England—so what happened to the children this conflict left behind? Conquered offers a fresh take on the Norman Conquest by exploring the lives of those children, who found themselves uprooted by the dramatic events of 1066. Among them were the children of Harold Godwineson and his brothers, survivors of a family shattered by violence who were led by their courageous grandmother Gytha to start again elsewhere.

Between the 12th and 15th centuries in Europe, not all women fit the stereotype of passive housewife and mother. Many led bold and dynamic lives. In this collection of historical portraits, Maria Teresa Brolis tells the fascinating tales of fashion icons, art clients, businesswomen, saints, healers, lovers, and pilgrims - both famous and little known - who challenge conventional understandings of the medieval female experience. Drawing on evidence from literary works and archival documents, Brolis pieces together an intricate overview of 16 women's lives.

The Theogony "the genealogy or birth of the gods" is a poem by Hesiod (8th – 7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony.

Hedda Gabler is one of the most interesting and intricate figures to appear on stage. Her boredom with her mariage and jealousy of her former lover set off a chain of events that result in an untimely death. Oh, but the deceased did "die beautifully"!

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

In historian Tabitha Stanmore’s beguiling account, we meet lovelorn widows, dissolute nobles, selfless healers, and renegade monks. We listen in on Queen Elizabeth I’s astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in a bewildering world, buffeted by forces beyond their control. As Stanmore reveals, their faith in magic has much to teach about how to accommodate the irrational in our allegedly enlightened lives today.

Passion and intrigue among the upper classes form the basis of Lady Windermere's Fan, Oscar Wilde's first successful play, which displays his trademark wit and wisdom. Beautiful and innocent Lady Windermere finds out that her husband has been keeping company with the scandalous and mysterious Mrs. Erlynne. Her discovery unleashes a host of tensions at her 21st birthday party, where London's elite have gathered to gossip.

Sei storie esemplari di donne del Medioevo e del loro rapporto con la maternità. C’è l’esperienza di Dhuoda (vissuta nel IX secolo), il cui figlio Guglielmo fu consegnato come ostaggio a Carlo il Calvo; c’è – due secoli dopo – la vicenda di Matilde di Canossa, donna potentissima ma delusa nelle sue aspettative di maternità. C’è l’esempio di Caterina da Siena, che pur non avendo figli agisce e scrive da "grande madre" italiana. C’è Christine de Pizan, impegnata nell’ultimo scorcio di Medioevo a destreggiarsi tra i figli e la carriera.

Was ist ein Mittelaltermarkt und warum kommt man nie wieder davon los? Das Offensichtliche und das nicht ganz so Offensichtliche über Mittelaltermärkte für Anfänger*innen und Fortgeschrittene

Captured centaurs and satyrs, incompetent seers, people who suddenly change sex, a woman who remembers too much, a man who cannot laugh—these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology—from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes. This unique anthology presents the largest collection of these tales ever assembled.

Thomas Bulfinch introduces us to the gods of the Greek, Roman, and Norse mythologies. We learn their stories and we also observe the similarities between the deities of yore. Comparing these stories and characters to those of some modern religions may produce some surprising results!