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“Alex Peter Gregory, you are a moron!” Laurie slammed her palms down on my desk and stomped her foot. I get a lot of that. One car crash. One measly little car crash. And suddenly, I’m some kind of convicted felon. My parents are getting divorced, my dad is shacking up with my third-grade teacher. I might be in love with a girl who could kill me with one finger, and now I’m sentenced to baby-sit some insane old guy. What else could possibly go wrong? This is the story of Alex Gregory, his guitar, his best gal pal Laurie, and the friendship of a lifetime that he never would have expected.

A predecessor to such monumental works as Crime and Punishment and The Brothers Karamazov, Notes From Underground represents a turning point in Dostoevsky's writing towards the more political side. In this work we follow an unnamed narrator who is disillusioned by the oppression and corruption of the society in which he lives and withdraws into the underground. Notes from the Underground shows Dostoevsky at his best.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

INSTANT NEW YORK TIMES BESTSELLER An extraordinary work from the author of The Year of Magical Thinking and Blue Nights In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a...

"I am a sick man...I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

Nothing in the universe is more complex than life. Throughout the skies, in oceans, and across lands, life is endlessly on the move. In its myriad forms—from cells to human beings, social structures, and ecosystems—life is open-ended, evolving, unpredictable, yet adaptive and self-sustaining. Complexity theory addresses the mysteries that animate science, philosophy, and metaphysics: how this teeming array of existence, from the infinitesimal to the infinite, is in fact a seamless living whole and what our place, as conscious beings, is within it.

After being diagnosed with a brain tumor, writer John Gallo spends his time confronting his lifelong sense of fraudulence, regret, and self-misunderstanding, all while loosely chronicling the development of his cancer. Formed out of a collection of journal-like essays posthumously discovered on his computer, we follow Gallo’s mind as he ruminates on concepts and theories of time, being, death, anxiety, creativity, despair, isolation, happiness, wonder, absurdity, and other eternal themes of life — big and small.

In "Notes from Underground" by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas or about a curtain of secrets and mysteries. The hero of the "underground", the author of the notes, is a collegiate assessor who retired after receiving a small inheritance. He lives poorly, in a wretched room on the outskirts of Petersburg. And the "underground" is psychological.

By the time Dostoevsky was 40, he had spent four years in prison and a further four years in the army as punishment for his part in a political conspiracy. His health was broken. He was gaunt, fervid, anxiety-ridden, and close to bankruptcy. It was in this state he wrote Notes from the Underground, a masterpiece of the psychology of theoutsider.

In this special recording, we travel with Dr. Gerald G. Jampolsky and Dr. Diane Cirincione into the most intimate of their internal journeys. We move with Jerry from militant atheism through an awakening by direct experience with the Divine. Detailed accounts of his spiritual transformation are chronicled through his never-before-seen poetry and notes to himself from the early years when the unpublished manuscript of A Course in Miracles was placed in his hands and, in that moment of Divine Grace, his life changed forever.

Gabi Abrāo’s Notes on Shapeshifting is an ode to existing in physical form, fully aware of the changing energy that flows through every aspect of it.

Reading Notes To Myself is one of those rare experiences that comes only once in a great while. The editor who discovered the book said, "When I first read Prather's manuscript it was late at night and I was tired, but by the time I finished it, I felt rested and alive. Since then I've...

Journeys that begin in brokenness rarely follow a straight road to healing. There are twists and turns - and setbacks - on the path of repentance. Night Driving tells the story of a pastor and seminary professor whose moral failures destroyed his marriage and career, left his life in ruins, and sent him spiraling into a decade-long struggle against God. Forced to fight the demons of his past in the cab of the semi-truck he drove at night through the Texas oil fields, Chad Bird slowly began to limp toward grace and healing.