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The Media Odyssey

The Media Odyssey

Von: Evan Shapiro & Marion Ranchet
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Each week, two of media’s most influential thinkers, Evan Shapiro & Marion Ranchet, take on the hottest media topics with their hottest takes, helping their audience chart a course through the maelstrom that is today’s Media Odyssey. Based in the US, Evan Shapiro is the Media Industry’s official Cartographer, known for his well-researched and provocative analysis of the entertainment ecosystem in his must read treatises on Media’s latest trends and trajectories. Marion Ranchet, French expat based in Amsterdam, has become the industry’s go-to expert in all things streaming, building a following for turning even the most complex problems into easily digestible and actionable insights. Ranchet and Shapiro are known for their sharp-yet-accessible content on Media consumption, audience trends, and the shifting fundamentals of the business itself. Even during the toughest of topics, they each make talking about Media fun. Together every week, these two will offer entertaining, often humorous, and always educational content on today’s Media Odyssey.(c) 2025 The Media Odyssey Kunst Sozialwissenschaften
  • WHO WILL BUY DISCO BROS?
    Oct 30 2025

    When billion-dollar deals make more noise than sense, who really wins?

    In this episode of The Media Odyssey podcast, hosts Marion Ranchet and Evan Shapiro pull back the curtain on the relentless cycle of media mergers and acquisitions where massive buyouts, strategy, and political agendas collide. With characteristic humor and precision, they trace how decades of dealmaking have reshaped, and even broken, the entertainment business, from Hollywood to Europe.

    The conversation spans the latest shake-ups at Warner Bros. Discovery, Paramount, Netflix, and Apple, while examining Media For Europe’s pan-European expansion and Canal+’s global ambitions following its merger with MultiChoice. Marion and Evan unpack who’s really benefiting from consolidation, who’s losing creative control, and why the next phase of M&A might look very different — with tech platforms turning into studios.

    It’s a look at how Wall Street, ego, and geopolitics are driving an industry that’s learning, the hard way, that scale doesn’t always mean success.


    Key Takeaways:


    1. Wall Street Keeps Breaking Media
    Decades of consolidation, from Fox–Disney to Warner Bros.–Discovery, have destroyed more value than they’ve created. “Growth through merger” remains a Wall Street fantasy, enriching executives and bankers while hollowing out creative culture and long-term strategy.


    2. Warner Bros. Discovery May Be Next on the Block
    Reports suggest Warner Bros. Discovery could split its assets, separating HBO Max and the studio from legacy cable channels. Potential buyers include Paramount, Netflix, and Apple. Netflix could be the best cultural fit, but Apple has the money and global intent to make the boldest move.


    3. The Ellisons’ Expanding Power Raises New Questions
    With Skydance now owning Paramount, Evan warns that David and Larry Ellison are amassing outsized influence. If future acquisitions extend to TikTok or CNN, their reach could reshape how global audiences receive news and entertainment, a sign of how family dynasties are replacing traditional media conglomerates.


    4. Europe’s Consolidation Wave Gains Steam
    Marion highlights Media for Europe’s (MFE) takeover of ProSiebenSat.1 and its bid to form a pan-European broadcast giant spanning Italy, Spain, and Germany. The ambition: to counterbalance U.S. streamers with continental scale. But both hosts warn that the cultural cost will be a more uniform, less diverse creative market.


    5. Canal+ and MultiChoice Signal Global Ambition
    Canal+’s purchase of MultiChoice expands its footprint into 70 countries, blending African and European pay-TV operations. Beyond the operational complexity, Canal+’s digital strategy of streaming-first, global in scope is a rare model of smart transformation amid the M&A chaos.

    6. The Next Wave: Platforms Buying Studios
    Evan predicts the next M&A era will flip the script: platforms acquiring studios. Streamers like Netflix or Apple may target production powerhouses such as Banijay or Lionsgate to control their own pipelines. After years of financial engineering, this could mark a shift toward owning creativity instead of just distributing it.


    Interested in sponsorship? https://forms.gle/2LCWfX2HBNT8mtpx8


    Connect with us on Linkedin:

    Evan Shapiro - https://www.linkedin.com/in/eshap-media-cartographer/

    Marion Ranchet - https://www.linkedin.com/in/marionranchet/

    The Media Odyssey Podcast - https://www.linkedin.com/company/the-media-odyssey-podcast

    • (00:00) - Introduction and Opening Remarks
    • (00:19) - Gambling and Vegas Anecdotes
    • (01:08) - Mergers and Acquisitions Overview
    • (01:45) - Warner Bros. Discovery and Paramount
    • (05:32) - Netflix and Warner Bros. Discovery Rumors
    • (07:42) - Apple and Amazon's Potential Moves
    • (14:11) - Private Equity and Saudi Investment Fund
    • (16:40) - European Media Mergers and Acquisitions
    • (20:24) - Global Media Competition
    • (21:25) - Regulatory Challenges in Media Mergers
    • (22:53) - Impact of Media Consolidation
    • (28:00) - Gaming Industry Mergers and Acquisitions
    • (31:43) - Canal+ and MultiChoice Merger
    • (36:33) - Future of Media Production and Acquisitions
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    46 Min.
  • WHY YOU'RE NOT GETTING FILM DISTRIBUTION
    Oct 26 2025
    The new buyer isn’t Netflix, it’s the audience. Live from MIPCOM 2025, Evan Shapiro and Marion Ranchet sit down with Filmhub CEO Alan d’Escragnolle and Vortex Media CEO Justin Rebelo to unpack how independent producers and distributors are reinventing the film business for the creator economy.Recorded at the first-ever The Media Odyssey Podcast live show at MIPCOM, this episode explores how companies like Filmhub are helping producers reach global audiences across AVOD, TVOD, and YouTube “Free with Ads;” and why the future of indie film depends on creators learning to sell directly to viewers, not just to buyers.Key Takeaways:1. A New Kind of Buyer: The AudienceYouTube’s first major presence at MIPCOM signaled a seismic shift: it’s no longer about pitching to networks or streamers, but learning to engage audiences directly. Evan calls this the “B2C revolution” of entertainment, and Filmhub is one of the companies enabling it by connecting rights holders directly to millions of viewers on platforms like Tubi and YouTube.2. Filmhub’s Distribution RevolutionAlan d’Escragnolle breaks down how Filmhub helps creators and distributors license hundreds of films per month through automation, encoding, and royalty tech — cutting out the old, slow, one-deal-at-a-time system. By managing AVOD, TVOD, and FAST distribution at scale, Filmhub gives small producers global reach without the middlemen.3. The YouTube “Free with Ads” OpportunityYouTube’s Free with Ads tier, available in select countries, has become a powerful new home for premium films and TV. Filmhub is one of just a few distributors authorized to place titles there, where CPMs are higher and content appears in a dedicated “Film & TV” section. It’s a way for indie titles to live alongside, and compete with, traditional TV content.4. The Indie Film Playbook Is ChangingJustin Rebelo shares firsthand examples, including his own collaboration with Evan A 90s Christmas and Shapiro’s new microbudget feature Skit, proving that small films can now thrive through smart digital distribution. With lower costs and creator-style marketing, it’s possible to make and monetize films again without waiting for a streamer’s greenlight.5. Power to the CreatorsBoth guests agree: the days of waiting for gatekeepers are over. Whether it’s a $50,000 horror hit (Dream Eater) or a YouTube discovery, creators who control their IP, budgets, and release strategy have the real leverage. As d’Escragnolle puts it: “You don’t entertain anyone by leaving content on a shelf.”Interested in sponsorship? https://forms.gle/2LCWfX2HBNT8mtpx8Connect with us on Linkedin:Evan Shapiro - https://www.linkedin.com/in/eshap-media-cartographer/Marion Ranchet - https://www.linkedin.com/in/marionranchet/The Media Odyssey Podcast - https://www.linkedin.com/company/the-media-odyssey-podcastAlan d’Escragnolle - https://www.linkedin.com/in/alandescragnolle/ Filmhub - https://www.linkedin.com/company/filmhub/ Justin Rebelo - https://www.linkedin.com/in/justin-rebelo-8553bb142/ Vortex Media - https://www.linkedin.com/company/vortexmediainc/ (00:00) - Welcome to Pod Media Odyssey (00:22) - Introducing the Hosts and Concept (01:02) - The Creator Economy at MIPCOM (02:43) - YouTube's Major Presence at MIPCOM (03:41) - Meet the Guests: Filmhub and Vortex Pictures (05:34) - Filmhub's Innovative Distribution Model (08:20) - YouTube Free with Ads: A New Opportunity (13:44) - Adapting to the Changing Business Model (15:18) - Navigating the Complexities of Distribution (15:51) - Global Market Strategies for Content (16:46) - Evolving Business Models in Film Distribution (17:12) - Maximizing Revenue with OTT and Social Video (18:14) - The Power of Making Content Accessible (22:04) - Independent Film Market Challenges and Solutions (22:34) - Case Study: Low-Budget Film Success (28:23) - Adapting to the Modern Media Landscape (29:09) - Looking Ahead: Future Trends and Hopes (30:13) - Conclusion and Farewell
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    31 Min.
  • BREAKING DOWN THE CREATOR ECOSPHERE
    Oct 16 2025

    Who really runs the media world now — creators, corporations, or algorithms?

    In this episode of the Media Odyssey Podcast, hosts Evan Shapiro and Marion Ranchet unpack the newly released Creator Ecosphere Map, a first-of-its-kind visual of the entire creator economy, created in partnership with Shira Lazar (What’s Trending) and InfluencerMarketing.Ai.

    Recorded just after MIPCOM, they explore how creators, brands, and traditional media now share the same ecosystem — and what the data reveals about who actually drives engagement, fandom, and revenue online.

    From TikTok to Substack, YouTube to Patreon, the hosts break down what EQ (Engagement Quality) really means, why followers don’t equal fans, and how new creator-led studios like Whalar, Filmhub, and Dropout are quietly building the next generation of media companies.

    Key Takeaways

    1. Mapping the Creator Universe
      The Creator Ecosphere Map charts the full scope of the creator economy, from platforms, to studios, agencies, and tools, for the first time in one place. The Creator Ecosphere Map tracks not only follower counts but EQ (Engagement Quality), revealing who actually moves audiences to act.

    2. Followers do not equal Fans
      The data shows a massive gap between reach and resonance. While megastars like Khaby Lame boast billions of views, creators like Billie Eilish drive exponentially higher engagement. Shapiro calls EQ “the difference between followers and fandom” — a key metric for understanding real influence and avoiding wasted ad spend.

    3. The Platform Paradox
      TikTok and YouTube dominate scale, but engagement varies wildly. YouTube’s average EQ sits around 0.1%, while creators like MrBeast outperform entire media conglomerates thanks to community-driven engagement. Meanwhile, legacy brands like ESPN or Nike still treat social as marketing, not programming and it shows in their red (low-EQ) metrics.

    4. The Creator Economy Goes Corporate
      The line between creator and company is vanishing. Platforms like Patreon and Substack prove that creator media can sustain real businesses, while independent studios like Dropout and First We Feast rival Hollywood models with strong IP and loyal communities. Even legacy broadcasters must eventually “lean in” or risk irrelevance.

    5. No One-Size-Fits-All Strategy
      The map underscores that there’s no single best platform. Every creator or brand must build where their audience already lives. Marion suggests a “rule of three” strategy (LinkedIn, Substack, YouTube/Podcast) as a sustainable model, while Shapiro stresses that success in media now means asking better questions, not chasing every trend.

    View the full Creator Ecosphere: https://open.substack.com/pub/eshap/p/the-ecosphere-is-here?r=10qe8j&utm_campaign=post&utm_medium=web&showWelcomeOnShare=false

    Interested in sponsorship? https://forms.gle/2LCWfX2HBNT8mtpx8


    Connect with us on Linkedin:

    Evan Shapiro - https://www.linkedin.com/in/eshap-media-cartographer/

    Marion Ranchet - https://www.linkedin.com/in/marionranchet/

    The Media Odyssey Podcast - https://www.linkedin.com/company/the-media-odyssey-podcast

    • (00:00) - Introduction and Hosts
    • (00:33) - Creator Economy at MCOM
    • (00:56) - Interviews and Collaborations
    • (02:26) - Mapping the Media Universe
    • (03:30) - Data Collection and Analysis
    • (05:24) - Engagement Metrics Explained
    • (10:31) - YouTube and Platform Comparisons
    • (15:43) - Podcasting and Creator Economy
    • (18:43) - Introduction to Substack and Creator Media
    • (19:39) - The Rise of Influential Creators
    • (20:17) - Engagement Quality and Market Indicators
    • (20:41) - Corporate vs. Personality-Led Media
    • (21:37) - Brands on TikTok and Social Media Strategies
    • (22:44) - Monetizing Video Content
    • (24:51) - The Role of Community Platforms
    • (25:46) - Expanding the Map: New Platforms and Metrics
    • (28:39) - Choosing the Right Platforms for Growth
    • (32:21) - Employment Opportunities in the Creator Economy
    • (34:52) - Conclusion and Upcoming Episodes
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    39 Min.
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