Ergebnis für "Thomas Campbell" in Science Fiction & Fantasy

Perry returns to Franklin City to find his home under the control of a being of unimaginable power. To stop the mad god’s cruel games, Perry has to win… if he can even remember he’s playing. And even as Perry struggles to save his city, an unstoppable force from the dawn of the age of capes grows in power, laying their plans to extinguish humanity from the face of the Earth. Join Paradox as he walks the fine line between Madness and Sanity, Hero and Villain… Life and Death.

Admiral Geary und die Crew der Dauntless haben gerade eine Eskortmission zur Erde abgeschlossen, da verschwinden plötzlich zwei von Gearys Offizieren. Die Suche nach den vermissten Männern führt ihn an den schlimmstmöglichen Ort: einen Mond, der wegen eines tödlichen Virus unter strengster Quarantäne steht. Jedes Schiff, das trotzdem dort landet, muss für immer bleiben oder wird zerstört. Wie soll Geary seine Männer retten? Und darf er es überhaupt?

Born to a Magical Fantasy Princess and a nine-to-five Supervillain in the most superhero riddled city in the world, Perry's never felt...adequate. He's got no talent for magic, and not a scrap of superpowers to his name. When The System boots and unlocks his powers, it forces him to follow in his father's footsteps, but he'd rather take after his mother... Maybe there's a way he can do both...

Darkness, both literal and psychological, holds its own unique fascination. Despite our fears, or perhaps because of them, listeners have always been drawn to tales of death, terror, madness, and the supernatural, and no more so than today when a wildly imaginative new generation of dark dreamers is carrying on in the tradition of Poe and Lovecraft and King, crafting exquisitely disturbing literary nightmares that gaze without flinching into the abyss - and linger in the mind long after.

When Sarabande's sister Dryad haunts her for three years beyond the grave, Sarabande begins a dangerous journey into the past to either raise her cruel sister from the dead, ending the torment, or to take her place in the safe darkness of the earth.

When Police Chief Alton Gravely and Officer Carothers escalate the feud between “Torreya’s finest” and conjure woman Eulalie Jenkins by running her off the road into a North Florida swamp, the borrowed pickup truck is salvaged, but Eulalie is missing and presumed dead. Her cat, Lena, survives. Lena could provide an accurate account of the crime, but the county sheriff is unlikely to interview a pet. Lena doesn’t think Eulalie is dead, but the conjure woman’s family and friends don’t believe her.

Torreya, a small 1950s Florida Panhandle town, is losing its men. They disappear on nights with no moon and no witnesses. Foreclosure signs appear in their yards the following day while thugs associated with the Klan take everything of value from inside treasured homes that will soon be torn down. The police won't investigate, and the church keeps its distance from all social and political discord.

Lena, a shamanistic cat, and her conjure woman Eulalie live in a small town near the Apalachicola River in Florida's lightly populated Liberty County, where long leaf pines own the world. In Eulalie's time, women of color look after white children in the homes of white families and are respected, even loved, but distrusted and kept separated as a group. A palpable gloss, sweeter than the state's prized tupelo honey, holds their worlds firmly apart.

Thomas has reigned as Lord of Death for nearly 2,000 years and his sanity is slowly leaching away. Will he be forced to use the Choice to find a successor? Or will he lose his sanity before finding a way to escape eternity as Lord Death?

This anthology, with an introduction by Robert Silverberg, offers a sweeping survey of robots as depicted throughout literature. Since the Iliad—in which we are shown golden statues built by Hephaestus “with minds and wisdoms”—humans have been fascinated by the idea of artificial life. From the Argonautica to the medieval Jewish legend of the Golem and Ambrose Bierce’s tale of a chess-playing robot, the idea of what robots are—and who creates them—can be drastically different.

Alternating between nineteenth-century Europe and present-day New England, this tale follows the great British painter J. M. W. Turner - and his scene of artists, intellectuals, and lovers - and Henry, a middle-aged family man whose otherwise mundane existence is disrupted by the discovery of The Center of the World, Turner’s controversial painting of Helen of Troy that had been thought lost forever.