Ngaio Marsh returns to her New Zealand roots to transplant the classic country house murder mystery to an upland sheep station on South Island - and produces one of her most exotic and intriguing novels. One summer evening in 1942, Flossie Rubrick, MP, one of the most formidable women in New Zealand, goes to her husband’s wool shed to rehearse a patriotic speech - and disappears.

Ngaio Marsh’s most popular novel begins when a young New Zealander’s first contact with the English gentry is the body of Lord Wutherford - with a meat skewer through the eye.... The Lampreys had plenty of charm - but no cash. They all knew they were peculiar - and rather gloried in it. The double and triple charades, for instance, with which they would entertain their guests - like rich but awful Uncle Gabriel, who was always such a bore.

Pagan revelry and morris dancing in the middle of a very cold winter set the scene for one of Ngaio Marsh’s most fascinating murder mysteries. When the pesky Anna Bünz arrives at Mardian to investigate the rare survival of folk dancing still practised there, she quickly antagonizes the villagers. But Mrs Bünz is not the only source of friction - two of the other enthusiasts are also spoiling for a fight.

The lives of the inhabitants of Swevenings are disrupted only by a fierce competition to catch the Old Un, a monster trout known to dwell in a beautiful stream which winds past their homes. Then one of their small community is found brutally murdered; beside him is the freshly killed trout. Both died by violence - but Chief Detective Inspector Roderick Alleyn's murder investigation seems to be much more interested in the fish.... Scales of Justice was first published in 1955.

On a cold February night, the police find the third corpse on the quayside in the Pool of London, her body covered with flower petals and pearls. The killer walked away singing. When the cargo ship Cape Farewell sets sail, she carries nine passengers, one of whom is known to be the murderer. Which is why Superintendent Roderick Alleyn joins the ship at Portsmouth on the most difficult assignment of his professional career....

A country house murder, artistic insight and the postwar reunion of Alleyn and Troy combine in Ngaio Marsh’s wittiest and most readable novel. Agatha Troy, world-famous portrait painter, is inveigled into accepting a commission to paint the 70-year-old Sir Henry Ancred, Bart., the Grand Old Man of the stage. But just as she has completed her portrait, the old actor dies.

Lord Pastern fired his revolver. The figure in the spotlight fell, and the coup-de-theatre had become murder. Could Inspector Alleyn believe Pastern had let hatred of his future son-in-law go too far? Or would the tangle of jealousies and blackmail among the guests reveal another murderer?

The elderly Emily Pride is perfectly pleased to have inherited an island, even if her starchy pragmatism is ever so faintly appalled by the Pixie Falls spring and its reported miraculous healing properties. But really, the locals' attempts to capitalize on the 'miracles' are entirely too tacky - Ye Olde Gift Shoppe, the neon signs…not on Miss Emily’s watch, thank you.

Rickie Alleyn, son of the famed detective Roderick Alleyn, had taken to the peaceful Channel Island village of Deep Cove to write his book. However, soon enough the tedium of provincial life threatens to send him packing - until, that is, he finds a dead stablehand, and the sleepy community's world is upturned. His father is called to take proceedings into hand, but as a darker side to island life emerges, one of illegal drugs and smuggling, Rickie goes missing.

Dreams of stardom had lured Martyn Tarne from faraway New Zealand to make the dreary, soul-destroying round of West End agents and managers in search of work. The Vulcan Theatre had been her last forlorn hope, and now, driven by sheer necessity, she was glad to accept the humble job of dresser to its leading lady. And then came the eagerly awaited opening night.

In a poisonous cloud of spray, the curtain falls on a drama queen. Little did beloved British actress Mary Bellamy know that she would be done in at her own birthday party - choked by toxic mist from the bottle of Slaypest, a deadly insecticide. Basking in the glow of her most adoring fans - who all happened to be her most duplicitous enemies - Mary would make her final performance.

The crime scene was the stage of the Unicorn Theatre, when a prop gun fired a very real bullet; the victim was an actor clawing his way to stardom using bribery instead of talent; and the suspects included two unwilling girlfriends and several relieved blackmail victims. The stage is set for one of Roderick Alleyn's most baffling cases.

It started as a student exercise, the knife under the drape, the model's pose chalked in place. But before Agatha Troy, artist and instructor, returns to the class, the pose has been re-enacted in earnest: the model is dead, fixed for ever in one of the most dramatic poses Troy has ever seen. It's a difficult case for Chief Detective Inspector Alleyn. How can he believe that the woman he loves is a murderess? And yet no one can be above suspicion.

When the exuberant president of Ng'ombwana proposes to dispense with the usual security arrangements on an official visit to London, his old schoolmate, Chief Superintendent Alleyn, is called in to persuade him otherwise. Consequently, on the night of the embassy's reception, the house and grounds are stiff with police.

Murder, blackmail and drug dealing on the Tiber combine in one of Ngaio Marsh’s liveliest and most evocative novels. When their guide disappears mysteriously in the depths of a Roman basilica, the members of Mr. Sebastian Mailer’s tour group seem strangely unperturbed. But when a body is discovered in an Etruscan sarcophagus, Superintendent Alleyn, in Rome incognito on the trail of an international drug racket, is very much concerned.