Ergebnis für "Kevin Sullivan" in Krimis

Glasgow, 1898. A man is found stabbed to death in a tenement block. Juan Camerón, photographer-cum-sleuth, is drafted in in the hope he can bring to light what the eye may overlook. Yet Juan has problems of his own. Following the tragic death of his father in Cuba some months before, the man’s legacy is threatened by a plagiarism suit from a mysterious señora, and Juan’s hoped-for happiness with his fiancée, Jane, might be over before it’s even begun - even more so when a visiting professor is murdered and Jane is witnessed fleeing the scene.

1898. When Juan's father is killed while working as a photographer in Cuba, the young man is left with nothing but his last photos amid the chaos as the war between Spain and America escalates. But the images reveal a sinister truth to his father's last moments, and Juan soon realises his death was no accident. The young man travels to Scotland to grieve with his surviving family and soon immerses himself in the study of photography and pioneers a self-timer. When this technology inadvertently solves a crime, it is not long before the device draws the attention of law enforcement.

Is your tuition paid up? College finals are killers – or maybe it's just the people who count the money. A retired Irish cop and a fast-food loving Irish wolfhound search for the campus murderer while dealing with a scooter-riding senior with dreams of trenchcoat adventures, a crazed exterminator looking for his ride, and a makeup artist whose mid-life crisis isn't any the less stressful because her clients never complain.

#1 New York Times best-selling, Pulitzer Prize–winning author Anthony Doerr brings his“stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) to selecting The Best American Short Stories 2019. Doerr and the series editor, Heidi Pitlor, winnow down twenty stories out of thousands that represent the best examples of the form published the previous year.

Beneath the glitter of Mardi Gras lies the sleaze of Bourbon Street; under the celestial sounds of JazzFest, the nightmare screams of a city once at war within its neighborhoods, but after Hurricane Katrina, seemingly at war with nature and the rest of the country as well. New Orleans is a third world country in itself, a Latin, African, European (and often amoral) culture trapped in a Puritan nation.

Brand-new stories by: Daniel Woodrell, Matthew Eck, Catherine Browder, Nancy Pickard, John Lutz, J. Malcolm Garcia, Kevin Prufer, Linda Rodriguez, Nadia Pflaum, Phong Nguyen, Andres Rodriguez, and others. Kansas City: where East and West collide, where naked ambition meets broken dreams, where blues and the night go together like rye whiskey, vermouth, and bitters. Yes, Kansas City is a surprising place of grit, gore, and betrayal, at least in the imaginations of our diverse lineup of contributors.

Quincannon’s pursuit of two con men who have absconded to Hawaii with a considerable sum of his employer’s assets dovetails nicely with Sabina’s vision of a second honeymoon. But neither is wont to stay out of trouble, and Sabina inadvertently becomes involved in a locked room/dying message murder in Honolulu.

Mystery sensation Pelecanos pens the lead story and edits this groundbreaking collection of stories detailing the seedy underside of the nation's capital. This is not an anthology of ill-conceived and inauthentic political thrillers. Instead, in D.C. Noir, pimps, whores, gangsters, and con-men run rampant in zones of this city that most never hear about.

The Cocaine Chronicles contains tough tales by a cross-section of today's most thought-provoking writers. Featuring brand-new stories by: Susan Straight, Lee Child, Laura Lippman, Ken Bruen, Jerry Stahl, Nina Revoyr, Bill Moody, Emory Holmes II, James Brown, Gary Phillips, Jervey Tervalon, Kerry E. West, Donnell Alexander, Deborah Vankin, Robert Ward, Manuel Ramos, and Detrice Jones.

From the introduction by David L. Ulin: "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began."