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George Michael was an extravagantly gifted, openhearted soul singer whose work was both pained and smolderingly erotic. He was a songwriter of true craft and substance, and his music swept the world, starting in the mid-1980s. His fabricated image—that of a hypermacho sex god—loomed large in the pop culture of his day. It also hid—for a time—the secret he fought against revealing: Michael was gay. George Michael: A Life explores the compelling story of a superstar whose struggles, as well as his songs, continue to touch fans all over the world.

Time Rider follows Bowie, an agent from a post-democracy future state known as the Design—where humanity is stratified into genetic castes, and emotional connections have been engineered away. Sent to 1963 on a mission to preserve a lynchpin moment of history from temporal terrorists: the assassination of the American President. Baffled by what he finds in Dallas, Bowie soon discovers that something far more strange and sinister is at work.

Like many post-9/11 combat veterans, JT Blatty struggled to regain her sense of purpose in the first years returning home from Afghanistan and Iraq. In 2018, a chance encounter brought her to Ukraine, drawn in by the familiarity of war and those who serve in wars. Over five years, JT captured the oral history and portraits of a tribe of revolutionaries, the Donbas volunteer soldiers. As she embedded with them on the front line in bunkers and forests, and in Kyiv flats, JT's story began to blend with theirs in a universal bond of combat veterans, compelling her to stay as a new war began.

Why are we devastated by a word of criticism even when it’s mixed with lavish praise? Because our brains are wired to focus on the bad. This negativity effect explains things great and small: why countries blunder into disastrous wars, why couples divorce, why people flub job interviews, how schools fail students, why football coaches stupidly punt on fourth down. All day long, the power of bad governs people’s moods, drives marketing campaigns, and dominates news and politics.

Over the course of eight years, Martin Scorsese and Jesuit theologian Antonio Spadaro discussed filmmaking and faith. From his Catholic upbringing amidst the brutality of 1950s New York to the heights of Hollywood, Scorsese sketches a unique self-portrait. And from Mean Streets to Killers of the Flower Moon - and especially the spiritual reckonings of The Last Temptation of Christ and Silence - he grants readers a new understanding of his films.

By the early ninth century, the Carolingian empire was at the height of its power. The Franks, led by Charlemagne, had built the largest European domain since Rome in its heyday. Though they jockeyed for power, prestige, and profit, the Frankish elites enjoyed political and cultural consensus. But just two generations later, their world was in shambles. Civil war, once an unthinkable threat, had erupted after Louis the Pious’s sons tried to overthrow him—and then placed their knives at the other’s neck. Families who had once charged into battle together now drew each other’s blood.

Chronicler Tsai Yini monitors the tachyon communication system, which transmits data faster than the speed of light. When classified results from an astrobiologist's research are leaked to her, she cannot believe what she reads. The report reveals that intelligent life forms exist on a tropical planet in the Gliese system. Their civilization is still in its infancy but revolves around an artifact of unknown origin that seems to influence their body chemistry.

There may never be another era of science like the first half of the twentieth century, when many of the most important physicists ever to live—Marie Curie, Max Planck, Wolfgang Pauli, Niels Bohr, Werner Heisenberg, Ernst Schrödinger, Albert Einstein, and others—came together to uncover the quantum world: a concept so outrageous and shocking, so contrary to traditional physics, that its own founders rebelled against it until the equations held up and fundamentally changed our understanding of reality. Tobias Hürter takes us back to this uniquely momentous and harrowing time.

Why does a bad impression last longer than a good one? Why does losing money affect us more than gaining it? What makes phobias so hard to shake? The answer is the negativity bias - or in other words, the power of bad. As John Tierney and Roy F. Baumeister show, we are wired to react to bad over good. It makes sense in evolutionary terms, but in our modern world the lure of bad is, well, bad. It governs people's moods, drives marketing and dominates our news. It can explain everything from why wars start or couples divorce to why we mess up job interviews or feud with neighbours.

When the enemy strikes on the eve of her wedding, Wren has no choice but to fight. Captured, she's dragged before the elvish king and given an ultimatum: death or marriage. She submits, biding her time as she plots and spies, determined to strike at the heart of the elvish royalty and take back her family's throne once more. But the more time she spends with her dangerous and achingly handsome husband, the more she finds herself wavering.

Cécile, a stylish 47-year-old, has spent the weekend visiting her parents in a provincial town southeast of Paris. By early Monday morning, she's exhausted. These trips back home are always stressful, and she settles into a train compartment with an empty seat beside her. But it's soon occupied by a man she instantly recognizes: Philippe Leduc, with whom she had a passionate affair that ended in her brutal humiliation 30 years ago. In the fraught hour and a half that ensues, their express train hurtles toward the French capital.

Jack Kerouac was one of America's great writers of the latter half of the twentieth century, yet he endured a life characterized by persistent hardship and disillusion. Leading Kerouac scholar Paul Maher Jr. targets the writer's embattled insight of self as central to his life and work. He reveals how Kerouac's troubled interactions with alcohol, drugs, and spirituality stamped its importance on his autobiographical prose and poetry and created a singular language that united thoughts on the human condition and spiritual liberation.

Critics of contemporary economics complain that belief in free markets - among economists as well as many ordinary citizens - is a form of religion. And, it turns out, that in a deeper, more historically grounded sense there is something to that idea. Contrary to the conventional historical view of economics as an entirely secular product of the Enlightenment, Benjamin M. Friedman demonstrates that religion exerted a powerful influence from the outset.

For more than thirty years, On Being a Therapist has inspired generations of mental health professionals (and their clients) to explore the most private, confusing, and sacred aspects of helping others. In this thoroughly revised and updated sixth edition, Jeffrey Kottler explores many of the challenges that therapists face in their practices today, including pressures from increased technology, economic realities, and advances in theory and technique.

Hell Tanner isn't the sort of guy you'd mistake for a hero: he's a fast-driving car thief, a smuggler, and a stone-cold killer. Facing life in prison for his various crimes, he's given a choice: Rot away his remaining years in a tiny jail cell or drive cross-country and deliver a case of antiserum to the plague-ridden people of Boston, Massachusetts.

His favorite personality was a “free spirit”: an obsessed individual with a vision of the future and the will to make it so, a rebel who creates the future with childlike enthusiasm. Now, serial entrepreneur Dave Jilk and venture capitalist Brad Feld extract from Nietzsche a modern Art of War, connecting the dots to our high-tech business environment. Each quick, digestible chapter expands on a quote from Nietzsche to stimulate your thinking about a vital aspect of entrepreneurship, and stories from entrepreneurs help make the ideas concrete.

When Ed White, clad in his gleaming space suit with a large American flag on his left shoulder, eased himself outside his Gemini spacecraft in 1965, Americans had a new space hero. They also learned a new acronym: EVA, short for extravehicular activity, more commonly known as "spacewalking." Though few understood the tremendous risks White was taking in his twenty-two-minute space walk, Americans watched with immense pride and patriotism as White, tethered to Gemini 4, propelled himself around the spacecraft with a pressurized oxygen-fueled zip gun.

This poignant philosophy about the human capacity for love in the face of tragedy from New York Times bestselling author Erich Fromm is as relevant today as it was when it was first broadcast. Transcribed from a series of recorded conversations streamed over German public radio in 1970, the profound ideas and thoughts collected in this volume represent a lifetime of the renowned psychoanalyst and social philosopher's explorations into human emotion and behavior throughout the twentieth century.

Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante.

Lord Byron was the most celebrated of all the Romantic poets. Troubled, handsome, sexually fluid, disabled, and transgressive, he wrote his way to international fame—and scandal—before finding a kind of redemption in the Greek Revolution. He also left behind the vast trove of thrilling letters (to friends, relatives, lovers, and more) that form the core of this remarkable biography.