Ergebnis von "Mary Beard" in Alle Kategorien

The ruins of Pompeii, buried by an explosion of Vesuvius in 79 CE, offer the best evidence we have of everyday life in the Roman empire. This remarkable book rises to the challenge of making sense of those remains, as well as exploding many myths: the very date of the eruption, probably a few months later than usually thought, or the hygiene of the baths that must have been hotbeds of germs, or the legendary number of brothels, most likely only one, or the massive death count, maybe less than 10 per cent of the population.

Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book - against a background of today’s “sculpture wars” - Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the Western world have been shaped by the image of Roman emperors, especially the “Twelve Caesars”, from the ruthless Julius Caesar to the fly-torturing Domitian.

We are all classicists - we come into touch with the classics on a daily basis: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality? 

Dos destacados historiadores clásicos cuentan la historia del mayor anfiteatro de Roma, un monumento visitado por dos millones de personas al año. La Roma imperial fue un estado guerrero. El Coliseo (inaugurado en el año 80 d.C.) fue el monumento de Roma a la guerra. Como una catedral de la...

What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear-a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena?

The Colosseum was Imperial Rome's monument to warfare. Like a cathedral of death it towered over the city and invited its citizens, 50,000 at a time, to watch murderous gladiatorial games. It is now visited by two million visitors a year (Hitler was among them). Award-winning classicist Mary Beard, with Keith Hopkins, tells the story of Rome's greatest arena: how it was built; the gladiatorial and other games that were held there; the training of the gladiators; the audiences who revelled in the games, the emperors who staged them and the critics.

Charles A. Beard, a proponent of the “New History", emphasized the importance of cultural economic developments as opposed to just warfare and diplomacy.

Charles A. Beard, a proponent of the "New History", which emphasized the importance of cultural economic developments as opposed to just warfare and diplomacy.

The idea of 'civilisation' has always been debated, even fought over. At the heart of those debates lies the big question of how people - from prehistory to the present day - have depicted themselves and others, both human and divine. Distinguished historian Mary Beard explores how art has shaped, and been shaped by, the people who created it. How have we looked at these images? Why have they sometimes been so contentious?

Charles Beard was the most influential American historian of the early 20th century. He published hundreds of monographs, textbooks and interpretive studies in both history and political science. He graduated from DePauw University in 1898, where he met and eventually married Mary Ritter Beard, one of the founders of the first Greek-letter society for women, Kappa Alpha Theta. Many of his books were written in collaboration with his wife, whose own interests lay in feminism and the labor union movement. In 1921, Charles and Mary Beard published their textbook: History of the United States. A ...

Mary Beard nos demuestra que los clásicos siguen impotrando ¿Qué tiene de emocionante un trozo de pan de hace 4.000 años? ¿O unas vasijas de pintura abandonadas durante la erupción de Pompeya? ¿Por qué deberíamos interesarnos por un pasado tan remoto? ¿Qué puede decirnos hoy? La vida...

Charles Beard stands as one of the most influential American historians of the early 20th century, known for his extensive work in both history and political science. A graduate of DePauw University in 1898, he collaborated with his wife, Mary Ritter Beard, a pioneer in womens rights and labor movements. Together, they produced the notable textbook, History of the United States, in 1921. This groundbreaking work was praised for its topical approach, exploring social, economic, and political interconnections that shaped America. A review highlighted its clarity and insightful perspective, ...

From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as an accompaniment to How Do We Look and The Eye of Faith, the famed Civilizations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art.

Un viaje fascinante por la vida, las ruinas y las controversias del Partenón, de la mano de la gran divulgadora del mundo clásico, Mary Beard. Desde hace más de dos mil años, el Partenón domina la Acrópolis de Atenas como uno de los símbolos universales de la civilización clásica. Pero...

Robert Sterling Yard was a prominent American writer, journalist, and wilderness advocate. Hailing from Haverstraw, New York, he graduated from Princeton University and dedicated the first two decades of his career to editing and publishing. In 1915, he joined forces with his friend Stephen Mather to champion the establishment of an independent national park agency. Their collaborative efforts fueled a movement that ultimately led to the creation of the National Park Service (NPS) in 1916. Yard was tireless in his mission to promote the national parks and educate the American public about ...