Ergebnis für "The Moth" in Klassiker

Seven long years ago, Jack Carstares, the Earl of Wyncham, sacrificed his honour for his brother and has been in exile ever since. Returning to England, Jack pretends to be a gentleman named Sir Anthony Ferndale but makes his living in a most ungentlemanly fashion, as a highwayman and a gambler.

When the proud entomologist Hapley destroys the reputation of his longtime nemesis, Professor Pawkins, the victory proves fatal — Pawkins dies shortly after the public humiliation. But Hapley’s triumph curdles into torment when a strange moth begins to appear in his study… a moth no one else can see. Is it the ghost of his rival returned for revenge, or the unraveling of a fevered mind?

Molly Gibson, the only daughter of a widowed doctor in the small provincial town of Hollingford, lost her mother when she was a child. Her father remarries wanting to give Molly the woman's presence he feels she lacks. To Molly, any stepmother would have been a shock, but the new Mrs. Gibson is a self-absorbed, petty widow, and Molly's unhappiness is compounded by the realisation that her father has come to regret his second marriage.

An historical romance set in London and the English countryside with remarkable nuance and descriptions about dress, parties, houses, men and women and their dealings with each other, with special insights into marriage. A wonderful ode to our better selves and what we can be if we move beyond the bumps and bruises in life.

Owen Wister (July 14, 1860-July 21, 1938) was an American writer and historian, considered the "father" of western fiction. He is best remembered for writing a biography of Ulysses S. Grant and the novel The Virginian, in which Wister created the archetypal cowboy.

A suspenseful, richly layered first novel that asks: How much do we owe the people we love? THE DIVE FROM CLAUSEN'S PIER will speak to all those who have ever thought about leaving when they knew they should stay, anyone who has ever felt trapped, not only by circumstance, but by the strength of...

This gripping tale takes place in the late 19th century and follows the protagonist, Mr. Hapley, a famous entomologist who becomes embroiled in an ongoing feud with Professor Pawkins a rival in his field. Hapley has a devasting retort to Professor Pawkins's most recent attack on him, but before he can deliver the ruinous blow, Pawkins dies leaving Haply ready for battle with no opponent. The physical Pawkins may be gone, but a mysterious moth that no one but Hapley can see or feel the presence of appears.

James Augustine Aloysius Joyce (2 February 1882 - 13 January 1941) was an Irish novelist, short story writer, poet and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of the 20th century. A MOTHER: Mr. Holohan, assistant secretary of the Eire Abu Society, had been walking up and down Dublin for nearly a month, with his hands and pockets full of dirty pieces of paper, arranging about the series of concerts.

'The Moth' is the strange tale of two rivalling entomologists, each determined to demolish the other's life's work. When one of them dies, the other struggles to cope in the absence of his rival. And then he discovers an entirely new species of moth - a moth very reminiscent of his dead rival - and which pursues him wherever he goes.

Herbert George Wells (1866 - 1946) was a prolific English writer of science fiction stories and novels, and is frequently credited as being the father of science fiction. 'The Moth' is the strange tale of two rivalling entomologists, each determined to demolish the other's life's work. When one of them dies, the other struggles to cope in the absence of his rival. And then he discovers an entirely new species of moth - a moth very reminiscent of his dead rival - and which pursues him wherever he goes.

First published in the Pall Mall Gazette in 1895, this dark tale from master storyteller, H. G. Wells gives an account of the truly maddening battle for scientific supremacy between two notable entomologists.

This is a story from the Dubliners, Volume 2 collection.

The Prairie Mother is a powerful tale of love, endurance, and survival set against the raw and untamed frontier. Tabbie, a spirited and determined woman, finds herself at a crossroads as she navigates the joys and burdens of motherhood while grappling with the emotional distance of her ambitious husband, Duncan. When she gives birth to twins—a boy and a girl—her world is forever changed, filled with both profound wonder and the weight of overwhelming responsibility.

Written in 1985, this groundbreaking play premiered at Contact Theatre, Manchester, in 1987. It subsequently won the Royal Court/George Devine Award and the Manchester Evening News Best New Play Award, and in 2000, the National Theatre included it in their list of the 100 ‘Significant Plays of the 20th Century’. Translated into 33 languages, it has been performed worldwide and is acknowledged as a contemporary classic.

Gene Stratton-Porter was a naturalist and fierce conservationist as well as an author, and one of the areas she held dearest was the Limberlost swamp. Indeed, she spent her income and life endeavouring to protect it.

The sudden death of the father of the family results in the drastic reduction of the Careys' income and they must leave their comfortable home in Boston. Nancy Carey, the eldest, recalls a vacation in Maine when they all picnicked in the garden of a big, vacant house that her father loved. She discovers that the house is available, the rent is cheap, and persuades her mother that life in The Yellow House in Beulah, Maine is the perfect place to begin their new life.

H. G. Wells, best known for his science fiction novels, wrote many short stories which had the same engaging qualities as his major works. Strange, disturbing, but full of wit and humour, here are nine of them: "The Moth", "In the Avu Observatory", "The Stolen Bacillus", "The Flowering of the Strange Orchid", and five more.

A rich widow lived with her daughter and her stepdaughter. The widow favored her younger biological daughter, allowing her to become spoiled and idle while her older stepdaughter was left to do all the work. Every day the stepdaughter would sit outside the cottage and spin beside the well. One day, she pricked her finger on the point of the spindle. As she leaned over the well to wash the blood away, the spindle fell from her hand and sank out of sight. The stepdaughter feared that she would be punished for losing the spindle, and in panic she leapt into the well after it.

Mary goes to the library looking for escape, not love. With three daughters married in a single year, one would think that Mrs. Bennet’s matchmaking ploys would diminish. One would be wrong. Very wrong. To avoid her mother’s affectionate arts, Mary takes refuge at Clarke’s library. There, in the reading room, she can forget the trials of Longbourn, lost in the pages of her favorite books. The strategy works - surprisingly well in fact - until the morning a tall, handsome stranger wants the same book she has already checked out - a text she needs to help a friend.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.