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Hack Music Theory

Hack Music Theory

Von: Ray Harmony
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 Join over 250,000 YouTube subscribers learning the fast, easy & fun way to make good music without using AI, cos that's boring! Taught by multi award-winning college lecturer Ray Harmony, who works in all genres and has made music with multiplatinum Grammy-winning artists (see About page on website for details). Co-taught by Kate Harmony, Ray's wife and protégé. Download FREE Book at HackMusicTheory.com© 2025 Revolution Harmony Musik
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  • Don’t Trust Me, I’m an Expert.

    Don’t Trust Me, I’m an Expert.
    Oct 16 2025
    Don’t Trust Me,I’m an Expert. Confessions of an INFJ. I’m a multi award-winning music lecturer with over 30 years of teaching experience, 10 of those years being at one of the UK’s largest colleges. I studied classical guitar, piano, and music theory (all to the highest grade) at the world-renowned Royal Schools of Music. Then I moved to Los Angeles to study contemporary guitar and vocals at the world-renowned Musicians Institute. On top of that, I’ve made music with Grammy winners and multiplatinum artists, including Serj Tankian (System Of A Down) and Tom Morello (Rage Against The Machine). So with regards to making music and teaching music, it’s safe to say that I’m an expert. But if you want to learn how to make music, don’t trust me! Wait… What?! Let me explain. But first, we need to take a little detour. On average, people can be divided into 16 personality types. This is known as the Myers-Briggs (or MBTI) system, and it’s based on Carl Jung’s model of the eight cognitive functions. It’s an utterly brilliant system that will change your life, if you take the time to learn it. You can start by simply discovering what your personality type is. To do this, I recommend Dr. Dario Nardi’s free online test, which you can take at: keys2cognition.com. Invite your friends and family to do it, too. Then, if you want to learn about the 16 personality types, I recommend going to the source and reading the book “Gifts Differing” by Isabel Briggs Myers and Peter B. Myers. Okay, the detour’s over. So now, what’s personality type got to do with not trusting me? Everything! That’s the short answer. The slightly longer answer is this: Personality type has everything to do with everything! And that’s not hyperbole. Subscribe to get the latest posts in your inbox. If you’re like me, then you’re also constantly looking around wondering why we can’t all just get along by respecting each other’s differences and beliefs. In fact, one of the countless reasons I deleted all my social media accounts 10 years ago, was that I couldn’t take any more angry arguments. Just look at any social media thread, and you’ll see how obvious it is that those people are talking (or shouting) past each other. That’s because they have very different personality types, and therefore, very different perspectives. They’re never going to agree. They can’t. And arguing over which perspective is correct is in actual fact arguing over which personality type is correct. But that’s a meaningless pursuit, because no one personality type is better than any other. Each type has its unique gifts. And each type has its unique perspectives. The only discussion worth having is which perspective is best suited for each personality type. A healthy society needs all the personality types and their differing perspectives, otherwise it loses its balance and harmony. And then descends into intolerance. Now, here’s the life-changing conclusion you reach when you learn about personality types. Are you ready? You might want to sit down for this. Okay, here it is: Every perspective will always be wrong for 15 out of the 16 personality types. In other words, every perspective you have on every topic will be 94% wrong according to all the personality types. If there’s only one thing you take away from this post, please let it be that. Every perspective you have is 94% wrong. And every perspective I have is 94% wrong. Subscribe to get the latest posts in your inbox. With this realization comes a whole truckload of humility! Because, how could I possibly think that my perspective is right for you? Especially considering that my personality type, INFJ, is the rarest of all the types. Okay, here’s a broader way of looking at it. Half the personality types have the cognitive function of intuition in their top two preferences, while the other half have sensing. But, intuition is far more rare than sensing. It’s estimated that only 30% of the population are intuitive personality types, while 70% are sensing personality types. So if you’re wanting to learn how to make music, my unique Song-Whispering method will deeply resonate with you if you’re an intuitive type, but if you’re a sensing type, then it probably won’t. And let me be clear, the method will work for everyone, but it will seem very strange to the 70% of people who are sensing types. And this is true for everything. There’s literally no topic that you can’t find equally qualified experts with diametrically opposed perspectives. Even when they agree on the same data points, their interpretations lead them to polar opposite conclusions. And I’m not exaggerating. Even topics we think are settled, are not. For example, did you know that there are medical doctors who say DNA does not exist? Or, did you know that there are physicists who say atoms and subatomic particles don’t exist. These things are supposed to be ...
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    8 Min.
  • You Can’t Make Music without Using Theory.

    You Can’t Make Music without Using Theory.
    Sep 25 2025
    You Can’t Make Music without Using Theory. “I don’t use music theory, because rules limit my creativity.” If I had a dollar for every time I heard someone say that in my 30 years of teaching music theory, I wouldn’t be living in a rented one-bedroom apartment, that’s for sure! The Oxford dictionary defines language as a “system of communication.” We can’t communicate through speech without using words, and we can’t communicate through music without using notes. The system of communicating with words is called grammar. The system of communicating with notes is called music theory. If you’re using notes, you’re using music theory. Therefore, it’s impossible to make music without using theory. The only choice songwriters have is whether to use it consciously or unconsciously. In other words, do we want to express ourselves consciously and therefore eloquently, or do we want to express ourselves unconsciously and therefore like two-year-olds? When I listen to a song made by someone who claims to not use music theory, I hear the equivalent of a musical two-year-old expressing themselves. There’s nothing wrong with that, if that’s your thing. After all, two-year-olds certainly have a unique way of conveying their emotions. Nobody would argue with that! However, if you prefer a maturer form of expression, then you’ll want to listen to someone with a deeper and more nuanced understanding of language. Subscribe to get the latest posts in your inbox. When it comes to speaking in our first language, we don’t have to consciously think about the system underlying our communication. That’s because we learned the language from such a young age. It’s second nature. Most babies say their first word around the age of 12 months. Imagine if we started music around that age, too. It would also be second nature by the time we’re five, which is when Mozart composed his first piece. For the rest of us, though, we have to learn music theory like we learn vocabulary and grammar of a second language. If someone thinks they can eloquently express themselves in a language they don’t know by simply using their ear, good luck to them, but even with luck on their side they’re still going to sound like a two-year-old. It’s the same when it comes to expressing oneself musically. If we want to make good music, we need to learn music theory. In other words, we need to learn the rules. That’s a dirty word nowadays, but rules can be good. For example, I live close to an elementary school, so the speed limit on the roads here is slow enough that grannies on bicycles overtake me. Is that rule bad? Of course not! If a kid runs out into the road, which they tend to do, they’re far more likely to get hit by a cycling granny than by my car. Rules can be good. And when it comes to music, the rules make our songs sound good. So if you’re still relatively inexperienced at making music, why wouldn’t you want to follow them? In the future, you can (and should) break the rules. But not yet. Subscribe to get the latest posts in your inbox. Also, it’s worth remembering that when we first start driving, learning all the rules and remembering to follow them demands much of our energy and attention. After a few years of driving, though, it becomes rather natural. And after a few decades of driving, it becomes instinctual. Same with music theory. I can’t remember the last time I felt limited by the rules. Maybe about 32 or 33 years ago. It’s also worth mentioning a common and excruciatingly embarrassing situation many songwriters find themselves in, which is claiming that their music breaks the rules, when in actual fact it obeys them. I’ve come across countless examples of this, and it makes me cringe every time! Think about how obvious this problem is. How can anyone say they’re breaking the rules, unless they know the rules? Don’t be that songwriter who tries to act cool by saying they don’t use music theory. That’s not a choice anyone has. The only choice is whether to use it consciously or unconsciously. You decide. And on that note, if you’re new to making music (or if you want a refresher), I offer you a free download of my book 12 Music Theory Hacks to Learn Scales & Chords. It only takes about half an hour to read, then you’ll have a solid foundation of the basics. If you’re ready to go deeper, though, then I invite you to enroll in my online apprentice course, where you’ll learn one method to write unlimited songs in any genre. This method guides you through every step of the music making process, from blank screen to finished song. Happy learning, and welcome aboard the Songwriter’s Ark*. Ray Harmony :) *I visualize Hack Music Theory as a Songwriter’s Ark, where all the music making skills are being preserved through this global AI flood. The flood shall pass. The skills will last. Donate. Help keep the Songwriter's Ark afloat...
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    5 Min.
  • Hearing Music from the Future.

    Hearing Music from the Future.
    Sep 18 2025
    Hearing Music from the Future. Materialist science tells us that we hear with our ears, and see with our eyes. But if that’s true, then how do we explain extra-ocular vision? If you haven’t come across this jaw-dropping phenomenon where blind (or blind-folded) people can see, look it up, and be prepared to have your worldview flipped. If you don’t know where to start, I recommend the work of theoretical physicist Dr. Àlex Gómez-Marín. Clearly the mainstream scientific explanation of how we see is sorely in need of an update. I suggest the same is true for hearing. And I appreciate that this topic is challenging for my materialist friends, but I invite you to research the scientific community’s dirty little secret, known as the replication crisis. This will open your eyes to the possibility that there’s more going on than we’ve been led to believe. My current working hypothesis for how we hear is something like this. When music is created, it’s stored in what I call God’s great library in the sky. You might call this the quantum field, if you’re scientifically-minded. Or the collective unconscious, if you’re psychologically-minded. Or the Akashic records, if you’re spiritually-minded. Whatever you call it, though, I believe it’s where human creations are eternally stored. When we hear music, its true source is the great sky library. And yes, most of the time this hearing is done through our ears. They sense vibrations in the air and transfer that information to our brain, where it’s transformed into music. But, that physical process can’t explain how it’s possible to hear music that isn’t there. For example, when people hear music during near-death experiences. Or when artists hear music in their dreams, which doesn’t exist in this world (yet), and then they wake up and record it. This brings the song into existence, which is how it ended up in God’s library in the first place. Subscribe to get the latest posts in your inbox. There’s many examples of songs that came to artists in this way. The most famous is probably “Yesterday” by The Beatles. Paul McCartney tells the story of how he woke up with that tune in his head, and couldn’t stop singing it throughout the day. He assumed it was a song he’d heard somewhere, so he kept singing it to people and asking them what song it was. But nobody recognized it. Eventually he realised that it wasn’t anyone else’s song, and excitedly got to work recording it. If my hypothesis is correct, what happened here is that Paul McCartney entered God’s sky library in his dreams and heard his own song from the future. The reason that’s possible is because this great library in the sky (aka the quantum field, or whatever you want to call it) is fundamental reality. Space and time emerge out of this foundational field. Therefore, all human creations from the past and the future already exist there. If we can enter God’s library, we can hear our unwritten songs from the future. We can then record them here and now, which in turn secures their place in the future. It’s a magical loophole. So, how do we enter God’s great sky library? Shhh... That’s how we enter. Silence. We enter by listening. Even if this whole hypothesis is completely and utterly false, it’s life-changingly useful. Seriously. As artists, we have big imaginations. So let’s imagine that our unwritten songs already exist in the quantum field. Our role is simply to attract them into our consciousness, and record them so other people can hear them, too. This removes all stress and anxiety from songwriting. Making music is no longer a painful birthing process, it’s now an exciting journey of discovery. It’s like going on vacation to a beautiful place you’ve never visited. You’re not worried about finding it. You’re not worried about travelling for ages only to realise the destination doesn’t exist. That’s because there’s no such thing as “destination block”. If you’re driving, you just follow the map. Or if you’re taking a bus, train or plane, you just get onboard and relax, or even go to sleep. Your destination will find you! Subscribe to get the latest posts in your inbox. Same with music. We can learn how to let our unwritten songs from the future find us. I call this song-whispering. I teach my method for doing this in my online apprenticeship course, but you can come up with your own way of doing it, too. It’s paradigm-shifting, and will forever change your relationship with songwriting. When you surrender to the knowledge that all your unwritten songs already exist in the field, you instantly feel a deep sense of calm and confidence. Also, you’ll begin to thoroughly enjoy the process of fishing for your future music in the quantum field! Lastly, if you’re new to making music (or if you want a refresher), I offer you a free download of my book 12 Music Theory Hacks to Learn Scales & Chords. It ...
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    6 Min.
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