Ergebnis für "Ray" in Antike, Klassik & Mittelalter

"He came out of the earth hating. Hate was his father; hate was his mother."

Ray Bradbury's Pillar of Fire is a touring theatrical reading by Emmy Award winner Bill Oberst Jr., abridged from Bradbury's dark, violent, and poetic novella of the same name. In this exclusive production for Audible, Oberst recreates an award-winning stage performance of the tale Bradbury called "a rehearsal for Fahrenheit 451."

Aristotle's Poetics is best known for its definitions and analyses of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed poetry is more philosophical and more significant than history. Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them, they are shown to be foolish rather than wise.

"The Theogony" (“Birth of the Gods”) is a poem by Hesiod which describes the origin, position and relationships of the gods of the Greek pantheon. Hesiod created a synthesis of the diverse Greek traditions concerning the gods, in the form of a hymn invoking Zeus and the Muses. The Theogony is the first known Greek mythical cosmogony. However, it should not be considered as the authoritative source of Greek mythology, but rather as a portrait of a dynamic tradition that was recorded around 700 BCE.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle.

The Athenian court has found Socrates guilty and sentenced him to death. While he is waiting to be executed, his friend, Crito, comes to the prison to persuade him to escape and go into exile. Socrates responds by examining the essence of law and community, probing the various kinds of law and making distinctions that go far beyond the particular issue of whether or not Socrates should escape.