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The first Manifesto of Surrealism was a rejection of the logical and the rational, and a call to explore the untainted functioning of the mind. The results of its study led to many of the 20th century's great artworks, and founded a movement that permeates every aspect of contemporary art. 21st Century Surrealism attempts to update the principles of the art of the unconscious. This book is a treatise in aesthetics, viewed through the lens of history. It is an examination of the meaning and purpose of art, and why the art of the unconscious remains the most vital spark in creativity.

Divided into three linked sections, Mark Sheeky’s astonishing new poetry collection takes us on a journey, via a ‘fragile caravan of dreams’, in which the passing scenery is seen as if through a distorting mirror; a journey whose twists, turns and destination are wholly unexpected. In images so tactile you half expect the greasepaint to come off on your fingers, this is language, from one of our finest poets, that dazzles without attempting to disguise the grit of sawdust beneath the sparkle.

William Blake’s poetry anthology ‘Songs of Innocence and Songs of Experience’ was first published together in 1794. In 2012, at Event City, Trafford Centre, Manchester, contemporary Renaissance Man and surrealist artist Mark Sheeky painted a new series of watercolour illustrations for these famous words. This audiobook edition includes all of Blake’s classic poems from those volumes, read by 21st century surrealist artist Mark Sheeky.

Do you spend ages trying to find a computer file? Do you have a computer full of duplicate files? Or is your computer simply a mystery, a mess, a tangle that needs to be sorted out? This is the audiobook for you.

What would you do if you had six weeks to live and could go anywhere and meet anyone? Prepare yourself for a fantastical adventure that spans time and space, heaven and hell, life, death, and countless philosophical possibilities in an amazing, imaginative journey that explores what it means to be alive while facing death. George is given six weeks to live.

The stories in The Intangible Man are a little like those of Jorge Luis Borges—little gnomic parables that leave us questing for their inner meaning. Unlike true science fiction, Sheeky’s stories never dwell on their technical or scientific contents but rather focus on some psychological, philosophical or moral theme in the manner of Ray Bradbury or Robert Sheckley. However, the surreal juxtapositions and conceptual tangents that define his writing transcend the limitations of genre fiction, frequently achieving that singular vision which defines the highest literature.