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Philip Norman turns his formidable talent to the Beatle for whom belonging to the world's most beloved pop group was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, here is the definitive portrait of John Lennon. This biography takes a fresh and penetrating look at Lennon's much-chronicled life, including the songs that have turned him, posthumously, into almost a secular saint.

Nachdem seine Mutter ihm zuvor ein paar Akkorde auf dem Banjo beigebracht hatte, gründete John Lennon zusammen mit ein paar Kumpels aus der Schule 1956 die Band "The Quarrymen". Wenige Jahre später benannten sie sich um in "The Silver Beatles" – der Rest ist Musikgeschichte. Die Beatles wurden zur erfolgreichsten Band aller Zeiten und John Lennon zur Legende. Er schuf mit "Help!" oder "Imagine" Songs, die jedes Kind kennt, und war das Gesicht der Friedensbewegung.

Being John Lennon is not about the whitewashed Prince of Peace of 'Imagine' legend, because that was only a small part of him. Nor is it about the permanently angry young rebel of the movie Nowhere Boy, or even the ranting Beatles iconoclast of the Rolling Stone interviews. All three of those personae had a degree of truth in them. But the John Lennon depicted in these pages is a much more kaleidoscopic figure, sometimes almost a collision of different characters.

Dass Frank Goosen Beatles-Fan wurde, hatte mit Schwarzarbeit zu tun. Mit den Worten "Gib mir kein Geld, gib mir lieber ein paar Platten für meinen Jungen!", ließ Goosen Senior sich Ende der Siebziger von einem Elektrohändler für ein paar nach Feierabend angeschlossene Steckdosen mit Beatles-Scheiben bezahlen. Damit war es um den 13-Jährigen geschehen. Goosen spürt seiner lebenslangen Obsession für die "Fab Four" nach: in der Erinnerung an seine Kindheit und Jugend im Ruhrgebiet und an den Originalschauplätzen in Liverpool - kenntnisreich, berührend-persönlich und irre witzig.

There's only one book that ever truly got inside the Beatles, and this is it. During 1967 and 1968, Hunter Davies spent 18 months with the Beatles at the peak of their powers as they defined a generation and rewrote popular music. As their only-ever authorised biographer, he had unparalleled access - not just to John, Paul, George, and Ringo, but to friends, family, and colleagues. He collected a wealth of intimate and revealing material that makes this the classic Beatles book - the one all other biographers look to.

Malcolm Evans, the Beatles’ long-time roadie, personal assistant, and devoted friend, was an invaluable member of the band’s inner circle. A towering figure in horn-rimmed glasses, Evans loomed large in the Beatles’ story, contributing at times as a performer and sometime lyricist, while struggling mightily to protect his beloved “boys.” He was there for the whole of the group’s remarkable, unparalleled story: from the Shea Stadium triumph through the creation of the timeless cover art for Sgt. Pepper’s Lonely Hearts Club Band and the famous Let It Be rooftop concert.