As a favour to his wealthy father-in-law, the Count Falier, Commissario Guido Brunetti agrees to investigate the seemingly innocent wish of the Count’s best friend, the elderly and childless Gonzalo, to adopt a younger man as his son. Under Italian inheritance laws, this man would become the sole heir to Gonzalo’s substantial fortune, something which Gonzalo’s friends, including the Count, find appalling. For his part, Brunetti wonders why they're so intent on meddling in the old man's business.

During the interrogation of an entitled, arrogant man suspected of giving drugs to a young girl who then died, Commissario Guido Brunetti acts rashly, doing something he will quickly come to regret. In the aftermath he begins to doubt his career choices and realises that he needs a break from the stifling problems of his work. Granted leave from the Questura, Brunetti is shipped off by his wife, Paola, to a villa owned by a wealthy relative on Sant'Erasmo, one of the largest islands in the Venetian laguna.

Random House presents the audiobook edition of The Temptation of Forgiveness by Donna Leon, read by David Sibley. When important information is leaked from inside the Venetian Questura, Commissario Guido Brunetti is entrusted with the task of uncovering which of his colleagues is responsible. But before Brunetti can begin his investigation, he is surprised by the appearance in his office of a friend of his wife's, who is fearful that her son is using drugs. A few weeks later, Tullio Gasparini, the woman's husband, is found unconscious with a serious head injury at the foot of a bridge, and Brunetti is drawn to pursue a possible connection to the boy’s behaviour. But the truth is not straightforward.

When Dottoressa Donato calls the Questura to report that a dying patient at the hospice Fatebenefratelli wants to speak to the police, Commissario Guido Brunetti and his colleague, Claudia Griffoni, waste no time in responding. ‘They killed him. It was bad money. I told him no’, Benedetta Toso gasps the words about her recently deceased husband, Vittorio Fadalto. Even though he is not sure she can hear him Brunetti softly promises he and Griffoni will look into what initially appears to be a private family tragedy. 

In The Waters of Eternal Youth, the 25th instalment in the best-selling Brunetti series, our commissario finds himself drawn into a case that may not be a crime at all. Brunetti is investigating a cold case by request of the Grand Contessa Lando-Continui, a friend of Brunetti's mother-in-law. Fifteen years ago the Contessa's teenage granddaughter, Manuela, was found drowning in a canal.

When one of his wife Paola's students comes to visit him, with a strange and vague interest in investigating the possibility of a pardon for a crime committed by her grandfather many years ago, Commissario Brunetti thinks little of it, beyond being intrigued and attracted by the girl's intelligence and moral seriousness. But when she is found murdered, clearly stabbed to death, Claudia Leonardo is suddenly no longer simply Paola's student, but Brunetti's case ...

The murder of two clam fishermen off the island of Pellestrina, south of the Lido on the Venetian lagoon, draws Commissario Brunetti into the island's close-knit community, bound together by a code of loyalty and a suspicion of outsiders worthy of the Mafia. When the Vice-Questore's secretary Signorina Elettra volunteers to visit the island, where she has relatives, Brunetti finds himself torn between his duty to solve the murders, concerns for Elettra's safety, and his not entirely straightforward feelings for her....

In Death at La Fenice, Donna Leon’s first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy’s finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor. Now, many years after Brunetti cleared her name, Flavia has returned to the illustrious La Fenice to sing the lead in Tosca. As an opera superstar, Flavia is well acquainted with attention from adoring fans and aspiring singers.

On a cold Venetian night shortly before Christmas, a man is killed in a scuffle in Campo San Stefano. The closest witnesses to the event are the tourists who had been browsing the man's wares before his death - fake handbags of every designer label. Officially termed a venditore ambulante or extracomunitario, the dead man was working as a vu cumpra, one of the many Black Africans purveying goods outside normal shop hours and without work permits. Arriving on the scene, Commissario Brunetti's response matches that of everybody involved: why would anyone kill a vu cumpra?

When a body is found floating in a canal, disfigured and with multiple stab wounds, Commissario Brunetti is called to investigate and is convinced he recognises the man from somewhere. However, with no identification except for the distinctive shoes the man was wearing, and no reports of people missing from the Venice area, the case cannot progress. Brunetti soon realises why he remembers the dead man, and asks Signorina Elettra if she can help him find footage of a farmers' protest the previous autumn.