Ergebnis von "D. H. Lawrence" in Alle Kategorien

"The Flying Fish" is unfinished, but tells the story of an Englishman, Gethin Day, returning home after years in South America. There is a hint of the homesickness Lawrence may have felt during his long exile. The bulk of the story is the time spent on the ship which is taking Day back to England. It is a ship of fools, a "plague ship", and the only positive note is the joy Day sees in the play of the flying fish and porpoises around the ship. It is tantalizing to speculate how Day would have adapted to English life again, confined to an old house in an old country.

"Jimmy and the Desperate Woman" tells the improbable story of an intellectual editor persuading a working woman to live with him. We would say now "on the rebound" from a failed marriage, but Lawrence crosses the class divide and poses questions about what makes us attracted to other people. The intellectual twists and turns of the magazine editor contrast nicely with the stark honesty of the spurned miner husband.

"Smile" is one of Lawrence's shorter pieces, a thumbnail sketch of an idea. A man is relieved that his wife is dead and struggles to hide his relief when confronted with his wife's body. The relief breaks out into a smile, which he struggles to excuse. How much better it would have been, Lawrence seems to be saying, if he had just laughed out loud!

"The Last Laugh" is another of Lawrence's supernatural stories, set in a dreamlike snowy London. The question left open is who the three people in the story saw on the snowy evening. Perhaps Pan, returned to destroy the Christian God, as the church is destroyed in the story, and to bring love to the frigid young woman in the form of a policeman who is prevented from leaving the house. But why the other quite harmless, and Platonic lover, had to die is a mystery. Perhaps because he had made love to a Jewess?

"The Border Line" is unusual in that Lawrence dabbles in the supernatural (as he was to do again in "The Rocking-Horse Winner" two years later) and that this is less a story in the traditional sense and more an exploration of the mind of a particular woman, based on his own wife, Frieda. Katherine, in the story, realizes that her real love was her first husband, whom she should, according to Lawrence, have submitted to to gain real happiness. As Lawrence says in the story, thinking of his German wife, perhaps, "Beyond all race is the problem of man and woman."

"Things" takes a cutting look at two "idealistic" young Americans who travel around Europe in an attempt to give their spoiled lives some meaning, and in the end settle for suburban America, surrounded by their possessions, their "things".

"Glad Ghosts" is another of Lawrence's supernatural stories, set in the archetypical country house. He doesn't attempt to explain the supernatural happenings which occur, but uses them to extol his own ideas of the power of the sex drive and the triumph of life over death.

"Samson and Delilah" is set against a Cornish backdrop. Lawrence and his wife tried to settle in Cornwall during the First World War, but were hounded by the authorities and forced to leave. Lawrence pointedly describes the local people as "mindless" in this story. It is almost a Homeric story of a husband returning home after a long absence, having to fight to regain his wife. But in this story, it is the wife who is the obstacle. But she succumbs to the man's physical presence, as Lawrence demanded all women should if they were to attain happiness.

The hero of this story returns to England to undertake a "respectable" marriage, but is drawn to see the passionate love of his life once more. Their mutual passion attracts and repels the couple in equal measure, but the young man pulls away in a literal fire of passion. He escapes from the witch of his desires to the respectability he craves, but we wonder if he can be truly happy without the sensual side of his life being satisfied.

"The Horse Dealer's Daughter" is a story gripping in its content. It encompasses the terror of death and disgrace, which is redeemed by passion and sexuality. The question Lawrence leaves open is whether the doctor's avowal of love is genuine or driven by the awakening of his own sexuality and pity for the woman.

In "The Thimble", Lawrence moves to the world of the affluent middle classes, a world to which he perhaps aspired. The story is a touching one of a disfigured husband returning home from the war to a beautiful new wife. The thimble of the story can be seen to represent purposeless, surface beauty, which has no function. The husband casts the thimble away, but can this marriage survive the surface damage and find a deeper meaning?

"The Princess" of the story is a spoiled, sexless woman who is thrown in with a passionate man whom she takes into her bed and then rejects. This rejection leads to his ultimate death. Lawrence again pleads his case for the necessary domination of woman by man and shows the sterility of a life lead without sexual passion. Set against the bleak mountains of South America, it is one of Lawrence's most enduring tales.

"England, My England" is set in the years before the Great War of 1914, seen by some as an idyllic time of sunshine and peace before everything was shattered by the mechanized war. The family is placed in an idealized setting, deep in the English countryside, but there are snakes in this Garden of Eden. There is conflict between man and woman, brought to the fore by an accident to a child, and there is the seeming purposeless life led by the husband. The story ripples with the eugenic theories popular at the time, yet the conflicts are finally solved by the horror of the war.

"The Overtone" looks at a sterile marriage with no children and no spontaneous sexual feeling between the couple. Lawrence seems to lose interest in the story, although he introduces a younger woman who walks away baffled at the end. His purpose seems to be to analyze the relationship between men and women in religious terms - Christianity for the women and the old Pan religion for the men. Lawrence produces some fine writing, but the argument at the end of the story seems contrived.

"Monkey Nuts" was written by D.H. Lawrence in 1922. "Monkey Nuts" turns the traditional love story on its head. It is the woman (the new liberated woman Lawrence had little time for) who does the chasing and the boy who is reluctant. Lawrence seems to be saying it is the unspoken love between the two men in the story which is more satisfying than the possible love between the man and the woman, which the boy rejects. Although the older man goes through the motions of chasing the girl, even he seems to realize the sterility of one-sided love.

"The Mortal Coil" is one of Lawrence's darker stories. From adversity the lovers find a kind of happiness in each other, only for death to snatch it away.

"Tickets Please" returns Lawrence to his native Nottingham during the First World War. The social revolution of women doing jobs previously done by men also begins to change the relationship between the sexes, and the women in the story are aggressive and wanting their rights. But are they happier for conquering the flighty male in the story, or is the domination of man by woman one step too far, only generating hate and unhappiness?

"The Primrose Path" looks at what can be the ephemeral nature of man and woman, love, and the horror and certainty of death, which seems to hang over all the characters in this haunting short story.

The theme of the woman for whom the man is not "good enough" is worked out fully in Lawrence's novel Sons and Lovers. The story is beautifully observed, as are the relationships in working families of the time. The suspense of "will she, won't she marry him" is kept on the boil until the last line of the story. "Fanny and Annie" is a small masterpiece of a short story.

"The Wilful Woman" was written by D.H. Lawrence in 1922. "The Wilful Woman" remained unfinished, and so the tough, spoiled, rich American woman, used to having her own way, does not get the nemesis Lawrence may have had in mind for her. Whether it was the Wordsworthian lessons of nature as she battles her way through the American wilderness or the harder lessons of a waiting husband who may or may not want her, we will never know.