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  • May Cobb Supports Women's Wrongs

    May Cobb Supports Women's Wrongs
    Apr 24 2023
    Thriller writer May Cobb joins us for a discussion about the complicated women in her novels who break their seemingly perfect lives, how readers weigh the misdeeds of a flawed female character against those of a murderer, and why her stories are set in East Texas.*Welcome to the latest episode of TROPED OUT PODCAST—a podcast where we interview your favorite (and future favorite) author’s about all things tropes! Today we are chatting with domestic suspense author May Cobb!May Cobb grew up in the piney woods of East Texas where MY SUMMER DARLINGS, THE HUNTING WIVES and BIG WOODS are set. After college, she moved to San Francisco where she studied Victorian Literature for my Master's, and gravitated towards that era's detective novels, known as "sensation novels", such as Wilke Collins' THE WOMAN IN WHITE. She then lived in Los Angeles for a few years where she worked for filmmaker/writer Ron Shelton and his wife, the actress Lolita Davidovich.Her writing has appeared in The Washington Post, The Rumpus, Austin Monthly, and Texas Highways Magazine.Check out May’s full bio on her website, www.MayCobb.comThe podcast is kicked off by asking what May is reading and loving. May is reading Eliza Jane Brazier’s GIRLS AND THEIR HORSES, which May describes as DALLAS meets BIG LITTLE LIES (which sounds amazing).EJ is plowing through Sylvia Moreno Garcia’s backlist (bc she is a huge MEXICAN GOTHIC fan). Up now is VELVET WAS THE NIGHT.Emma says she read MY SUMMER DARLINGS this past summer on the beach and it was the perfect landscape to read about these women in this small Texas town doing horrible things to each other.Emma is currently listening to WHAT LIES IN THE WOODS by Kate Alice Marshall. She is also on the wild ride of Alice Feeney’s ROCK PAPER SCISSORS.Emma says that May Cobb writes toxic friendships so well. They are women that have everything outwardly—but they are determined to blow their lives up.Emma asks what is that is so fun to read about toxic female friendships.May says she thinks its just so fun because women’s relationships are so complex with layers that you can really dig in to.EJ compares messy relationships to the show YELLOWJACKETS. Emma and May are also huge fans. We discuss the cliffhanger of season one and what the writers were thinking (do they know where things are going or at this point, are they winging it?).Emma asks May if she has a favorite mean girl from any movie or book or show?May likes the character in the movie Heathers. None of us can think of the actress’s name. oh well! As May says, to be blonde and in Hollywood!EJ asks May about her favorite hot mess character.May loves a storyline where the woman gets to play the role that is traditionally male. Where they do messy things for no reason other than they want to.Emma asks May if she’s ran into anyone that has given her the “why are your characters so unlikeable” BS.May has stories! She says people are always way more scandalized by the fact that her characters sleep around, than by the murders.EJ says that MY SUMMER DARLINGS is fascinating because the male character knows exactly how to play the women. It is like he moves into town and knows the exact moves to make these women do as he wants. But he never coerces them. It is fascinating that the female characters on the hook, but the male character is not. May agrees. May says that each of her characters are at a crossroads when this man comes into their lives and begins tearing things apart with manipulation. She asks, who among us, if we were in any of these women’s positions, wouldn’t at least have the thought?EJ says that the lure of the male character is so charismatic he made her think of a vampire character.Boredom is the downfall of wealthy people in small towns. When you can’t go to the opera—you create your own drama.Emma says that May’s stories definitely have a strong sense of place—they are Texas to the bone. Was this intentional or did her roots seep into the story as she was creating it?May says that she believes it was intentional. She moved back home to East Texas for a while, and that is where she wrote her first book. It felt as if she was channeling something—the place spoke to her.She loves the vibey, dark feel of the East Texas woods. It’s time for another round of Troped Out! They explain the rules and get down to it! Predatory Mastermind or Killer Next Door?Who the F*ck Did I Marry or Good For Her?Back From The Dead or Final Girl?Shout out to BettysBookList on TikTok.Secret Baby or Secret Twin?And that is a rap for this episode of TROPED OUT PODCAST!You can find today’s guest—May Cobb—online:www.MayCobb.comTwitter: @maykcobbInstagram: @may_cobbFacebook: @maykcobbMay’s books are available everywhere books are sold, including our Troped Out Bookshop, which you can visit to find books from all of our Troped Out guests.MY SUMMER DARLINGS is available in paperback today! Go grab your copy! And while ...
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    31 Min.
  • Sherlockian Mysteries in Space with Malka Older

    Sherlockian Mysteries in Space with Malka Older
    Mar 2 2023
    Welcome to the latest episode of TROPED OUT PODCAST—a podcast where we interview your favorite (and future favorite) author’s about all things tropes! Today we are chatting with Science Fiction author, Malka Older! Malka Older is a writer, sociologist, and aid worker. Her science-fiction political thriller INFOMOCRACY was named one of the best books of 2016 by Kirkus, Book Riot, and the Washington Post. She is also the author of the sequels, NULL STATES (2017) and STATE TECTONICS (2018), and the full trilogy was nominated for a Hugo Award. She is also the creator of the serial NINTH STEP STATION and lead writer for the licensed sequel to ORPHAN BLACK, both currently running on Realm. Her short story and poetry collection AND OTHER DISASTERS came out in late 2019. Her short fiction and poetry can be found at WIRED, Future Tense, Leveler, Sundog Lit, Reservoir Lit, Inkscrawl, Rogue Agent, Tor.com, Fireside Fiction, and others. She has written opinion pieces for the New York Times, The Nation, Foreign Policy, and NBC Think.Em kicks things off by asking Malka what she is reading and loving lately and Malka came prepared! Malka is reading and loving: John Scalzi’s KAIJU PRESERVATION SOCIETY, Cherie Priest’s FLIGHT RISK, THE TOWN OF BABYLON by Alejandro Varela, THE LEFT HANDED BOOKSELLERS OF LONDON by Garth Nix, KILLERS OF A CERTAIN AGE by Deanna Raybourne, Emily Wilde’s ENCYCLOPEDIA OF FAERIES, Richard Osmond’s THURSDAY MURDER CLUB series, and Melinda Lo’s A SCATTER OF LIGHT, MERU by S.B. Divya, and finally Annalee Newitz’s THE TERRAFORMERS.EJ comments that Malka’s list covers a wide range of fiction—she wonders if Malka has books that are on her id list and Malka admits that she really loves different takes on Sherlock Holmes stories (so she wrote one!).EJ asks Malka what it is that makes a Sherlock-themed book so distinct. Malka explains that she thinks it has to do with the mystery being the focus—not the crime or gore or horror. There is a cerebral aspect that is always present in a Sherlock-style mystery.Malka says that there is something about neuro-divergence—when you have a character who thinks very differently than everyone around them and is fine-tuned particular approach. Having a flipped approach to how you observe and deduct. Also the relationships. Typically in a Sherlock-style mystery, you will have a relationship between two people (sometimes coded as neurodivergent and neurotypical—but not always). The story unfold between the partners and we can observe the contrast with how they approach the case.EJ asks Malka about Narrative Disorder—a disorder that is present in Malka’s book Infomacracy. Malka explains how she came up with the concept of Narrative Disorder and how she folded it into the story. Malka explains how there is a hunger for narratives—an addiction really. When coming up with the idea and concept of Narrative Disorder, she thought of how in the future we would feed this addiction.Malka has a new release titled THE MIMICKING OF KNOWN SUCCESSES. Malka tells EJ and Em about her newest book. It is a holmes-ian inspired novel. It is a fun comfort read for a murder mystery. It has dark academia vibes, and also long train rides, rainy weather outside with cozy indoor spaces. And it is set on Jupiter, after mankind has ruined Earth AND Mars.EJ has gathered from reading Malka’s other books, that one of the signatures of a Malka Older book is how incredibly international they are. How there is always a wide range of cultures present. EJ asks how she implements this feeling to Jupiter.Malka explains her process for creating that same feeling in a book that takes place with Jupiter transplants. Short answer—yes—she pulls it off perfectly! Em speculates that there are a ton of ideas and stories in Malka’s mind and asks how Malka decides which idea to attack and grown into a novel?Malka does have tons of ideas, and when she begins she knows characters and ideas—but not a solid plot. The more she explores character and place, the plot becomes evident.It’s time to play TROPED OUT!EJ starts the game with: Humanity Destroyed Earth or Humanity Destroyed Society?Em asks: Big Brother Is Watching or Mega Corporations Rule?EJ finishes things up with asking Secret Baby or Secret Robot?Em asks Malka and EJ how they’d interpret secret robot.(Sci-Fi robot ratatouille. Genius!)And that is a rap for this episode of TROPED OUT PODCAST!You can find today’s guest—Malka Older—online at: www.malkaolder.wordpress.comTwitter: @m_olderInstagram: @infomacracy Facebook: @MalkaOlderMalka’s books are available everywhere books are sold, including out Troped Out Bookshop, which you can visit to find books from all of our Troped Out guests.Malka’s latest book, THE MIMICKING OF KNOWN SUCCESSES (a Most Anticipated in 2023 pick from TODAY.com) releases on March 7. Be sure to pick up your copy!To stay up to date with Troped Out, visit our website (...
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    33 Min.
  • Celebrating Murdery Women with Layne Fargo

    Celebrating Murdery Women with Layne Fargo
    Nov 18 2022
    Welcome to another episode of Troped Out Podcast! I am Emma C Wells. With me is my partner in crime—EJ Wenstrom. And we’ve got thriller author Layne Fargo with us for this episode!Layne Fargo writes killer books for feminist killjoys. She's the author of the thriller novels Temper and They Never Learn (currently in development as a television show), and coauthor of the bestselling Audible Original Young Rich Widows. She also co-created, co-hosts, and produces the podcast Unlikeable Female Characters on Lit Hub Radio.Layne lives in Chicago with a rescue pit bull and cat who are best friends, and the only man she never wants to murder (well, almost never). When she's not plotting twisted stories, she enjoys long walks in the local cemetery, binging trashy TV shows, and spending all her money at indie bookstores.EJ insists we start by talking about the trashy TV shows because she just finished Love is Blind season 3 on Netflix.Layne’s favorite at the moment is FBOY Island on HBO Max–which she rates as absolute garbage.Em wants to watch Love is Blind because she’s heard a lot about it. Her agent might be obsessed with it. E.J. concurs. It’s hard to stop watching–though somehow her spouse watched seasons 1 and 2 with her and then declined to watch season 3, leaving her in trashland alone. Layne’s partner pretends not to want to watch but then is always nearby when it’s on. Em says we’re lucky, her husband is over here watching stuff like “10 ways to make your own knives.” Or they watch food shows. Food shows! EJ recommends Chef’s Table on Netflix. (And insists she’s not sponsored by Netflix.)Everyone agrees being sponsored by Netflix would be a sweet deal. But Chef’s Table: They feature amazing chefs doing innovative stuff, like this butcher in Tuscany who serves these elaborate multi-course meal that uses every part of the animal. Speaking of using every part of the animal, Em’s been reading TENDER IS THE FLESH, which she deferred until after THanksgiving before it turned her vegan. But the next titles in her TBR were BONES AND ALL and A CERTAIN HUNGER.For the record BONES AND ALL is actually a really endearing coming-of-age story but also the girl eats people. Bones and all.It’s also going to be a movie soon, starring Timothy Chalamet.EJ appreciates someone else bringing the cannibalism aspect to the podcast for once. Layne calls it: Female cannibalism is having a mini-trend moment in fiction. A CERTAIN HUNGER was actually released from indie publisher Unnamed Press and gained traction on TikTok and became a huge success. We love these stories! It also started as an Audible Original. Speaking of Audible Originals, let’s talk YOUNG RICH WIDOWS.Layne co-authored it with three other authors–Kimberly Belle, Cate Holahan, Vanessa Lillie–-each of them wrote one of the core characters. They’re working on the sequel right now!EJ wonders what it’s like working with a group as an author, since it’s usually a loner role. They wrote it during COVID over Zoom, and it was almost like a TV writers’ room. It was fun!This book was more campy and rompy than what Layne usually writes, so it was a fun change of pace.It was set in the ‘80s and they wanted it to feel like an ‘80s movie with capers and crimes and fabulous clothes. We love super-campy here!Em asks if when you write for audiobook first, do you approach the writing any differently? A little–Layne said they focused a lot on distinct voices and a cinematic feel. She’s working on a separate project that will be fully scripted with sound effects and original music and stuff. Based on her other books, EJ is ready for one of the widows to end up being the killer. But NO SPOILERS. We love our murdery, rotten women. Layne agrees, a murdery femme fatale is one of her favorite tropes. Em asks if she has a favorite stabby woman character in books, tv, etc.?It’s hard to choose but Layne does love Villanelle–she likes a murderer who is enjoying herself! She’s gotten criticism for writing murdery women who don’t feel bad about it, but she insists they have no conflicted feeling about it. Em appreciates that since the new Taylor Swift album Midnights dropped, THEY NEVER LEARN has come through her TikTok feed a lot with ‘Vigilante Shit.’Layne says ‘Vigilante Shit’ is her jam! Her sales definitely went up when that started. She’s ready for the TV so they can use it as the theme song. We’re all big fans of the rotten women here – Em also wrote a stellar murdery woman and shares amazing teasers for it on TikTok even though it’s not out yet!So why do we love these very very bad women? When you write a female character who enjoys killing it’s a real hangup for publishing. Even more so if she has sex, has a normal life, etc. You can’t even have a normal, generally good female character without someone having a gripe. For Layne it’s wish fulfillment–men make her angry ...
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    36 Min.
  • Wrestling with Complex Characters with Charlene Thomas

    Wrestling with Complex Characters with Charlene Thomas
    Oct 28 2022
    • Welcome to season 2 of Troped Out. Today we are talking with young adult author Charlene Thomas!
    • We ask Charlene what she is reading and loving right now.
    • Charlene says this is her first podcast. She is reading for spooky season, JACKAL by Erin E. Adams. It is spooky, small town. Girls disappearing in the woods—so spooky and perfect for Halloween!
    • Charlene is dipping her toe into an adult manuscript for the first time (we are *very* excited).
    • We ask, what does Charlene feel is the dividing line between adult and YA?
    • Charlene says, of course character age, however, that isn’t always the case. It can be the tone of the story. That teens can digest a lot of serious subject matter—but the tone is different in YA. YA tends to be more optimistic, whereas in adult—you can be a little darker without redemption.
    • SETON GIRLS tackles some difficult issues.
    • The book tackles privilege, and SA, through the lens of high school. The teens in SETON GIRLS are in a place to become a part of the solution or a part of the problem. Teens are malleable and ready to be part of the change. Whereas adults a lot of time are more set in their ways.
    • Emma rambles for a moment as she tries to voice her thoughts without giving spoilers.
    • Charlene does a fantastic job of creating a story that presents the struggle felt when someone you think you know and likes, is actually doing a bad thing. We discuss the intricacies of creating such a story and presenting it in a way that rings true with teens.
    • Charlene says that she is hoping to open up the conversation a bit more, even though she (nor anyone else) has the full answers. And at what point does someone change from a person who made a mistake into a bad person?
    • Charlene discusses why Aly is the narrator of SETON GIRLS. She is a part of Seton, but also a kind of outsider. We get to discover Seton through Aly’s eyes as she herself is learning the truth of the private school.
    • Aly is a scholarship kid with more to lose than many of the characters in Seton. She has major stakes in the story.
    • Time to play TROPED OUT!
    • Sick Kid Lit OR Dystopia?
    • First Love OR Disillusioned With Society?
    • Dead Parents OR Generation Wars?
    • Secret Baby OR Secret Villain?

    We had such a blast chatting with Charlene. You can find SETON GIRLS everywhere books are sold—but we’d appreciate it if you checked out our TROPED OUT book shop (link below).

    TROPED OUT Bookshop: https://bookshop.org/shop/TropedOut

    All of our episodes are available on www.TypoProductions.Com

    You can find our hosts on all social media platforms—but they’ve been loving TikTok.

    EJ WENSTROM is @ejwenstrom

    EMMA C WELLS is @emma.c.wells.books (for all things bookish) and @thatadhdauthor (for all things querying, ADHD, and more).

    CHARLENE THOMAS is online at www.CharleneThomasBooks.com

    You can find her on Twitter: https://twitter.com/Charlene_Thomas

    You can find her on Insta: https://www.instagram.com/charlenethomasbooks/

    Consider adding SETON GIRLS on Goodreads, and if you’ve read it and loved it—leave a review on your fav retailer/book review site!


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    28 Min.
  • Why Enemies to Lovers is the Best Romance Trope with Brighton Walsh

    Why Enemies to Lovers is the Best Romance Trope with Brighton Walsh
    Aug 5 2022
    Welcome to a new episode of Troped Out Podcast! I am Emma C Wells. With me is my partner in crime—EJ Wenstrom. Today we are chatting with adult romance author Brighton Walsh.USA Today and Wall Street Journal bestselling author Brighton Walsh spent a decade as a professional photographer before taking her storytelling in a different direction and reconnecting with her first love—writing. She likes her books how she likes her tea—steamy and satisfying—and adores strong-willed heroines and the protective heroes who fall head over heels for them. Brighton lives in the Midwest with her real life hero of a husband, her two kids—one who’s already taller than her and one who’s catching up too fast—and her dog who thinks she’s a queen. Her boy-filled house is the setting for dirty socks galore, frequent dance parties (okay, so it’s mostly her, by herself, while her children look on in horror), and more laughter than she thought possible.Brighton observes she’s overdue to update her bio–now, both her kids are taller than her. And she’s tall herself!Em starts us off with our favorite question to ask every author: What are you reading right now?It’s the year of the reverse harem! Brighton has already read 160 of them this year. She just started the UNTOUCHABLE series by Heather LongBig question from EJ: How many men does it take to make a reverse harem? Brighton says three men or more–two is only a menage.Em wonders, is she mostly a contemporary reader or does she branch into paranormal or other subgenres? Brighton reads mostly contemporary.Back when Em was trying to get into Pitch Wars, the program did a Q&A tour for the mentors to introduce themselves, and Em remembers Brighton’s answers left an impression…One question was about sending your character on adventures, clearly meant for very different kinds of stories. Brighton answered that for her romance books, she guessed the adventures were the weird sex positions! It made Em snort-laugh.Em wants to know if anyone watched THE LOST CITY? Brighton has! EJ hasn’t made it yet. The casting was perfect, they all agree. Brighton notes that a lot of films about the romance genre can diminish it in how it pokes fun, but this one didn’t do that. But it still had fun with the tropes–only one hammock, anyone?EJ always likes to see how publishing is portrayed in film and tv – did it feel accurate or did they fudge it a little?Oh no, they fudged it. Brighton explains how the publisher felt small or boutique, but somehow also had a massive budget for a book launch. It was clearly a Nora Roberts, million-dollar caliber author. And then…the publisher comes to save her. All agree an agent is much more likely to come to an author’s rescue in real life. Ultimately, EJ says as a fan of YOUNGER she’s comfortable with some inaccurate publishing rep, it can still be a fun story. She endorses.Em enjoyed that the villain was after the author heroine because of very, very niche information she’d researched to include in a book–this tracks. Authors know very strange, random stuff. Bright says she’s gotten not lazy–ingenious–with her research by asking her social network if they know anyone who’s an expert in an area she needs info for, and it almost always gets her a connection to someone. Em wants to know the weirdest thing everyone has researched for a book. Brighton once had to research criminal stuff like how chloroform works for her CAPTIVE and EXPOSED duet, where the main characters are criminals. Em has had to find out if you can sneak things into a hospital waste incinerator. EJ once researched impalement history and methods for a story. Brighton also has to research impalement–just a different kind. Em sighs–at least it wasn’t cannibalism. Speaking of cannibalism, EJ just finished YELLOWJACKETS finally. Which led her to reflect on enemies to lovers, which is central to Brighton’s new release, DEFIANT HEART. It’s been really hot lately, and she wonders if it’s on any level an escapism thing, because our world is so polarized these days. So let’s talk about Brighton’s book!DEFIANT HEART: EJ wants to know, is there cannibalism? Sadly there is not. But someone does get eaten, Brighton says. So there’s that. DEFIANT HEART is the first book in the STARLIGHT COVE series. It’s based in Maine with the MacKenzie family, focused on siblings who are trying to save their family’s resort. Luna, the heroine of book one, is what Brighton calls a moon goddess–hashtag van life. Brady, the hero, is sheriff of Starlight Cove–very controlled, very rigid. He’s arrested her many times and this time, it’s getting in the way of an opportunity for the resort. So he must find a way to keep Luna from ruining it. EJ says she thought the teaser blurb for the book was genius–it subtly cues to the big tropes found in the book! Enemies to lovers! Sunshine character! Small towns! Handcuffs!Brighton ...
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    54 Min.
  • Becoming Reluctant Assassins with K. A. Doore

    Becoming Reluctant Assassins with K. A. Doore
    Jun 29 2022
    Welcome to a new episode of Troped Out Podcast! I am Emma C Wells. With me is my partner in crime—EJ Wenstrom. Today we are chatting with Adult SFF author, K.A. Doore. K.A. Doore writes fantasy – mostly second world, mostly novels – with a touch of horror and a ton of adventure. Her books include, THE PERFECT ASSASSIN, THE IMPOSSIBLE CONTRACT, and THE UNCONQUERED CITY.EJ kicks things off by asking K.A. Doore about the beginning of her trilogy. K.A. says the first book in her trilogy uses a reluctant assassin trope. He finds out he doesn’t have to kill anyone—which is great until he starts stumbling over bodies. Now he has to figure out who is killing them (besides his friends and family). It has murder mystery vibes.EJ complements K.A.’s lush world building, and asks how she dives into creating such an interesting and well-thought-out fantasy world.K.A.’s books take place in a fictional desert. She admits that she now lives in Arizona—so she is staring at vibrant desert landscape often. K.A. explains how monsoon season plays a significant role in the world and stories of her trilogy—she isn’t sure how she managed to make weather an integral part of the plot—but she did!K.A. tells Em and EJ how the Sahara Desert actually has a large aquifer beneath it, which has been depleted over thousands of years, however some countries still use it for a source of water. She tapped into the thread of there is water—though it is limited. Em geeks out over the geology of the conversation and EJ says they should start a new podcast. Em says yes—one about rocks and rivers! K.A. loves rocks and sand (we knew she was cool!)Em asks K.A. if she had the idea for the world before the characters?K.A. says that she had an idea for the characters—but she did know the story would happen in the desert—so in that regard she had the idea for the world first. K.A. explains how in her book the cities are actually on platforms to avoid sand dune migration and flash floods and bandits.Em pipes in to explain how platform cities are (for some reason she cannot explain) an insta-buy for her. She mentions a book she read a million years ago about a city that was built on platforms to avoid zombies.EJ says a platform city is a solid idea for dealing with zombies.K.A. Doore says that she just isn’t going to say anything about her second book. Two words: Zombie. Camels.K.A. tells us about her undead camels. Em asks if the zombie camels are dangerous and K.A. says that no—they are more like, just undead camels.K.A. explains how the zombie (or undead) camels come about—through the great idea of one of the characters. He uses magic to make it happen—this leads to a discussion on the magic system in the book. It involves souls.Em quips that this sounds right up EJ’s ally (it totally is).Em asks K.A., of the three books in the trilogy, if she had one that was the most fun to work on.The second book in the series—which was the first one she wrote—and so she threw everything she liked into it (including undead camels).EJ asks K.A. how she came about writing the second book first.K.A. explains that it was originally a stand-alone. The advice of the time was to write a stand-alone, but when she sold it to Tor, they were interested in a trilogy. At this point she’d already had the pre-history of the book percolating in the back of her mind. EJ asks if it was extraordinarily difficult.K.A. explains that it was like excavating. She knew how the world currently worked—and it was interesting to explore how it came to be.The hosts ask K.A. if she is up for talking about book recommendations, since it is something she is known for online.Em asks K.A. what she is reading right now.She is reading WILD AND WICKED THINGS by Francesca May. It is a GREAT GATSBY re-telling with witches. It is very good and atmospheric. And gay.EJ mentions she’s heard of a lot of Gatsby retellings in the past year, and K.A. Doore says it’s because Gatsby entered the public domain recently. Em states that she is here for it—we all had to read Gatsby in school and it is so much fun to see where current authors take the story.Em asks EJ what she is reading—which is REDSHIRTS by John Scalzi.K.A. asks how she likes it and EJ says it is a fun ride. She admits she’s never been a real trekki and a lightbulb goes off for Em—THOSE RED SHIRTS!EJ is also reading A SONG OF WRAITHS AND RUIN by Rosanne A. Brown (and loving it). Em just finished reading WE WERE NEVER HERE by Andrea Bartz.She also recently finished NIGHT FILM by Marisha Pessl.K.A. does such an awesome job of celebrating queer fiction on her twitter account. EJ asks how it came about.K.A. says that it came about through her debut group—she wanted to shout out some of the authors. And then she was at a con (Siren’s) and the topic came up—how do we find queer adult SFF books?K.A. mentions how indie publishers have done a great job in keeping gay books alive. Trad ...
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    49 Min.
  • Emmy Paxman's Intro to Web Comics

    Emmy Paxman's Intro to Web Comics
    Jun 3 2022
    Thank you for listening to Troped Out. If you like what you hear—consider subscribing and leaving us some stars. To stay up to date on Troped Out, SFF+Girls, and the forthcoming ADHD Creative, follow our production team Typo Productions: @TypoPodcasts across all platforms.To stay up to date with Troped Out on social media (Instagram is their favorite—but they brave Twitter from time to time.) You can find them on most platforms Typo Productions: @TypoPodcasts Don’t forget to check out our Bookshop for titles from all our featured authors! Instagram: @typopodcasts Twitter: @typopodcastsFacebook: @typopodcastsAnd always—you can find us at www.TypoProductions.com Today we are chatting with webtoon creator Emmy Paxman!Today we are chatting with Emmy Paxman. She writes the webtoon NEPTUNE BAY. She is active on Instagram as @EmmyPaxman. Thank you for joining us today, Emmy! Emmy is our very first webtoon creator! Emmy explains how modern comics have become a very exciting place for tropes. Em tells the story of how she knew she wanted Emmy to come on Troped Out as a guest. It all began with himbos (as it does).Emmy has opinions on himbos! Em asks Emmy to explain what a webtoon is for our listeners and goes on to say that Emmy is a very prolific creator. She has completed 47 episodes, full color (beautiful watercolor) episodes.Emmy got into graphic novels in her early 20s, though she didn’t consider herself a comics person until she was a bit older. She thinks this is because she didn’t read superhero series. Her early exposure was with newspaper comics such as CALVIN AND HOBBES.The turning point for her was discovering manga. And then the discovery of web comics.Emmy said in the early 2000s there was a movement toward a scrolling comic. Scrolling comics began in South Korea—like much of the greatest parts of pop culture. Once smart phones took over, webtoons exploded.Emmy feels that scrolling, webtoons comics solved the problem of the best way to read comics.Scrolling comics are so bingeworthy.EJ points out how some really great art comes from paper comics. She asks Emmy how it transfers over to scrolling comics.Emmy says it is a different medium with a different feel.Webtoons has a cool story telling device. Only two panels are visible at any time. All of the action must be built vertical. In webtoon you are able to build in surprise. In webtoon it is easier to pace your stories to build suspense. Em talks about how the mood is set from episode one of NEPTUNE BAY. EJ asks Emmy how she’d explain NEPTUNE BAY..Emmy says that it is a cross between goofy, fun, rom-coms and a type of video game that she absolutely loves—which is farming simulators.It is the story of a young woman name Meg who is needing a change after a bad breakup. She is living on her best friend’s couch, scrolling through a website looking for something to rent when she comes across idyllic Neptune Bay on Neptune Island. There is a slightly run-down cottage, and she dreams of starting a new life.Meg’s interactions with Neptune Bay are filtered through the perception she’s built through years of playing simulator video games.EJ mentions that hearing Emmy’s description is giving her strong SCOTT PILGRIM vibes. Emmy said it was a direct inspiration.Em asks Emmy what tropes make her excited to work.Emmy says she likes the slow reveal of how characters have more going on than meets the eye.Emmy loves her character Ozzy. He is the bad boy—super cocky. But she’s slowly peeled back layers to show that he is a mess inwardly. When she introduced him, readers immediately didn’t care for him. But Ozzy has surprised everyone (except for maybe Emmy) and become a favorite.Emmy loves to take an unlikeable character and gradually shift everyone’s opinion.The trio plays Troped Out! Best friend’s sibling OR Friends to lovers?Himbo OR Secretly sexy nerd?Classic heroic superhero OR Burned out cynical superhero?Help! Save me from this vampire! I’m too beautiful to be dinner! OR Show me what you can do with those fangs, you undead sexpot?Secret Baby or Secret Millionaire?You can find Emmy Paxman on social media: Instagram: @EmmyPaxmanTwitter: @EmilyIrisPaxmanWebtoon: @EmmyPax or just look for Neptune Bay.Check Neptune Bay to see Emmy’s gorgeous artwork!Enjoy this episode? Leave a review on your favorite podcasting platform!
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    31 Min.
  • Redefining Strong Female Protagonists with Andrea Contos

    Redefining Strong Female Protagonists with Andrea Contos
    May 20 2022
    Thank you for listening to Troped Out. If you like what you heard—consider subscribing and leaving us some stars. To stay up to date on Troped Out, SFF+Girls, and the forthcoming ADHD Creative, follow our production team Typo Productions: @TypoPodcasts across all platforms. To stay up to date with Troped Out and more—follow the team on social media (Instagram is their favorite—but they brave twitter from time to time.) You can find them on most platforms Typo Productions: @TypoPodcasts Instagram: @typopodcastsTwitter: @typopodcastsFacebook: @typopodcastsAnd always—you can find us at www.TypoProductions.comToday we are chatting with Young Adult Thriller/Crime Fic author, Andrea Contos.Thanks for joining us on a new episode of TROPED OUT. Today we are chatting with award winning, young adult crime fiction author, Andrea Contos. Find Andrea’s books are available everywhere books are sold, including out TROPED OUT bookshop. Her titles are THROWAWAY GIRLS, OUT OF THE FIRE, and TELL ME NO LIES.Em kicks things off by asking Andrea what she is currently reading. Andrea replies that she is reading Kit Frick’s newest book—Kit Frick is amazing. Em asks if Andrea reads mostly YA or if she reads other age groups. Andrea says she reads everything. Mostly adult and young adult with a smidgen of middle grade—she has middle grade daughters, after all.Em just finished GOOD RICH PEOPLE by Eliza Jane Brazier.EJ is reading GHOST WOOD SONG by Erica Waters.WE DO OUR OWN STUNTS ON THIS PODCASTEJ is also reading GOOD OMENS.Em is also reading LIKE A SISTER by Kellye Garrett and THE CHEERLEADERS by Kara Thomas.EJ asks Andrea if she’s watched the new Kristin Bell show THE WOMAN IN THE HOUSE ACROSS THE STREET FROM THE GIRL IN THE WINDOW.Andrea hasn’t watched it yet, but wants to. The women talk about crime satire and subtle humor.Em asks if EJ and Andrea have watched Yellowjackets.Em is VERY BOSSY about how EJ MUST watch YELLOWJACKETS. Em gives a fast and dirty recap of the show.Em makes cannibalism jokes (because of course she does).Andrea talks about subverting tropes in crime fiction and how dead women often are the impetus to send a detective on their heroes journey. With her writing she purposely presents the idea in a different way. In THROWAWAY GIRLS, one girl finds the body of another and has empathy for the dead girl.Her feminism always comes out in her work. She hopes to show that teenage girls have power and show that it is okay for girls to raise their voice and fight for what they believe in.EJ discusses tropes and talks about how fun it is to play with familiar tropes to create something completely new.Andrea discusses the show THE WILDS.Em asks Andrea if she can tell them about creating these stories where teens are balancing becoming adults with solving crimes.Andrea says it actually isn’t that hard. She says that plot and pacing are important—but characters are key. Andrea says that TELL ME NO LIES is her favorite thing she’s ever written. It is a story about two sisters who are complete opposites. It is a missing boy trope with a dual timeline. One timeline takes place before the boy goes missing, and one takes place after he goes missing.The women chat about how there are few things more complicated than the relationship between sisters.It comes back to TRUE BLOOD (because it always comes back to TRUE BLOOD!)Em asks Andrea if there is a genre that her readers would be surprised to find that she enjoys.Andrea admits she reads everything. She enjoys rom-coms and romance. There is no greater study in relationship and conflict than reading romance.Em waxes poetic about romance. Then the women bring it back to GONE GIRL.Andrea talks about how in Gone Girl, the twist happens at the midpoint—and it is completely mind-blowing. They play TROPED OUT!Serial killer with a heart of gold OR Sleuth who is secretly the killer all along?Andrea, EJ, and Em talk briefly about Dexter, Joe, and killers and suspension of disbelief.Creepy kids OR Creepy spouse?Is EJ’s husband a serial killer? NO HE IS NOT. (Hi, Chris!)Grouchy Detective OR Amateur Sleuth?Secret Inheritance OR Secret Baby?You can find Andrea Contos online at:Website: www.andreacontos.comTwitter: @Andrea_ContosInstagram: @AndreaAContosCheck out her books, THROW AWAY GIRLS, INTO THE FIRE, AND TELL ME NO LIES. Available everywhere—but we’d love it if you bought them from our Troped Out Bookshop (www.bookshop.org/shop/tropedout)!
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    41 Min.