Edgar Award winner Jonathan Kellerman once more explores the corruption of California's golden coast and produces a novel of complex characterizations and nonstop suspense. By the time psychologist Dr. Alex Delaware reached the school the damage was done: A sniper had opened fire on a crowded playground, but was gunned down before any children were hurt. While the TV news crews feasted on the scene and Alex began his therapy sessions with the traumatized children, he couldn't escape the image of a slight teenager clutching an oversized rifle.

The voice belongs to a woman, but Dr. Alex Delaware remembers a little girl. It is 11 years since seven-year-old Melissa Dickinson dialed a hospital help line for comfort - and found it in therapy with Alex Delaware. Now the lovely young heiress is desperately calling for the psychologist's help once more. Only this time it looks like Melissa's deepest childhood nightmare is really coming true....

When the phone rings in the middle of the night, child psychologist Alex Delaware does not hesitate. Driving through the dream-lit San Fernando Valley, Alex rushes to Jamey Cadmus, the patient he had failed five years before - and who now calls with a bizarre cry for help. But by the time Alex reaches Canyon Oaks Psychiatric Hospital, Jamey is gone, surfacing a day later in the hands of the police, who believe Jamey is the infamous Lavender Slasher, a psychotic serial killer. Wooed by a high-powered attorney to build a defense, Alex will get a chance to do what he couldn't five years ago.

It is a case unlike any psychologist Dr. Alex Delaware has ever encountered. Five-year-old Woody Swope is ill, but the real problem is his parents. They refuse to agree to the one treatment that could save this boy's life. Alex sets out to convince Mr. and Mrs. Swope - only to find that the parents have left the hospital and taken their son with them. Worse, the sleazy motel room where the Swopes were staying is empty - except for the ominous bloodstain. The Swopes and their son have vanished into the sordid shadows of the city.

Dr. Morton Handler practiced a strange brand of psychiatry. Among his specialties were fraud, extortion, and sexual manipulation. Handler paid for his sins when he was brutally murdered in his luxurious Pacific Palisades apartment. The police have no leads, but they do have one possible witness: seven-year-old Melody Quinn.

Alex Delaware is back! And in Jonathan Kellerman's riveting and ingenious new novel, Monster, he faces one of the most grisly and baffling mysteries of his career: How can a nonfunctional psychotic locked up in a supposedly secure institution for homicidal madmen predict brutal murders in the outside world? Delaware and his friend and partner Detective Milo Sturgis must penetrate this enigma in order to stop the horrific killings.

Perennial and acknowledged master of the psychological thriller Jonathan Kellerman has created a riveting and memorable Alex Delaware novel about a troubled and elusive young woman whose brutal murder forces the brilliant psychologist-detective to confront his own fallibility.

It came in a plain brown wrapper, no return address: an audiocassette of a soul-lacerating scream, followed by an enigmatic, haunting message delivered in a childlike voice: "Bad love. Bad love. Don't give me the bad love." For psychologist-detective Dr. Alex Delaware, the chant, repeated over and over like a twisted nursery rhyme, is the first intimation that he is about to enter a living nightmare. If Alex fails to decipher the twisted logic of the stalker's mind games, he will be the next to die.

Jack Reacher hits the pavement and sticks out his thumb. He plans to follow the sun on an epic trip across America, from Maine to California. He doesn't get far. On a country road deep in the New England woods, he sees a sign to a place he has never been: the town where his father was born. He thinks, What's one extra day? He takes the detour. 

Twenty-one-month-old Cassie Jones is bright, energetic, the picture of health. Yet her parents rush her to the emergency room night after night with medical symptoms no doctor can explain. Cassie's parents seem sympathetic and deeply concerned. Her favorite nurse is a model of devotion. Yet when child psychologist Alex Delaware is called in to investigate, instinct tells him that one of them may be a monster.

In 17 consecutive best selling novels, Jonathan Kellerman has proven himself the master of the psychological thriller. Now, in Kellerman's most compelling novel yet, L.A. psychologist-detective Alex Delaware confronts a long-unsolved murder of unspeakable brutality - an ice-cold case whose resolution threatens his survival and that of longtime friend, homicide detective Milo Sturgis.

"Been a while since I had me a nice little whodunit," homicide detective Milo Sturgis tells Alex Delaware. But there's definitely nothing nice about the brutal tableau behind the yellow crime-scene tape. On a lonely lover's lane in the hills of Los Angeles, a young couple lies murdered in a car. Each bears a single gunshot wound to the head.

For three months, the police find no clues in the stabbing death of Hope Devane, the author of a pop-psychology best-seller. So they turn to Dr. Alex Delaware to study the case for insights that might point to a killer. As Alex unlocks the private compartments of Hope's life, the murder looks calculated and vengeful. A study of her childhood reveals that she kept secrets from everyone. It also helps Alex set a trap for the killer.

Psychologist Dr. Alex Delaware confronts a killer who takes as much pleasure in matching wits with the police as in robbing human life. A diplomat's retarded daughter is murdered on a school field trip. The girl's father denies the possibility of a political motive, leaving LAPD detective Milo Sturgis and his longtime friend, Alex Delaware, stymied. When another killing occurs, Alex finds himself ensnared in one of the most menacing cases of his career.

"I’ve got a weird one, so naturally I thought of you,” says Milo Sturgis, summoning his friend Alex to the trendy gallery where a promising young artist has been brutally garroted on the night of her first major showing. What makes it “a weird one” is the lack of any obvious motive, and the luridly careful staging of the murder scene - which immediately suggests to Alex not an impulsive crime of passion...but the meticulous and taunting modus operandi of a serial killer.