Ergebnis für "Black" in Sozialwissenschaften

The story of Christine Jorgensen, America's first prominent transsexual, narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives. Their erasure from trans history masks the ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-19th century to present-day anti-Black and anti-trans legislation and violence.

America’s backstory is a whitewashed mythology implanted in our collective memory. It should come as no surprise that the dominant narrative of American history is blighted with errors and oversights—after all, history books were written by white men with their perspectives at the forefront. It could even be said that the devaluation and erasure of the Black experience is as American as apple pie. In Black AF History, Michael Harriot presents a more accurate version of American history.

Award-winning journalist and CNN correspondent Elle Reeve was not surprised by the insurrection at the Capitol on January 6, 2021. With years of in-depth research and on-the-ground investigative reporting under her belt, Reeve was aware of the preoccupations of the online far right and their journey from the computer to QAnon, militias, and racist groups. At the same time, Reeve saw a parallel growth of counterforces, with citizen vigilantes using new tools and tactics to take down the far right.

Frantz Fanon's urgent, dynamic critique of the effects of racism on the psyche is a landmark study of the Black experience in a white world. Drawing on his own life and his work as a psychoanalyst to explore how colonialism's subjects internalize its prejudices, eventually emulating the 'white masks' of their oppressors, it established Fanon as a revolutionary anti-colonialist thinker.

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."

"Darf ich mal deine Haare anfassen?", "Wo kommst du her?" Wer solche Fragen stellt, meint es meist nicht böse. Aber dennoch: Sie sind rassistisch. Warum, das wollen weiße Menschen oft nicht hören. Alice Hasters erklärt es trotzdem. Eindringlich und geduldig beschreibt sie, wie Rassismus ihren Alltag als Schwarze Frau in Deutschland prägt. Dabei wird klar: Rassismus ist nicht nur ein Problem am rechten Rand der Gesellschaft.

There is an obesity epidemic in this country, and poor Black women are particularly stigmatized as "diseased" and a burden on the public health-care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than 200 years ago.

Black Revolutionaries is an accessible yet rigorously argued history of the Black Panther Party (BPP), one of the emblematic organizations of the 1960s. Joe Street highlights the complexity of the BPP's history through three key themes: the BPP's intellectual history, its political and social activism, and the persecution its members endured. Together, these themes confirm the BPP's importance in understanding Black America's response to white oppression in the 1960s and 1970s.

James Keene had it all: cars, girls, houses up and down the Gold Coast. But behind his well-connected star athlete façade was a money-obsessed drug dealer desperate to make the big score to get him out of the business. When he was sentenced to prison, it seemed the only lessons he would learn would be about navigating convict society. Instead, he was offered a chance to regain his freedom in return for going undercover in the nation’s highest security prison for the criminally insane.

Black History Unveiled: From the Continent to the Diaspora is a podcast by Swedish-Gambian journalist and author Amat Levin. It focuses on the part of world history that has received shockingly little attention. The podcast highlights gripping historical events, fascinating places, and exciting people that have been conspicuous by their absence in our history books.Some episodes are about things that happened hundreds, even thousands of years ago. Others take place more recently and touch on scenes many of us may have witnessed. The stories are inspiring, illuminating, startling, and ...

Virtually anyone, anywhere knows that six million Jewish human beings were killed in the Jewish Holocaust. But how many African human beings were killed in the Black Holocaust - from the start of the European slave trade (c. 1500) to the Civil War (1865)? And how many were enslaved? The Black Holocaust, a travesty that killed millions of African human beings, is the most underreported major event in world history.

This program is read by the author. When detective Ron Stallworth, the first Black detective in the history of the Colorado Springs Police Department, comes across a classified ad in the local paper asking for all those interested in joining the Ku Klux Klan to contact a PO box, Detective Stallworth does his job and responds with interest, using his real name while posing as a White man.

Black Girl Uninterrupted is a student-led podcast amplifying the voices of three Black women navigating college life from three powerful and distinct lenses: pre-med, criminal justice, and mass communications. Through honest, unfiltered conversations, we dive into the complexities of identity, education, culture, and mental health bringing together personal experience, academic insight, and Black girl truth.

In Black and Blur - the first volume in his sublime and compelling trilogy Consent Not to Be a Single Being - Fred Moten engages in a capacious consideration of the place and force of Blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms.

1972. The Munich Olympics. Palestinian members of the Black September group murder 11 Israeli athletes. Nine hundred million people watch the crisis unfold on television, witnessing a tragedy that inaugurates the modern age of terror.

With a career, a boyfriend, and a loving family, Piper Kerman barely resembles the reckless young woman who delivered a suitcase of drug money 10 years before. But that past has caught up with her. Convicted and sentenced to 15 months at the infamous federal correctional facility in Danbury, Connecticut, the well-heeled Smith College alumna is now inmate #11187-424 - one of the millions of people who disappear “down the rabbit hole” of the American penal system.

Slaves to Fashion is a cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art world. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

Acclaimed linguist and award-winning writer John McWhorter argues that an illiberal neoracism, disguised as antiracism, is hurting Black communities and weakening the American social fabric.

Winner of the PEN Hessell-Tiltman Prize Winner of the Longman History Today Trustees’ Award Longlisted for the Orwell Prize Unflinching and revealing, Black and British is a vital history that reveals how black British lives have been woven into the fabric of the nation for centuries – from...

Roots is a groundbreaking story of history and family that spanned continents and touched generations. One of the most important books and television series ever to appear, Roots galvanized the nation and created an extraordinary political, racial, social, and cultural dialogue that hadn’t been seen since the publication of Uncle Tom’s Cabin. The book sold more than one million copies in the first year, and the miniseries was watched by an astonishing 130 million people. It also won both the Pulitzer Prize and the National Book Award.