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A TIME MAGAZINE BEST YA BOOK OF ALL TIME Beloved by generations of readers, Elsewhere is an original, moving novel about love, loss, and the meaning of it all from the New York Times–bestselling author of Tomorrow, and Tomorrow, and Tomorrow and The Storied Life of A. J. Fikry. This program is...

Else ist eine Frau, die wir von all ihren Seiten kennenlernen dürfen: als sudetendeutsches vertriebenes Kind, bei ihrem sozialen Aufstieg, der angeblich nur ihrem Ehemann Willy zu verdanken ist, und bei ihrer emotionalen Emanzipationsreise, als sie entscheidet, heim¬lich einen Taxischein zu machen. Sie fährt uns stolz, fein und modern durch die Frankfurter Nächte der Sechziger- bis Achtzigerjahre und parkt uns in einer berührenden Szenerie an der Côte d’Azur, wo sie mit ihrer Enkelin auf eine letzte große Reise geht.

Nisha Cantor and Sam Kemp are two very different women. Nisha, 45, lives the globetrotting life of the seriously wealthy, until her husband inexplicably cuts her off entirely. She doesn't even have the shoes she was, until a moment ago, standing in. That's because Sam—47, middle-aged, struggling to keep herself and her family afloat—has accidentally taken Nisha's gym bag. Now Nisha's got nothing. And Sam's walking tall with shoes that catch eyes—and give her a career an unexpected boost. Except Nisha wants her life back—and she'll start with her shoes....

Cassie und Maurice könnten das perfekte Paar sein: Sie sind beste Freunde, wohnen zusammen, teilen eine Leidenschaft für Fantasyliteratur - und das Wichtigste: Sie lieben sich. Dennoch scheinen Welten die beiden voneinander zu trennen. Während Auri Football spielt, viele Bekanntschaften hat und gern unter Menschen geht, zieht sich Cassie lieber von der Außenwelt zurück und pflegt einen engen Freundeskreis. Und je mehr Zeit vergeht, desto stärker befürchtet sie, dass das, was sie und Auri verbindet, vielleicht nicht so stark ist wie das, was sie trennt.

There have always been whispers. Legends. The warrior who cannot be killed. Who’s seen a thousand civilizations rise and fall. He has had many names: Unute, Child of Lightning, Death himself. These days, he’s known simply as “B.” And he wants to be able to die. In the present day, a U.S. black-ops group has promised him they can help with that. And all he needs to do is help them in return. But when an all-too-mortal soldier comes back to life, the impossible event ultimately points toward a force even more mysterious than B himself. One at least as strong. And one with a plan all its own.

At twelve years old, Elamin Abdelmahmoud emigrates with his family from his native Sudan to Kingston, Ontario, arguably one of the most homogenous cities in North America. At the airport, he’s handed his Blackness like a passport, and realizes that he needs to learn what this identity means in a new country. In his debut collection of essays, Abdelmahmoud gives full voice to each and every one of these conflicting selves.

Reggie Oliver is a stage actor and playwright. His biography of Stella Gibbons was praised as "a triumph" by Hilary Spurling in the Daily Telegraph, his play Winner Takes All, was described as "the funniest evening in London", by Michael Billington in The Guardian, and his adaptation of Hennequin and Delacour's Once Bitten opened at the Orange Tree Theatre in London in December 2010. A PIECE OF ELSEWHERE: Staying with Auntie Winnie was going to be a treat. That was what I was told, but no valid reason for why it should be had been supplied.

Since his wife, Michelle, left seven years ago, Jeffy Coltrane has worked to maintain a normal life for himself and his 11-year-old daughter, Amity, in Suavidad Beach. It’s a quiet life, until a local eccentric known as Spooky Ed shows up on their doorstep. Ed entrusts Jeffy with hiding a strange and dangerous object - something he calls “the key to everything” - and tells Jeffy that he must never use the device. But after a visit from a group of ominous men, Jeffy and Amity find themselves accidentally activating the key and discovering an extraordinary truth.

There have always been whispers. Legends. The warrior who cannot be killed. Who’s seen a thousand civilizations rise and fall. He has had many names: Unute, Child of Lightning, Death himself. These days, he’s known simply as “B.” And he wants to be able to die. In the present day, a U.S. black-ops group has promised him they can help with that. And all he needs to do is help them in return.

The author initially intended to call this novel The Lyrical Age. The lyrical age, according to Kundera, is youth, and this novel, above all, is an epic of adolescence; an ironic epic that tenderly erodes sacrosanct values: childhood, motherhood, revolution, and even poetry. Jaromil is in fact a poet. His mother made him a poet and accompanies him (figuratively) to his love bed and (literally) to his deathbed. A ridiculous and touching character, horrifying and totally innocent ("innocence with its bloody smile!"), Jaromil is at the same time a true poet. He's no creep, he's Rimbaud.