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Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.

Backstage nerves are fraying, and revenge is on its way. As Causton Amateur Dramatic Society prepares for the opening night of Amadeus, in the wings Esslyn Carmichael suspects his wife is having an affair with the leading man. And where better to settle scores than the stage? Chief Inspector Tom Barnaby expects an evening of entertainment, attending only to show support for his wife. But when someone turns Esslyn’s final grand gesture into a gruesome coup de theatre, Barnaby’s investigation suddenly begins.

The Old Inn clings precariously to a cliff top above a storm-lashed ocean. Ethan and Cathy are sick. Their father has left them to fetch a doctor... but they are not alone for long. A visitor comes begging for shelter, and so the children, who have an unnatural appetite for stories of a macabre persuasion, sit out the throes of the storm in the company of a sailor with more than enough grisly tales to satisfy them.

The story concerns the attempts by a prince and his followers to shield themselves from a terrible plague which is devastating the surrounding area and to carry on living lives of pleasure. Their attempts ultimately prove futile. The Red Death is the name of the infectious disease which causes people to die within 30 minutes. Those who are infected bleed profusely from their skin, especially their faces, before they die. Some six months after the arrival of Prince Prospero's guests, a masked ball is held for them.

Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels.

Killed by shrapnel as he served in the Ukrainian Armed Forces, Olesya Khromeychuk's brother Volodymyr died on the frontline in eastern Ukraine. As Olesya tries to come to terms with losing her brother, she also tries to process the Russian invasion of Ukraine: as an immigrant living far from the frontline, as a historian of war and how societies respond to them, and as a woman, a civilian and a sister. In this timely blend of memoir and essay, Olesya Khromeychuk tells the story of her brother—the wiser older sibling, the artist and the soldier—and of his death.

Through these 10 lectures, you will delve into the darkness of Poe’s most nightmarish stories, including “The Tell-Tale Heart”, “The Pit and the Pendulum”, and “The Fall of the House of Usher”. You’ll also learn how he invented the detective story and explored themes of love and loss in such poems as “Ulalume” and “Annabel Lee”. And you’ll discover how Poe employed symbolism, imagery, rhythm and rhyme, irony and paradox, repetition, simile, and foreshadowing to create a unique body of work.