Ergebnis für "The Moth" in Literatur & Belletristik

At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs a women's retreat center she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built.

Pro alpine skier Aspen Archer's downfall happened in the worst possible way - a career-ending crash on a gold medal run at the 2010 Vancouver Olympics. Aspen packed up her broken life, picked up her broken body, and now hides in comfortable obscurity at ski resorts around the world, coaching tourists and ignoring her problems. Cate Tierney knows who Aspen is, but the last place she expected to meet the former Olympian was during a ski trip to Australia. Hurt by a past relationship, and with a teenage daughter to protect, Cate's initial reluctance is quickly overcome by her attraction.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

Intimacy has always eluded 27-year-old Maggie Krause - despite being brought up by married parents, models of domestic bliss - until, that is, Lucia came into her life. But when Maggie’s mom, Iris, dies in a car crash, Maggie returns home only to discover a withdrawn dad, an angry brother, and, along with Iris' will, five sealed envelopes, each addressed to a mysterious man she’s never heard of. In an effort to run from her own grief and discover the truth about Iris - who made no secret of her discomfort with her daughter's sexuality - Maggie embarks on a road trip.

At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs a women's retreat centre she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built.

Deana Wilkes, who's needed braces to walk since a disabling accident long ago, seeks out Monica Connell, an attorney, to find the child she was forced to relinquish in a closed adoption thirty years ago. Back then, Deana believed that the passion between her and Tony, her married boss, meant they were destined for each other. It was wrong, Deana knew, but believed it was also meant to be. Tony's long gone now, and Deana's constructed a life out of the wreck of their affair. She's ready to finally make things right and meet her son.

If moths could kill… Shay knows her girlfriend Olivia won't take it well when she finds out an old flame has died. All these years later, he still holds a sordid but special place in her heart. When Olivia pulls his moth-eaten sweater from the back of her closet, she feels the past close at hand. But closer still are the moths. They swarm and surround her, quickly taking over her bedroom… but will they take her very life?

In the summer of 1973, teenage Ruth and her four friends are obsessed with pre-Raphaelite paintings and a little bit obsessed with each other. They spend the scorching summer days in the river by Ruth's grand family home, pretending to be the drowning Ophelia and recreating tableaus of other tragic mythical heroines. But by the end of the summer, real tragedy has found them. Twenty-four years later, Ruth is a wife and mother of three children and moves her family into her still-grand, but now somewhat dilapidated, childhood home following the death of her father.

What does it take to become the woman you always wanted to be? That is the question Ginny Shaw is asking herself. Ginny had lived a selfish life and created a loveless relationship with her son, Edgar. The life she has lived is not the life she had planned on. She is appalled at how she raised her son and all that she gave up to be wealthy and have high social status. She lived a life of privilege that left her longing for something more. Now she is alone, divorced and has nowhere to turn other than to her daughter-in-law, Gloriana. Will Gloriana help her or turn her away?

Cynical and sardonic Eva Brooks ponders what it would take to be satisfied in life. She fights against familial expectations, societal constraints, and her own desires. Landing herself in an unsatisfying marriage and conventional life, Eva realizes that she is gloomier than ever. A reunion with Riley, the woman of her dreams, changes her life forever. A future of happiness hovers on the horizon, beckoning her, calling her forever forward. Then, reality strikes, and it hits hard. Doug, Eva’s ex-husband, is not going to let Eva walk away easily.

A young man recounts the special times he had with his mother at her funeral.

It’s the final years of the Troubles in Northern Ireland, and Bríd and her sister, Ina, try to maintain a stable life in a divided country. Pushed by her mother’s fanaticism and a family tragedy, Bríd joins the IRA and makes a devastating choice. Frightened and guilt ridden, she flees, leaving behind Ireland and her family for America. Years later, her guilt and tragic history still buried, Bríd is an overprotective mother raising her sensitive daughter, Bernie, in Southern California.

Sharon and her teenage daughter haven't been on the best of terms since the divorce. Perhaps it's natural for a deodorant-eschewing lesbian punk to avoid her mother, but Sharon can't help thinking there's more to the story. When Kate shows up at the office, Sharon is stunned to see her. The only thing that could surprise Sharon more is finding the boss strangled to death! Can this mother and daughter pairing put their squabbles aside long enough to solve a murder? Or will the killer strike again...closer to home?