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The Proud Tower

A Portrait of the World before the War, 1890–1914

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The Proud Tower

Von: Barbara W. Tuchman
Gesprochen von: Wanda McCaddon
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The fateful quarter century leading up to World War I was a time when the world of privilege still existed in Olympian luxury and the world of protest was “heaving in its pain, its power, and its hate.”

The age was the climax of a century of the most accelerated rate of change to that point in history, a cataclysmic shaping of destiny.

Barbara Tuchman brings to vivid life the people, places, and events that shaped the years leading up to the Great War: the Edwardian aristocracy; the anarchists of Europe and America; Germany and its self-depicted hero, Richard Strauss; Diaghilev’s Russian Ballet and Stravinsky’s music; the Dreyfus Affair; two peace conferences in the Hague; and, finally, the youth, ideals, enthusiasm, and tragedy of socialism, epitomized by the death of heroic Jean Jaurès on the night the war began and an epoch ended.

©1962 , 1963, 1965 by Barbara W. Tuchman (P)2005 Blackstone Publishing
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Kritikerstimmen

“Blackstone’s inspired pairing of narrator [Wanda McCaddon] with the work of Barbara Tuchman introduces a new generation to the pleasures of one of the twentieth century’s most popular and esteemed historians.”

(Audiofile)

“A stunning command of the storyteller’s arts of swift pacing, tense exposition, and colorful scene construction.”

(Newsweek)

“Mrs. Tuchman paints the scene for us with a masterly brush, a scene glittering and brilliant, sumptuous and outrageous.”

(New York Herald Tribune)

“A rare combination of impeccable scholarship and literary polish…It would be impossible to read The Proud Tower without pleasure and admiration.”

(New York Times)

“An exquisitely written and thoroughly engrossing work…The author’s knowledge and skill are so impressive that they whet the appetite for more…An esthetically rewarding experience. No one should forgo the opportunity.”

(Chicago Tribune)

“Mrs. Tuchman’s popularity is due to more than her skill with words…She never loses sight of individuals, and she is not afraid to tell a story…As in all her books, this one is resplendent with people.”

(New York Times Book Review)
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To begin with, I would like to say that Barabara Tuchman is on of the writer on history that I most admire. Here style is clear, never boring and she has the ability to take the reader into the time she is writing about and gives him or her an impression on the way people thought and acted at that time. This is unique, because she manages to avoid kitsch and stereotypes.

This book would deserve 5 stars if there were not one aspect that gets more and more irritating throughout the book. Her open anti German attidue lets her miss the more important points of prewar history, in particular when she writes about prewar socialism. The difficulties of a German socialist party and its acchievements are covered under rather pointed statements about things she thinks are typically German. If you write about a foreign culture and take the liberty to comment about its peculiarities you should at least try to understand that culture. Writing about the internal hun in every German that is only controlled by an obsession for order would have been the appropriate style immediately after the second world war but is just unacceptable today.

Strange perception of history

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