Ergebnis gesprochen von "Rebecca Lowman" in Alle Kategorien

Big Swiss. That's Greta's nickname for her - she is tall, and she is from Switzerland. Greta can see her now: dressed top to toe in white, that adorable gap between her two front teeth, her penetrating blue eyes. She's a head-turner: including the heads of infants and dogs. Well that's how Greta imagines seeing her; they haven't actually ever met in person. Nor has Greta actually ever been to Switzerland. Greta and Big Swiss are not in the same room, or even the same building.

She was in her senior year of college when star students Sam and Yash swept her into an intoxicating world of academic fervour, rapid-fire banter and raucous card games. Their lives became quickly intertwined – with friendship but also with unpredictable passions and the intimations of first love. Decades later, she is successful writer, living a comfortable life with her husband and children, when a surprise visit brings the past crashing into the present, forcing her to confront the decisions and deceptions of her youth.

Refusing to believe that she would be abandoned as a young child, Jenna searches for her mother regularly online and pores over the pages of Alice's old journals. A scientist who studied grief among elephants, Alice wrote mostly of her research among the animals she loved, yet Jenna hopes the entries will provide a clue to her mother’s whereabouts. Desperate to find the truth, Jenna enlists two unlikely allies in her quest.

Libby Day was seven when her mother and two sisters were murdered in "The Satan Sacrifice of Kinnakee, Kansas". As her family lay dying, little Libby fled their tiny farmhouse into the freezing January snow. She lost some fingers and toes, but she survived, and famously testified that her 15-year-old brother, Ben, was the killer. Twenty-five years later, Ben sits in prison, and troubled Libby lives off the dregs of a trust created by well-wishers who've long forgotten her.

The Neptune Grand has always been the seaside town's ritziest hotel, despite the shady dealings and high-profile scandals that seem to follow its elite guests. When a woman claims that she was brutally assaulted in one of its rooms and left for dead by a staff member, the owners know that they have a potential powder keg on their hands. They turn to Veronica to disprove - or prove - the woman's story.

Cath and Wren are identical twins, and until recently they did absolutely everything together. Now they're off to university, and Wren's decided she doesn't want to be one half of a pair any more - she wants to dance, meet boys, go to parties and let loose. It's not so easy for Cath. She's horribly shy and has always buried herself in the fan fiction she writes, where she always knows exactly what to say and can write a romance far more intense than anything she's experienced in real life.

Greta lives with her friend Sabine in an ancient Dutch farmhouse in Hudson, New York. The house is unrenovated, uninsulated, and full of bees. Greta spends her days transcribing therapy sessions for a sex coach who calls himself Om. She becomes infatuated with his newest client, a repressed married woman she affectionately refers to as Big Swiss.

When the Swedish Academy awarded Svetlana Alexievich the Nobel Prize, it cited her for inventing "a new kind of literary genre", describing her work as "a history of emotions - a history of the soul". Alexievich's distinctive documentary style, combining extended individual monologues with a collage of voices, records the stories of ordinary women and men who are rarely given the opportunity to speak, whose experiences are often lost in the official histories of the nation.

They were just friends. Best friends. They spent entire summers sitting on Shiloh’s porch steps, dreaming about the future. They promised each other that, no matter what, their friendship would never change. Well, Shiloh did go to college, and Cary did join the Navy. And yet, somehow, everything changed.

On October 5, 2017, the New York Times published an article by Jodi Kantor and Megan Twohey - and then the world changed. For months, Kantor and Twohey had been having confidential discussions with top actresses, former Weinstein employees, and other sources, learning of disturbing long-buried allegations. But nothing could have prepared them for what followed the publication of their Weinstein story. With superlative detail, insight, and journalistic expertise, Kantor and Twohey take us for the first time into the very heart of this social shift.

The Work is simply four questions that, when applied to a specific problem, enable you to see what is troubling you in an entirely different light. As Katie says, "It's not the problem that causes our suffering; it's our thinking about the problem." Contrary to popular belief, trying to let go of a painful thought never works; instead, once we have done The Work, the thought lets go of us. At that point we can truly love what is, just as it is.

When a mysterious young woman named Katie appears in the small town of Southport, her sudden arrival raises questions about her past. Beautiful yet unassuming, Katie is determined to avoid forming personal ties until a series of events draws her into two reluctant relationships. Despite her reservations, Katie slowly begins to let down her guard, putting down roots in the close-knit community. But even as Katie starts to fall in love, she struggles with the dark secret that still haunts her….

On the last night of 1937, 25-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a year-long journey into the upper echelons of New York society - where she will have little to rely upon other than a bracing wit and her own brand of cool nerve.

Little else in life is as dangerous as fire jumping. Flying past towering pillars of smoke, parachuting down to the edge of an all-consuming blaze, shoveling and sawing for hours upon hours, days at a time, all to hold the line and push back against the raw power of Mother Nature. But there’s also little else as thrilling - at least to Rowan Tripp. The Missoula smoke jumpers are one of the most exclusive firefighting squads in the nation, and the job is in Rowan’s blood: her father is a legend in the field. She’s been fighting fires since her eighteenth birthday.

When Jane, an aspiring writer, meets filmmaker John Bridges, they both want the same things: to be in love, to live a successful, creative life, and to be happy. When they marry, Jane believes she has found everything she was looking for, including—a few years later—all the attendant joys and labors of motherhood. But it’s not long until Jane finds herself subsumed by John’s ambitions, whims, and ego; in short, she becomes a wife.

Venice, 1958. Peggy Guggenheim, heiress and now legendary art collector, sits in the sun at her white marble palazzo on the Grand Canal. She’s in a reflective mood, thinking back on her thrilling, tragic, nearly impossible journey from her sheltered, old-fashioned family in New York to here: iconoclast and independent woman. Rebecca Godfrey’s Peggy is a blazingly fresh interpretation of a woman who defies every expectation to become an original. The daughter of two Jewish dynasties, Peggy finds her cloistered life turned upside down at fourteen, when her beloved father perishes on the Titanic.

Ruth is raised in a snow globe of Christian communism, a world without private property, television, or tolerance for idle questions. Every morning she braids her hair and wears the same costume, sings the same breakfast song in a family room identical to every other family room in the community; every one of these moments is meant to be a prayer, but to Ruth they remain puzzles. Her life is seen in glimpses through childhood, marriage, and motherhood, as she tries to manage her own perilous curiosity in a community built on holy mystery. Is she happy? Might this in fact be happiness?

Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground.

Beth and Jennifer know their company monitors their office email. But the women still spend all day sending each other messages, gossiping about their coworkers at the newspaper and baring their personal lives like an open book. Jennifer tells Beth everything she can't seem to tell her husband about her anxieties over starting a family. And Beth tells Jennifer everything, period. When Lincoln applied to be an internet security officer, he hardly imagined he'd be sifting through other people's inboxes like some sort of electronic Peeping Tom.