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Archaeology professor Carla James is reeling following the death of her husband. Desperate for a change of scene, she takes a job at an elite New England college. On her first day, Carla is asked to represent the department at a murder site. She initially believes there is nothing notable about the scattered debris that surrounds the body, but there is more to the case than meets the eye. This victim is just the latest in a series of unsolved deaths. Nothing obvious links them but Carla is convinced - there is a methodical killer operating in the shadows.

The men I'm falling for have discovered my horrific secret. Only the intervention of a god has saved me and my forbidden magic from the gallows... for now. We've barely scraped the surface of the brutal conspiracy lurking at the royal college, and the threat looms ever larger. To get to the root of the evil and destroy it, we'll have to infiltrate it at its source. And I'm the only viable new recruit.

Forty years ago, the name Rachel McMahon was synonymous with evil. After killing four men in the most brutal of ways, the world rejoiced as she was locked up. Now Rachel has done her time, repented for her crimes, and is ready to live a quiet life back in Scotland under a new name.

Kalfu has taken a host. Lives have been lost. Most blame Annabelle. If the Academy - and all of Vilokan - is going to stand against Kalfu, they must find a way to unite. Headmistress Erzulie has evoked the Voodoo Trials. A new High Hougan or Mambo must be chosen to unite the Academy’s five colleges. But when Annabelle discovers the true purpose of the Trials, she must make an impossible choice - either compete to win and divide Vilokan further, or risk unleashing an evil that will destroy the Voodoo world from within.

A half-Monster/half-Player glitch in a System in which Monsters and Players are meant to fight to the death, Sally has just woken from a coma in the Wastelands after defeating the Architect who created it all. She's now liberated two areas of the game world from the soulless, zombie-creating System, allowing Unique Monsters to live in peace. With her sidekicks—Humphrey the glitched skull/Druid; Theo the rebellious vampire/Death Knight; Norah the mummy; and Lucius the emoji-speaking demon—at her side, Sally's working to complete Keystone Quests and climb to Level Twenty.

Old gods die hard. Professional necromancer Lazarus Kerrigan knows all too well that the Big Easy is anything but. Crime is up, business is down, and someone--or something--crushed an innocent girl to death on his doorstep. After the search for the murderer brings the police to his front door, Laz must prove his innocence by hauling in the real killer with help from the dead. When the sun sets in New Orleans, more than monsters go bump in the night... And what Laz awakens in his quest for answers might just get him--and everyone else in town--killed.

The first in a series entitled Lost Rites, this little gem of a book is a guide to the why and the how of ceremony within the context of death and dying. In this book we are led through the conventional form of a modern funeral from a celebrant’s perspective before that limited formulaic approach is then unpacked. The re-wilding of ceremony is about a return to circles within communities with the ceremonialist facilitating rather than reading a script from a pulpit.

Kate Jones is on the run with a backpack full of money, intent on finding her way back to the United States from Mexico. Unfortunately, a ruthless drug lord named Salazar is just as intent on finding her, retrieving his stolen money, and making her pay for ever having left him. Is there anyone she can trust?

This book explores both physical and metaphysical liminal spaces, providing not only an explanation from both spiritual and scientific perspectives but also suggestions on practical steps we can take to encourage us to explore the uncomfortable feelings that arise when we are in the unknown.

As late as the 1960s, the Wari' Indians of the western Amazonian rainforest ate the roasted flesh of their dead as an expression of compassion for the deceased and for his or her close relatives. By removing and transforming the corpse, Wari' death rites helped the bereaved kin accept their loss and go on with their lives. Drawing on the recollections of Wari' elders who participated in consuming the dead, this book presents one of the richest, most authoritative ethnographic accounts of funerary cannibalism ever recorded.