The queen bee of the fictional village of Riseholme, Mrs. Emmeline ‘Lucia’ Lucas is a snobbish yet oddly charming woman who prides herself on being the cultural and intellectual leader of her community. She dabbles in art, plants Shakespeare-themed flower arrangements in her garden and uses fake Italian phrases to maintain her social standing. Trouble brews when some new arrivals to town – including the glamorous opera singer Olga Bracely and the eccentric spiritualist Daisy Quantock – begin to challenge Lucia’s hold over Riseholme.

Marian is determinedly ordinary, waiting to get married. She likes her work, her broody flatmate and her sober fiancé Peter. All goes well at first, but Marian has reckoned without an inner self that wants something more, that calmly sabotages her careful plans, her stable routine—and her digestion. Marriage à la mode, Marian discovers, is something she literally can't stomach . . .

Rikki Thunder, twenty-two-year-old drummer for the scorching new ’80s metal band Whyte Python, is about to have it all: absurd wealth, global fame, and a dream girlfriend. But an unwitting role as an international spy? That was definitely not part of the plan.

Someone wants to murder Princess Melilot. This is sadly normal. Melilot is sick of being ordered to go on dangerous quests by her domineering stepmother. Especially since she always winds up needing to be rescued by her more magically talented stepsisters. And now, she's been commanded to marry a king she’s never met. When hideous spider-wolves attack her on the journey to meet her husband-to-be, she is once again rescued—but this time, by twelve eerily similar-looking masked huntsmen.

When Milan Patel, a high-end event planner in New York City, visits his parents at their family-run motel in Montana, he’s already expecting the usual drama. But shortly after he arrives, Milan’s father mysteriously drowns in the motel pool. Now everyone’s a suspect. What was meant to be a quick trip becomes Milan’s worst nightmare: reconnecting with his past so he can solve his father’s murder.

Sampath Chawla was born in a time of drought that ended with a vengeance the night of his birth. All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

Money is everything. Especially to John Self, a successful commercial director from London. He spends his days steeped in booze and pornography and prostitutes, lost in the hedonistic lifestyle of his peers. But John has bigger dreams, and he sets off for America on the invitation of the filmmaker Fielding Goodney in the hope of getting his first feature film, titled Good Money, off the ground. It is in America where John must contend with his degenerative proclivities, or risk the life he’s built.

In Alison Bechdel’s hilariously skewering and gloriously cast new comic novel confection, a cartoonist named Alison Bechdel, running a pygmy goat sanctuary in Vermont, is existentially irked by a climate-challenged world and a citizenry on the brink of civil war. She wonders: Can she pull humanity out of its death spiral by writing a scathingly self-critical memoir about her own greed and privilege?

In a provocative novel addressing contemporary immigration by the sharply observant Lionel Shriver, a New York family takes in a Honduran migrant—who may or may not be the innocent paragon she claims to be.

Ted’s missing briefcase has become a cause célèbre.Ever since the day he left it behind in the woods, and someone else took it, it’s remained his primary mission to get it back. And now, that undertaking has lead him to foreign climes and a daring rescue mission. Many people have asked Ted what’s in the briefcase, and why getting it back means so much to him. Maybe the answer lies with the film supremo Quentin Tarantino, who said the value of the briefcase in his classic 1994 movie Pulp Fiction lay not in its contents, but actually in the briefcase itself.

Partisan de la position allongée, Oblomov ne trouve le bonheur que dans le sommeil. Ni son ami Stolz, incarnation de l'énergie et de l'esprit d'entreprise, ni la belle Olga avec qui se nouera l'embryon d'une idylle, ne parviendront à le tirer de sa léthargie. Entreprendre et aimer sont décidément choses trop fatigantes. Grand roman de mœurs, Oblomov offre une satire mordante des petits fonctionnaires et des barines russes.

World famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. Fletch’s publisher, Merriweather Press, has invited six authors to Fletch’s private island in Scotland. Authors whose books have never had the big marketing budgets or publicity opportunities. In other words, midlist. And they’re about to be presented with the opportunity of a lifetime.

Six is 6′7″, scheming to rejoin the starting lineup, and barely checks her phone. Green is 6′1″, always building her brand, and secretly jealous of her more famous girlfriend. Together, they’re going where no Asian American trans woman has gone before: the men’s pro indoor volleyball league. Our hot girls with balls just thought playing with the boys would spare them some controversy . . . haha.

Timothy ‘Timbo’ Smith, part-time healer and self-styled security analyst, travels down the dark canyons of global capitalism, from short-selling scams in the City to the depleted rainforests of Brazil. His accomplices in this irresistible safari through the late modern world are two reformed alcoholics, the lovely and brilliant Lee ‘Lethal’ Thorold, and her husband Professor Luke Deverill, lecherous Oxford philosopher and caustic computer wizard.

Charles Highway, a bright, egotistical Oxford student and soon-to-be Great Novelist, spends the eve of his twentieth birthday reflecting on his adolescence—at times stimulating, often embarrassing, and never nearly as debauched as he’d have liked. Until he meets Rachel Noyes, an elusive, unattainable, manic pixie mystery of a girl whom Charles quickly becomes entranced by. He meticulously draws up battle plans and strategies for how to seduce Rachel, and thus the “Rachel Papers” are born.

Richard Tull, a disillusioned and failed novelist, seethes with envy as he watches his longtime friend Gwyn Barry, a mediocre, populist writer, rise to literary stardom. Barry is adored by readers, celebrated by critics, and constantly in the public eye, while Tull sinks deeper into obscurity, unable to escape the evidence of his own failure. Determined to claw his way out, Tull devises a plan to ruin Barry—gathering the secrets and information that could lead to his downfall.

Within the quiet walls of the Appleseed Rectory, a gorgeous five-bedroom, three-story home in rural England, anything goes: the drugs are consumed with gusto, the booze flows like water, and the sex is near constant and deliciously debauched. When six uppity twenty-somethings gather at the rectory for a careless weekend away, things quickly go awry. And when someone named Johnny begins leaving threatening letters around the house, the group is thoroughly shaken—no one has any clue who this “Johnny” could be.

Foster brothers Terence Service and Gregory Riding could not be more different from one another—Terry “a quivering condom of neurosis and ineptitude” and Greg a “bundle of contempt, vanity and stock-response.” After the shocking killing of Terry’s child sister, he is taken in by the aristocratic and wealthy Riding family and introduced to his new foster brother and sister, Greg and Ursula. As adults, the two boys unhappily share a tiny apartment in London.

Saffy Huntley-Oliver's life is going great. Even better than usual! She's got a fabulous new boyfriend, Jonathan, and they are crazy in love; she has literally got away with (lots of) murder; her favourite hairstylist has got out of jail so she can finally get a proper blow-out; and now that she's no longer single, she can get back to her favourite hobby of killing all the bad men she can find.

The excoriating stories in Mark Doten's brilliant first collection dissect the pathological narratives that shape our culture and country. Narrated by a crosscutting array of White people, Doten's stories spotlight the self-serving logic through which their characters struggle to make sense of, and take control of, the narrative of our time.