Driving to the Rez - With Inelia Benz and Larry Buzzell Titelbild

Driving to the Rez - With Inelia Benz and Larry Buzzell

Driving to the Rez - With Inelia Benz and Larry Buzzell

Von: Inelia Benz
Jetzt kostenlos hören, ohne Abo

Über diesen Titel

 A spiritual road trip with your two coolest, most insightful friends. Larry and Inelia dive into deep, no-nonsense conversations about leveling up your life, understanding the mysteries of the universe, and navigating those WTF moments we all face. They tackle metaphysics, consciousness, and practical wisdom with a side of humor and personal stories. It's the perfect mix of mind-blowing insights and laughs to keep you entertained and enlightened on your commute or workout. Buckle up, bro – it’s a ride you won’t want to miss!

www.drivingtotherez.comInelia Benz and Larry Buzzell Persönliche Entwicklung Persönlicher Erfolg Spiritualität
Folgen
  • [Free 1st Part] A Field Report from the WE. It might be about wind…

    [Free 1st Part] A Field Report from the WE. It might be about wind…
    Oct 15 2025
    In our last article, we talked about Debunking the Physical vs. Non-Physical Myth. The entire discussion ended up on our podcast, Driving To The Rez, and even turned into music.The episode was then followed by another one where the panelists talked about what “wind” meant in “bananas and wind”... for about two hours.We tried sharing some interesting facts about reality creation and the physical universe, but we don’t think it quite landed.It appeared that “wind,” meaning “toots,” was more interesting.The panelists were sure their brains did not turn to “mush” when we spoke, but we find it hard to believe that five highly intelligent beings would talk about toots or wind for two hours when the reality of the universe was a possible discussion - unless their brains were well and truly mushed.And yes, we have been asked what “mush” is. Mush is a technical term meaning that your brain melts into a mass of jumbled thoughts in which even toots seem interesting.One of the pieces of guidance we had coming in was to not leave a mark on the physical universe. This is hard to do for most people, as not only do they leave marks - or want to - but they are, in fact, co-creating the physical universe on a continuous basis, milli-moment by milli-moment.We often find ourselves in situations that are different from what we have experienced in the past, and we look around for familiarity. Familiarity often provides data we can use to figure out what is happening. For example, if we see an image that has a head, four legs, a tail, and two pointy-up ears, we already know the image is that of some sort of four-legged animal. Once I add the next descriptor, your mind will go to only one animal: “in the image, the tail is moving quickly from side to side, wagging.”This descriptor builds an image from things you are familiar with in your mind’s memory banks.In the same way, we walk through life experiencing “images” from the different senses and looking for points of familiarity to figure out what is happening.In our case, not much is familiar to us, and we have to tap into the human collective - or another person’s mind - to find the common factor that will give an indication of what is happening at that precise point in time. You see this often in young kids, when something is happening that they are not familiar with they will look at the adults around to “learn” how to respond or react to it.But even then, after figuring out what is happening, in our case we end up with our eyes and mouth open in awe.Not leaving a mark on the human co-creation of physical reality is done by walking inside other people’s creations. Their creations can be amplified with our presence, but not necessarily so. We can try to influence those co-creations to go our way - to make things happen that make our existence here more pleasant - but it is a bit of a waste of time. People’s co-creations are like a very fast train on smooth and clear tracks. Fast and unwavering.For example: lack of money. There is no lack of money. However, in many co-creators this is a real thing, and money is hard to come by. Why they have chosen a life where money is hard to come by is a mystery, but there is not much we can do about it.It is fascinating to watch, however - although sometimes uncomfortable to “allow.” The drive to “leave a mark” on that or similar situations is big. But even if we try, it often falls on deaf ears or is quickly forgotten.One of the things we have figured out, however, is that if we “ask” the human collective if it is OK to influence or inform the population about something, and they say “yes,” we can go ahead and do it. Most of the time, if the item is big, there is a pushback in physicality to stop us from sharing - and then wind and bananas come flying in. We smile, shrug our shoulders, and move on.Did you know the desert in Colorado is covered in anthills? They make them out of grains of sand. Even the smallest beings build their world… grain by grain.The discussion doesn’t stop here - listen to the full podcast episode for unfiltered insights from Inelia and our panelists. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.drivingtotherez.com/subscribe
    Mehr anzeigen Weniger anzeigen
    38 Min.
  • [Free 1st Part] We Need to Talk

    [Free 1st Part] We Need to Talk
    Oct 8 2025

    This week’s episode of Driving to the Rez is unlike anything we’ve done before. For the first time, the WE are the ones being interviewed - by our own panelists.

    In the free section, you’ll hear our panelists break down last week’s conversation with the WE, exploring it from fresh angles and asking the questions you didn’t even know you had.

    And if you’re in the mood for a laugh (or a reality check), the second section is where things get delightfully weird. Between expansive explanations of how our reality works — and even a few tips on billion-profit stocks — the conversation keeps circling back to two unexpected topics: bananas and wind.

    Somewhere between the banana jokes and the wind obsession are true disclosure gems that will make you think… and possibly snort-laugh.

    Warning: This episode may temporarily scramble (mush) your brain (in the best way). Good luck, and see you on the other side.

    The discussion doesn’t stop here - listen to the full podcast episode for unfiltered insights from Inelia and our panelists.



    This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.drivingtotherez.com/subscribe
    Mehr anzeigen Weniger anzeigen
    53 Min.
  • [Free 1st Part] I Fed My Soul’s Story Into AI - and Out Came Roxy Vale

    [Free 1st Part] I Fed My Soul’s Story Into AI - and Out Came Roxy Vale
    Oct 1 2025
    This essay explores the creation of my first released music album, Still I Am, and the fictional artist who carries it: Roxy Vale.But before diving into the music, I want to share the creative process and why I approached it this way.The first music album I created was not Still I Am. It was actually Through the Glass Daisy.Through the Glass Daisy is an album pulled directly from the pages of my upcoming series of novels, “Daisy Chain.” It is an album by a band called “Glass Daisy.” It is part of the world creation and lore in the books, which explore many aspects of our reality creation through the experiences of a reluctant time traveler. And yes, the main character is a fan of “Glass Daisy.”Still I Am, however, is an album that is most directly related to the experiences of the “WE” entering and existing in the physical universe. It is a completely different voice from Glass Daisy.Entering as a soul into a physical experience is a journey that’s relatable to most souls, especially those who are here to help humanity return to the light.It is this group that I am interested in, the group that is here to assist the people of Earth in stepping back into the light.Yes, you.OK, let’s begin with Roxy Vale and Still I Am.One of the issues with the WE viewpoint is that whenever I bring it to the forefront of my awareness, it seems to turn other people’s minds and personalities into an unstructured and universally expanded mush (technical term) that sometimes cannot contain even the smallest amount of intellectual clarity. If I solely concentrate on my expression as a singular person, Inelia, all is usually mostly fine. There is mush involved, but at manageable amounts. There really is no difference between the “me” and the WE except at the level of frequency and band of expression, which admittedly is a lot of difference.After creating the first album, Through the Glass Daisy, which is based on the character’s journey through time within a complex structure of light/dark as the WE would see it, I thought maybe we could jump through the illusion of singular expression and create songs based directly on the WE writings that would bypass the reader’s “mind mush” response and go directly into one of understanding. The WE have a bunch of articles where we express our journey through humanity’s temple.I ran the first WE article through a text-processing AI with the instructions to make a song out of it.The first output was a list of possible titles; there were many. I asked, “What would the human collective of Earth want and understand?” The AI, being a gestalt of the human collective’s digital expression, is in a very good position to come up with an accurate answer, and it suggested a few items.However, we have to be aware that it scans the internet for answers, and the internet is a light/dark place. Ultimately, although it can come up with possibilities, the answer has to be one we take ourselves.I decided that I would simply tell the AI what paragraph or point in the article I wanted the song to be about, and it was able to come up with several reasonably good songs. Mostly, though, they missed the point, but they did contain the structure of popular songs. I soon realized that for the WE expression, we also needed a particular voice, as song structure is very dependent on genre.As I scanned the human collective for a voice, I realized that I wanted a voice that one day I might be able to express myself in. In other words, a voice that sang in a way I could sing. I had to make some decisions at this point. Looking back at my own life, I saw that the songs I loved and was able to sing with no problem were from Annie Lennox, Tina Turner, and Freddie Mercury.“What would a female singer sound like if Tina Turner and Freddie Mercury had a baby?” I asked the AI.Several hours later, I had a good grasp of what I wanted to express. I did a test run and made Larry listen to it. “I don’t understand what it is; it’s not rock, or country, or pop… it’s confusing,” he said.At that moment I realized that not only did the voice need to express what I wanted, but it needed to be boxed into a genre.That is how Roxy became a Soul Rock singer, with Americana overtones. Unlike Glass Daisy’s lead singer, who is 20 years old and clearly an Ethereal Pop singer, I wanted Roxy to be an adult with a very broad range of tones and styles of singing. And thus the character began to evolve. She is not stuck in Soul Rock and will explore other sounds, including Native songs in different areas of the world. She spends a lot of time playing with her voice and expressions.I wanted her as close to my own voice, personality, and story as I could possibly get without breaking the energy of her as the lovechild of Tina and Freddie - two musical heroes of my life. And at the same time, she had more WE expression than she does of my singular expression, Inelia.Her creation has since ...
    Mehr anzeigen Weniger anzeigen
    40 Min.
Noch keine Rezensionen vorhanden