Janicke Askevold unpacks her journey from shooting Together Alone with friends during COVID to premiering her new feature Solomamma at the Locarno Film Festival. The Norwegian actor-turned-director traces how a one-page pitch led to full Norwegian Film Institute backing and a 25-day Oslo shoot that balanced long summer daylight, short 8-hour workdays, and a five-year-old co-star.

Solomamma follows Edith, a journalist and single mother who secretly seeks out her sperm donor - an encounter that evolves into love, deceit, and a search for self. Co-produced across Lithuania, Latvia, and Finland, with sound design by a collaborator of Ruben Östlund, the film examines modern solo motherhood in the wake of Norway’s 2020 legalization of single-parent conception.

Janicke’s cinematic influences span Fritz Lang’s expressionism, Billy Wilder’s Sunset Boulevard, and Maren Ade’s Toni Erdmann. On craft, she champions preparation, the power of casting chemistry tests that “made her cry,” and editing as the stage where “you can make a whole new film.”

Her advice to young filmmakers: trust your instincts, start sooner, send the story out—and don’t wait for permission.

What Movies Are You Watching?

Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.

Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature

Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

Mercedes Bryce Morgan unpacks the whirlwind making of Bone Lake, an 18-day Atlanta shoot that battled storms, injuries, and lost gear before completing its night-boat climax on a Los Angeles soundstage. After a Fantastic Fest premiere and Deadline-breaking international sales, the erotic survival thriller heads to U.S. theaters with buzzy audience reactions and a proudly “fun, commercial, popcorn” spirit.

Mercedes traces her path from mini DV Star Wars shorts and USC to festival features, describing her taste as a mix of Oldboy’s devastation and Amélie’s heart. Other past influences include Barbarians, Who’s Afraid of Virginia Woolf?, The House of Yes, Funny Games, and The One I Love. Her TIFF-premiering Fixation (2022) sparked her love for erotic thrillers.

On craft, she argues the best twists are guessable seconds before they land, and test screenings help her fine-tune which parts of the mystery viewers might sense without solving it too soon. Her advice to young filmmakers: embrace constraints as boot camp, stick with collaborators who love the work, design for the audience experience, and make sure you enjoy the day-to-day… because the process is the life.

What Movies Are You Watching?

Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.

Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature

Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature

Norwegian filmmaker Audun Amundsen, director of Click the Link Below, which premiered at Doc Edge in Auckland, follows online gurus like Akbar Sheikh and Tai Lopez to show how engagement algorithms reward extremes and blur value with hype.

Audun traces an unlikely path from renewable energy engineer and backpacker to documentarian, surviving a stroke at 23 before returning to Indonesia that resulted in his previous documentary Newtopia, a 15-year chronicle of a community’s shift from barter to money, with a focus on human nature over gloss.

He also cites his earlier feature Help! I’ve Gone Viral, plus inspirations like Juan Carlos Rulfo’s In the Pit and Tarantino’s Pulp Fiction. Audun champions smart self-distribution, keeping VOD rights and building film funnels, and urges filmmakers to research financial backers, lead with value, and market your film as thoughtfully as you shoot.

What Movies Are You Watching?

Introducing the Past Present Feature Film Festival, a new showcase celebrating cinematic storytelling across time. From bold proof of concept shorts to stand out new films lighting up the circuit, to overlooked features that deserve another look.

Sponsored by the Past Present Feature podcast and Leica Camera. Submit now at filmfreeway.com/PastPresentFeature

Listen to all episodes on Spotify, Apple Podcasts, and more, as well as at www.pastpresentfeature.com. Like, subscribe, and follow us on our socials @pastpresentfeature