Ergebnis gesprochen von "Phyllida Nash" in Alle Kategorien

Byzantium. The name evokes grandeur and exoticism—gold, cunning, and complexity. In this unique book, Judith Herrin unveils the riches of a quite different civilization. Avoiding a standard chronological account of the Byzantine Empire's millennium-long history, she identifies the fundamental questions about Byzantium—what it was, and what special significance it holds for us today.

This magnificent biography of Henry VIII is set against the cultural, social and political background of his court - the most spectacular court ever seen in England - and the splendour of his many sumptuous palaces. An entertaining narrative packed with colourful description and a wealth of anecdotal evidence, but also a comprehensive analytical study of the development of both monarch and court during a crucial period in English history.

Georgette Heyer remains an enduring international best seller, read and loved by four generations of readers and extolled by today's best-selling authors. Despite her enormous popularity, she never gave an interview or appeared in public. Georgette Heyer wrote her first novel, The Black Moth, when she was 17 in order to amuse her convalescent brother. It was published in 1921 to instant success, and 90 years later it has never been out of print.

When a flood of perfectly faked banknotes hits the market, retired art teacher Miss Emily Seeton, the Yard's famed ‘MissEss', is chosen to investigate a respected Geneva bank. Somehow, the forger is also mixed up in the theft of valuable paintings, so it's ‘set an artist to catch an artist.' But Miss S. is new to air travel – surely the names Geneva and ‘Genova' must be the same place? Bamboozling both the crooks and the police who vainly try to keep tabs on her, innocently humming the fraudsters' musical password, she trips gaily along the dangerous trail. Serene amidst every kind of skullduggery, this eccentric English spinster steps in where Scotland Yard stumbles, armed with nothing more than her sketchpad and umbrella!

When Miss Seeton walks out after a performance of Carmen and witnesses a real-life stabbing, all she can recall is a shadowy figure. But how could she have guessed that her latest artistic endeavor is a picture-perfect portrait of the killer? Her sketch puts her in a perilous position, for back at her recently inherited cottage in Plummergen village, she's fated to be a sitting duck...for murder most foul!

Mrs Gladden uses similar methods to her male counterparts - she enters scenes of crime incognito, tracking down killers while trying to conceal her own tracks and her identity from others. She does much physical detective work, examining scenes of crime, looking for clues and employing all manner of skill, subterfuge, observation and charm to achieve her ends. Characteristic of the casebooks of the time, Forrester's book features various cases narrated by Mrs Gladden, including murder, fraud and the sale of a baby.

A sudden interest in the occult swept through the English village of Plummergen, with Ouija boards replacing the best china in many a cozy cottage. It might be quite the thing for maiden ladies and persnickity aunts, but it wasn't Miss Seeton's cup of tea...until Scotland Yard requested she go undercover to investigate some sinister shenanigans in the Kentish countryside. A flim-flam was afoot in the local witches' coven...and magic could be a prelude to murder most foul.

Miss Seeton is most embarrassed. Her every attempt at a portrait of little Effie Goffer has become a chilling picture of a corpse. Is Miss Seeton actually drawing a clue to a series of child murders in rural England? Scotland Yard thinks so, and wants Miss Seeton to turn from sketching...to catching a killer skilled in a very deadly art. Retired art teacher Miss Seeton steps in where Scotland Yard stumbles. Armed with only her sketch pad and umbrella, she is every inch an eccentric English spinster and at every turn the most lovable and unlikely master of detection.

It is a truth universally acknowledged that a single woman in possession of a good fortune must be in want of a husband. So say the friends and family of impoverished widow Octavia Darcy when she unexpectedly inherits a fortune, but she has a different view and looks forward to a new life of independence.

Miss Seeton returns! A new original (the first in almost 20 years) for this classic series of humorous cozy mysteries created by Heron Carvic. It's practically a royal marriage! The highly eligible son of Miss Seeton's old friends Sir George and Lady Colveden has wed the daughter of a French count.

Ella loves her kitten, Fluff, and worries about her going missing again. But Fluff is enchanted by being outside, especially when it starts snowing and she has the pretty snowflakes to play with. But suddenly a blizzard sets in and Fluff loses her way.

A group of notable writers - including UK poet laureate Simon Armitage, Julian Barnes, Margaret MacMillan, and Jenny Uglow - celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past.

When Phoebe, a young niece of Pride and Prejudice's Mr. Darcy, is shattered by an unhappy romance, she retreats to Pemberley and is joined by kind-hearted Louisa Bingley, unmarried after three London seasons. Once the young ladies are situated in the house, several handsome strangers also arrive - all hopeful of winning the girls' hearts.

Playtime for Rascal: School Sports Day is coming up and Ellie is worried she’ll be last at everything. But then she comes up with an excellent idea - she can practise for the events with Rascal! After all, the playful puppy is better at running and catching things than she is. Can Rascal save the day? Rascal’s Sleepover Fun: It’s Ellie’s birthday soon, and she’d love to have a sleepover party. She knows that Rascal would love one too!

Throughout her career prize-winning novelist Jane Gardam has been writing glorious short stories, each one hallmarked with all the originality, poignancy, wry comedy, and narrative brilliance of her longer fiction. Passion and longing, metamorphosis and enchantment are Gardam's themes, and like a magician she plucks them from the quietest of corners: from Wimbledon gardens and cold churches, from London buses and industrial backstreets.

Now in his seventies, Robert Parkin is stunned to find himself the unlikely sex symbol of the village gardening club. Living in happy solitude with his cat Isaac Mewton in the Devon village of Millbrook, entertained by his mischievous chickens and goats, Robert has never figured out the rules of romance. But as the local ladies vie for his company, it soon becomes clear that Robert’s Victoria Sponge cake is the lure, and as his baking prowess grows, so does his confidence. Cheesecakes, meringues, puddings, Robert can do it all, but his real masterpieces are his scones.

In The Darcy Connection, Mr. Collins of Pride and Prejudice is now the Bishop of Ripon, living with his wife Charlotte and their two daughters, who have reached marriageable age. The elder, another Charlotte, is extraordinarily beautiful, and her parents hope her looks and connections will ensure a brilliant marriage. Her sister Eliza, while not as handsome, possesses a lively intelligence that, in Mr. Collins's opinion, is too like her godmother Mrs. Darcy.

After 20 years of marriage, Nina had offloaded serial philanderer Joe and was happy enough, thank you, coping alone with their two demanding daughters and her own hectic life. It felt like freedom, not having to wonder constantly where Joe was, who with, and up to what. But into Nina's new, carefree life some disturbing elements began to appear.

Rita and Rosie Stevens are only nine and five years old when their widowed mother marries a violent bully called Jimmy Randall and has a baby boy by him. Under pressure from her new husband, she is persuaded to send the girls to an orphanage – not knowing that the papers she has signed will entitle them to do what they like with the children. And it is not long before the powers that be decide to send a consignment of orphans to their sister institution in Australia. Among them – without their family's consent or knowledge – are Rita and Rosie, the throwaway children.

When octogenarian sisters-in-law Sadie and Bronagh find themselves at the centre of a scandalous (and slightly explosive) bake-off fiasco, there’s only one thing to do – steal Sadie’s grandson’s gleaming red Ferrari and make a run for it. Sadie is the practical one, all cardigans and contingency plans. Bronagh treats rules as loose suggestions – especially if mischief or wine is involved. What begins as a quick getaway across Ireland soon spirals into a wild, cross-country adventure filled with fake identities, unexpected friendships, and more than a few brushes with the law.