Ergebnis für "The Monsters We Make" in Politik & Sozialwissenschaften

Criminal profiling—the delicate art of collecting and deciphering the psychological “fingerprints” of the monsters among us—holds an almost mythological status in pop culture. But what exactly is it, does it work, and why is the American public so entranced by it? What do we gain, and endanger, from studying why people commit murder? In The Monsters We Make, author Rachel Corbett explores how criminal profiling became one of society’s most seductive and quixotic undertakings through five significant moments in its history.

What do we do with the art of monstrous men? Can we love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? Should we love it? Does genius deserve special dispensation? Is history an excuse? What makes women artists monstrous? And what should we do with beauty, and with our unruly feelings about it? Claire Dederer explores these questions and our relationships with the artists whose behaviour disrupts our ability to apprehend the work on its own terms.

The human mind needs monsters. In every culture and in every epoch in human history, from ancient Egypt to modern Hollywood, imaginary beings have haunted dreams and fantasies, provoking in young and old shivers of delight, thrills of terror, and endless fascination. In Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors, anthropologist David D. Gilmore explores what human traits monsters represent and why they are so ubiquitous in people's imaginations and share so many features across different cultures.

In Making Monsters, David Livingstone Smith offers a poignant meditation on the philosophical and psychological roots of dehumanization. Drawing on harrowing accounts of lynchings, Smith establishes what dehumanization is and what it isn't. When we dehumanize our enemy, we hold two incongruous beliefs at the same time: We believe our enemy is at once subhuman and fully human.