Ergebnis für "1" in Afrika

Ifé Lela feels invisible at school. Her classmates whisper. Her teacher touches her hair without asking. Even her favorite lunch draws stares and giggles. Every day makes her wish she could disappear. But one quiet evening, when her tears fall into a warm bath, something magical begins. The water starts to shimmer, the air hums with light, and the bathtub becomes a doorway to another world — a world where colors dance, kindness blooms, and every child belongs.

Les contes africains, tels que les contes bamilékés racontés en nufi et traduits en français, représentent un moyen d'éducation traditionnellement privilégié pour instruire les enfants. Dans ces récits, les animaux sont souvent dotés de traits humains pour éviter d'utiliser des êtres humains comme protagonistes. Ils étaient autrefois transmis de génération en génération par les aèdes et les griots, souvent autour d'un feu de bois en attendant la cuisson du repas. Ces contes étaient considérés comme plus captivants que les émissions de télévision modernes.

On the day of the Harvest Festival, the old woman who lives in the forest appears in Abeni's village with a terrible message: You ignored my warnings. It’s too late to run. They are coming. Warriors with burning blades storm the village. A man with a cursed flute plays an impossibly alluring song. And everyone Abeni has ever known and loved is captured and marched toward far-off ghost ships set for even more distant lands. But not Abeni. Abeni is magically whisked away by the old woman.

¿Cómo es posible que en lugares tan distantes del mundo se hayan inventado historias tan similares? ¿Es el mismo cuento que viajó de tierra en tierra y fue cambiando en cada una? ¿O en tierras distantes, distintas personas inventaron historias semejantes? Este cuento africano, Las calabazas del Kouss, narra una historia de buenos y malos, premios y castigos, que se cuenta un poco distinto, un poco parecido, en todos los lugares del globo.

These are stories based on folktales across Africa. There are added characters and a modern twist for kids

For most kids, catching fireflies is a fun summer activity. For twelve-year-old Serwa Boateng, it's a matter of life and death. That's because Serwa knows that some fireflies are really adze, shapeshifting vampires from the forests of Southeastern Ghana. Adze prey on the blood of innocents, possessing their minds and turning them into hulking monsters, and for generations, slayers like Serwa and her parents have protected an unknowing public from their threats.

For as long as she can remember, Yomi has heard stories about Nkara – magnificent creatures that roam the African continent. Now she’s about to meet them for real! Yomi and her brother Kayode are on a trip to The Gambia when they witness the Dragon King Ninki Nanka being kidnapped from the sky. Determined to save him, Yomi and Kay uncover secrets and meet magnificent beasts – but will it be enough to save Ninki Nanka?

Quand l'auteur Peddar Panga était jeune, ses parents et grands-parents ont partagées avec lui des histoires relatives aux animaux. Parfois drôle, parfois triste, ces fables amusantes venaient toujours avec des leçons illustrant les vérités universelles de la vie. Les Contes des Miroirs rassemblent cinquante tels contes, récrits pour un public moderne.

Storie, leggende e miti che affondano le loro radici nell'immaginario fantastico del continente africano: "La giraffa vanitosa", "Perché l'elefante è così grande", "Perché la gente muore e non rinasce più?", "Il leone ingrato", "Prova d'amore, "Perché ci sono tanti stupidi al mondo", "Com'è fatto il mondo" una fiaba africana dal Senegal, "Lo straniero e il cimitero" un racconto dal Kenya e "Il cacciatore di serpenti e il pitone" una fiaba dal Kenya.