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Damien Montgomery serves the Mage-King of Mars as a Hand: a troubleshooter, judge, and roving representative. Now, his duties have brought him home and into conflict with his fellows. A Hand is dead in nuclear fire amongst the mountains of Mars. The conspiracy she served is broken and scattered, but Damien must know who they are and what drove them. What secrets could convince a Hand of the Mage-King to betray everything?

When our universe falls in the gods' crosshairs, only one woman can stand against them.... Kat Dubois. Immortal. Ex-assassin. Humanity's last hope. Kat has finally embraced her role as the Nejeret figurehead, diving headlong into the mission to forge an alliance between her people and the human race. Only then will they finally be able to defeat the Senate. Progress is painfully slow, and not remotely steady...until a terrorist attack provides Kat with a lead that just might turn the tide of the war.

The circus of death to prove the worth of mankind is reaching its bloody finale. Fighting the monsters threatening to overwhelm mankind brought out the best and the worst out of humanity. And true to its purpose as a measurement of worthiness, ultimate victory in the raids would require more than just strength. The final chapter awaits, the judgment of the fate of mankind is about to begin.

Travis Miller, his image reformed from the moron who screwed up our first contact with aliens to one of the heroes of the Battle for Eden, is given a new assignment: Retake the occupied colony of Brigantia. Losing it would be a glancing blow to the Tahni Imperium, but it would be Earth’s first solid strike against them, a chance to go on the offensive. Ryan Hendrix and the Fleet Marines will be the tip of the spear, outfitted with their new Aegis-powered armor, while Jessica Leer and her Fleet Strike fighter squadron clear the way for the Marines and their landers.

Critique of Judgement was published in 1790 and is divided into two parts, the Critique of Aesthetic Judgement and the Critique of Teleological Judgement. Our ‘judgements of taste’, as Kant describes our aesthetic judgements, have both a personal and a universal function: personal, because we have a subjective aesthetic response to the ‘agreeable’, the ‘beautiful’, the ‘sublime’ and the ‘good’; but also there is a ‘universal’ aspect because our aesthetic response has a ’disinterested’ element. This brings under Kant’s spotlight, for example, the concept of beauty and the perception of beauty. 

A psychopathic killer targets San Francisco's most innocent and vulnerable A young mother and her infant child are ruthlessly gunned down while returning to their car in the garage of a shopping mall. There are no witnesses, and Detective Lindsay Boxer is left with only one shred of evidence: a...