The monster party's raging! Eleven kaiju unite in this crossover event and intended finale for Godzilla's universe...but more importantly, ANGUIRUS IS BACK, BABY! Streamer and voice actor Lauren Goodnight joins us to talk all those monsters, dubs, and metal slug aliens disguised as eerie women in sequins who make us question our sexualities. We get into the restraints that affected each monster's role, how this whole endeavor came together, and King Ghidorah's brutal ass-kicking.

Find more from Lauren:

Twitch | Bluesky

Cover Art by: Mars (@marsatax)

Bluesky | Instagram | Art Prints

Part of⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠

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Email: ⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle and Ed Godziszewski

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Japan's Favorite Mon-Star: The Unauthorized Biography of "The Big G" by Steve Ryfle

Wikizilla

Shed that rusted armor of patriotism! We're talking about the masterful sci-fi war film that includes an undersea empire full of bright wigs, a cat-eyed sea dragon named Manda, and a flying submarine. Like the Gotengo's drill, we dig into this highly political movie that tackles both rampant nationalism and the real-life legend of Mu, and includes some of the most captivating and haunting special effects sequences Toho has ever produced.

Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by by Steve Ryfle and Ed Godziszewski

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Wikizilla

We've gone back to the 50s for the unbelievable flying squirrel himself, Varan -- and he deserves better than this movie! Corporate shenanigans and bad luck made a cheap made-for-TV serial movie become retrofitted for a theatrical release, resulting in a boring imitation of better kaiju films. The Good: Varan's costume made from peanut shells and vinyl hoses, and his many cute moments of hiding and flare-eating. The bad: Real-world racism in this film's presentation of indigenous people, and a lot of characters running back and forth through the woods.

Part of⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠The Glitterjaw Queer Podcast Collective⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

⁠⁠⁠⁠⁠Cover Art Gallery⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ |⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠skreeonkpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Theme song:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠"BIO WARS - Synth Cover" by Kweer Kaiju⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Sources include:

"The fight for self-representation: Ainu imaginary, ethnicity and assimilation" by Marcos P. Centeno Martín from Alphaville: Journal of Film and Screen Media

A Critical History and Filmography of Toho's Godzilla Series by David Kalat

Ishirō Honda: A Life in Film, from Godzilla to Kurosawa by by Steve Ryfle and Ed Godziszewski

Wikizilla