Ngaio Marsh’s most popular novel begins when a young New Zealander’s first contact with the English gentry is the body of Lord Wutherford - with a meat skewer through the eye.... The Lampreys had plenty of charm - but no cash. They all knew they were peculiar - and rather gloried in it. The double and triple charades, for instance, with which they would entertain their guests - like rich but awful Uncle Gabriel, who was always such a bore.

It started as a student exercise, the knife under the drape, the model's pose chalked in place. But before Agatha Troy, artist and instructor, returns to the class, the pose has been re-enacted in earnest: the model is dead, fixed for ever in one of the most dramatic poses Troy has ever seen. It's a difficult case for Chief Detective Inspector Alleyn. How can he believe that the woman he loves is a murderess? And yet no one can be above suspicion.

A country house murder, artistic insight and the postwar reunion of Alleyn and Troy combine in Ngaio Marsh’s wittiest and most readable novel. Agatha Troy, world-famous portrait painter, is inveigled into accepting a commission to paint the 70-year-old Sir Henry Ancred, Bart., the Grand Old Man of the stage. But just as she has completed her portrait, the old actor dies.

Maurice Questing was left to die in a pool of boiling mud. Chief Inspector Roderick Alleyn knew that any number of people could have killed him: the English exiles he'd hated, the New Zealanders he'd despised or the Maoris he'd insulted. Even the spies he'd thwarted - if he wasn't a spy himself.

Wealthy Sir Hubert Handesley's original and lively weekend house parties are deservedly famous. To amuse his guests, he has devised a new form of the fashionable Murder Game, in which a guest is secretly selected to commit a 'murder' in the dark, and everyone assembles to solve the crime. But when the lights go up this time, there is a real corpse....

Lord Pastern fired his revolver. The figure in the spotlight fell, and the coup-de-theatre had become murder. Could Inspector Alleyn believe Pastern had let hatred of his future son-in-law go too far? Or would the tangle of jealousies and blackmail among the guests reveal another murderer?

A touring theatre company in New Zealand forms the basis of one of Marsh’s most ambitious and innovative novels. New Zealand theatrical manager Alfred Meyer wanted to celebrate his wife’s birthday in style. The piece de résistance would be the jeroboam of champagne which would descend gently into a nest of fern and coloured lights on the table, set up on stage after the performance. But something went horribly wrong. Chief Detective Inspector Alleyn witnessed it himself.

Dreams of stardom had lured Martyn Tarne from faraway New Zealand to make the dreary, soul-destroying round of West End agents and managers in search of work. The Vulcan Theatre had been her last forlorn hope, and now, driven by sheer necessity, she was glad to accept the humble job of dresser to its leading lady. And then came the eagerly awaited opening night.

The crime scene was the stage of the Unicorn Theatre, when a prop gun fired a very real bullet; the victim was an actor clawing his way to stardom using bribery instead of talent; and the suspects included two unwilling girlfriends and several relieved blackmail victims. The stage is set for one of Roderick Alleyn's most baffling cases.

Sir John Phillips, the Harley Street surgeon, and his beautiful nurse, Jane Harden, are almost too nervous to operate. The emergency case on the table before them is the Home Secretary - and they both have very good, personal reasons to wish him dead. Within hours he does die, although the operation itself was a complete success, and Chief Detective Inspector Alleyn must find out why....

The lives of the inhabitants of Swevenings are disrupted only by a fierce competition to catch the Old Un, a monster trout known to dwell in a beautiful stream which winds past their homes. Then one of their small community is found brutally murdered; beside him is the freshly killed trout. Both died by violence - but Chief Detective Inspector Roderick Alleyn's murder investigation seems to be much more interested in the fish.

Pagan revelry and morris dancing in the middle of a very cold winter set the scene for one of Ngaio Marsh’s most fascinating murder mysteries. When the pesky Anna Bünz arrives at Mardian to investigate the rare survival of folk dancing still practised there, she quickly antagonizes the villagers. But Mrs Bünz is not the only source of friction - two of the other enthusiasts are also spoiling for a fight.

The Gyrth family had guarded the Chalice for hundreds of years. It was held by them for the Crown. Its antiquity, its beauty, the extraordinary legends that were connected with it, all combined to make it unique of its kind. It was irreplaceable. No thief could hope to dispose of it in the ordinary way. And indeed no ordinary thief would dream of trying. But there are others besides those who make their living by robbery, others whose immense wealth and passion for collecting render them less immune to the practical considerations that must guide even the less honestly minded citizens.

The elderly Emily Pride is perfectly pleased to have inherited an island, even if her starchy pragmatism is ever so faintly appalled by the Pixie Falls spring and its reported miraculous healing properties. But really, the locals' attempts to capitalize on the 'miracles' are entirely too tacky - Ye Olde Gift Shoppe, the neon signs…not on Miss Emily’s watch, thank you.

It should have been a lovely English country-house weekend. But the unfortunate guest list is enough to exasperate a saint, and the host, Sir Arthur Billington-Smith, is an abusive wretch hated by everyone – from his disinherited son to his wife's stoic would-be lover. When Sir Arthur is found stabbed to death, no one is particularly grieved and no one has an alibi. The unhappy guests find themselves under the scrutiny of Scotland Yard's cool-headed Inspector Harding, who has solved tough cases before.