Zeigt Titel in Rassismus & Diskriminierung

In an urgent and personal new book, Democratic Leader Chuck Schumer, the highest-elected Jewish official in America, sheds light on the Jewish American experience and sounds the alarm about the troubling resurgence of antisemitism. For the first time in generations, antisemitism has become a...

"La historia la escriben los vencedores", sentenció el escritor inglés George Orwell. Esto bien lo saben los mapuches. ¿Cómo se entiende si no que un pueblo guerrero en el siglo dieciséis, diplomático en el diecisiete, rico y ganadero en el dieciocho y diecinueve, pasara a ser más tarde...

In Making Monsters, David Livingstone Smith offers a poignant meditation on the philosophical and psychological roots of dehumanization. Drawing on harrowing accounts of lynchings, Smith establishes what dehumanization is and what it isn't. When we dehumanize our enemy, we hold two incongruous beliefs at the same time: We believe our enemy is at once subhuman and fully human.

Tineka Smith always knew that growing up Black in America meant certain restrictions. Don’t talk back to white people, expect to be stopped by the police, always be on your guard. So, when she moved to the UK - and fell in love with Alex Court, a white man - she wondered if things might be different. When Alex proposed to Tineka, it was the easiest decision in the world. What he didn’t anticipate was the reaction - sometimes subtle, sometimes overt - from friends and strangers alike.

In the movies, robots can be terrifying. In reality, thinking machines are disrupting the world in ways that are even more disturbing than in Hollywood fantasies - but they also have the potential to change our lives for the better. In this stirring, visionary work, acclaimed roboticist Dr. Ayanna Howard explores how the tech world’s racial and sexual biases are infecting the next generation of Artificial Intelligence, with profoundly negative effects for humans of all genders and races.

In Love and Struggle brings together a group of prestigious women of color to share their stories during this unique calendar moment, a leap year which serves as a bridge, uniting Black History Month and Women's History Month. A slate of participants includes actor Sarah Jones, law professor Anita Hill, commentator Brittany Packnett Cunningham, model and speaker Aaron Philip, poet Mahogany L. Browne, writer Bassey Ikpi, scholar Salamishah Tillet, author Jodie Patterson, and hip-hop artist Mumu Fresh.

Lenny Duncan is the unlikeliest of pastors. Formerly incarcerated, he is now a black preacher in the whitest denomination in the United States: the Evangelical Lutheran Church in America (ELCA). Shifting demographics and shrinking congregations make all the headlines, but Duncan sees something else at work - drawing a direct line between the church's lack of diversity and the church's lack of vitality. The problems the ELCA faces are theological, not sociological. But so are the answers.

Veteran White House reporter April Ryan thought she had seen everything in her two decades as a White House correspondent. And then came the Trump administration. In Under Fire, Ryan takes us inside the confusion and chaos of the Trump White House to understand how she and other reporters adjusted to the new normal. She takes us inside the policy debates, the revolving door of personnel appointments, and what it is like when she, as a reporter asking difficult questions, finds herself in the spotlight, becoming part of the story.

In this lively, accessible, and provocative collection, Aph and Syl Ko provide new theoretical frameworks on race, advocacy for nonhuman animals, and feminism. Using popular culture as a point of reference for their critiques, the Ko sisters engage in groundbreaking analysis of the compartmentalized nature of contemporary social movements, present new ways of understanding interconnected oppressions, and offer conceptual ways of moving forward, expressive of Afrofuturism and Black veganism.

Around the world, populist movements are gaining traction among the white working class. Meanwhile, members of the professional elite - journalists, managers, and establishment politicians - are on the outside looking in, left to argue over the reasons. Williams explains that many people have conflated "working class" with "poor" - but the working class is, in fact, the elusive, purportedly disappearing middle class. They often resent the poor and the professionals alike. But they don't resent the truly rich.

A vivid love story and adventure tale, Oroonoko is a heroic slave narrative about a royal prince and his fight for freedom. The eponymous hero, Oroonoko, deemed royalty in one world and slave in another, is torn from his noble status and betrayed into slavery in Surinam, where he is reduced to chains, fetters, and shackles. But his high spirit and admirable character will not be suppressed.

Ce qui gêne tant les gens, c'est mon poids : 150 kg pour 1,53 m. Après avoir été méprisée pendant des années, j'ai décidé d'écrire pour ne plus m'excuser d'exister. De là est née cette enquête journalistique dans laquelle j'affronte mes tabous et mon passé, et où je décortique le traitement que la société - professionnels adeptes de la chirurgie de l'obésité, magazines féminins, employeurs - réserve aujourd'hui aux grosses.

Named a Best Book of 2021 by NPR This inspirational memoir serves as a call to action from prison reform activist Yusef Salaam, of the Exonerated Five, that will inspire us all to turn our stories into tools for change in the pursuit of racial justice. They didn't know who they had. So begins...

When Clarence Thomas joined the Supreme Court in 1991, he found with dismay that it was interpreting a very different Constitution from the one the framers had written - the one that had established a federal government manned by the people's own elected representatives, charged with protecting citizens' inborn rights while leaving them free to work out their individual happiness themselves, in their families, communities, and states.

Habiburahman was born in 1979 and raised in a small village in western Burma. When he was three years old, the country’s military leader declared that his people, the Rohingya, were not a recognized ethnic group. Since 1982, millions of Rohingya have had to flee their homes as a result of extreme prejudice and persecution. Here, for the first time, a Rohingya speaks up to expose the truth behind this global humanitarian crisis. Through the eyes of a child, we learn about the historic persecution of the Rohingya people and witness the violence Habiburahman endured.

"On the Other Side of Freedom reveals the mind and motivations of a young man who has risen to the fore of millennial activism through study, discipline, and conviction. His belief in a world that can be made better, one act at a time, powers his narratives and opens up a view on the costs...

America’s foremost novelist reflects on the themes that preoccupy her work and increasingly dominate national and world politics: race, fear, borders, the mass movement of peoples, the desire for belonging. What is race and why does it matter? What motivates the human tendency to construct Others? Why does the presence of Others make us so afraid?

With Malcolm Gladwell-like clarity, Churn captures the most commonplace tensions of life in a multifaceted democracy and how to minimize their corrosive effects in everyday life.

As longtime organizer, writer, and high school teacher Jesse Hagopian argues in Teach Truth, what's at stake is the freedom to tell the truth, the ability of students to understand the world they live in, and the preservation of knowledge systems that expose injustice. By exploring the roots and reach of the censorship movement, Hagopian shows how these efforts to suppress truth serve to uphold racial capitalism and silence the histories that threaten entrenched power.

En este análisis de los debates alrededor del discurso de odio, la pornografía y la homosexualidad, Butler sostiene que las palabras pueden herir y que la violencia lingüística es un tipo de violencia particular. También sostiene que este discurso es emocional y fluido porque sus efectos a menudo escapan al control del hablante, moldeados por la fantasía, el contexto y las estructuras de poder.