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"A Voyage to Brobdingnag" is a novel by Jonathan Swift: Gulliver soon sets out again. When the sailing ship Adventure is blown off course by storms and forced to sail for land in search of fresh water, Gulliver is abandoned by his companions and left on a peninsula on the western coast of the North American continent.

Vingt années se sont écoulées depuis le périple de Claire Beauchamp-Randall dans l'Écosse du XVIIe siècle. Si l'infirmière britannique a refait sa vie depuis, le souvenir de Jamie Fraser et des années tumultueuses vécues ensemble reste intact. Aussi, lorsqu'elle apprend qu'il a survécu à la sanglante bataille de Culloden ayant marqué la défaite de l'armée écossaise, elle se trouve confrontée à un terrible dilemme.

Il était une fois un jeune psychiatre nommé Hector qui n'était pas très content de lui : il voyait bien qu'il n'arrivait pas à rendre les gens heureux. Hector décide donc de partir en voyage autour du monde pour comprendre ce qui fait vraiment le bonheur. Pourquoi rêvons-nous souvent d'une vie plus heureuse sans apprécier la nôtre ?

The Voyage #1 was a success–even though nothing happened. It turned out that listeners liked the easy style–the sideways view of a singlehanded ocean crossing in a small boat without long-range communications. No news, no weather forecasts. Just one man and his boat in the middle of nowhere. So here is The Voyage #2–and this time something did happen: A knockdown, a broken rudder, 1,500 miles with the steering held together with string...

This is what it is like to sail an ocean alone. Not the world-girdling marathon of the Southern Ocean racers or the “cruise in company” as part of a trade-wind rally, but what it is really like to set off for 3,496 miles from the British Virgin Islands to Falmouth in the UK, totally alone. That means no contact with the shore, no high-frequency radio or satphone. No weather forecasts, no texts from loved ones. No news…Just complete and uninterrupted isolation for 44 days. In other words, this is singlehanded ocean sailing at its purest: One man in a world shrunk to its bare essentials.

“2500 nautical miles to go, plenty of time to tell the story,” says Christian Williams as he begins his inspiring and entertaining tale of evolution from a distracted schoolboy to Washington Post journalist, Hollywood writer-producer and long-distance singlehanded sailor with more than 10 million views on YouTube. With an infectious curiosity that ranges from bilge pump mechanics to issues of philosophy of identity, the author never flags in his quest to learn what makes every life distinctive and yet defined by its intersection with others.

With human civilization annihilated by a biological zombie plague, a ragtag fleet of yachts and freighters known as Wolf Squadron scours the Atlantic, searching for survivors. Within every abandoned liner and carrier lurks a potential horde, safety can never be taken for granted, and death and turning into one of the enemy is only a moment away. Yet every ship and town holds the flickering hope of survivors. One and two from lifeboats, a dozen from a fishing village, a few hundred wrenched by fury and fire from a ship that once housed thousands....

Notre histoire est européenne. S'arrêter face au trône de Charlemagne, dans la cathédrale d'Aix-la-Chapelle, pour rêver d'un empire qui fonda l'Europe. Se promener dans les rues de Nuremberg, de Bruges, de Gênes pour raconter la résurrection des villes et l'invention de l'économie, au Moyen Âge. Arpenter les falaises de Sagres, dans le sud du Portugal, pour imaginer le prince Henri le Navigateur guettant à l'horizon le retour des caravelles. Retrouver, en Pologne, le chanoine Copernic, qui chamboula notre rapport à l'univers.