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    WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the number one New York Times best-selling author of the Oprah’s Book Club pick Olive, Again

    “Fiction lovers, remember this name: Olive Kitteridge.... You’ll never forget her.” (USA Today)

    NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World USA Today San Francisco Chronicle Chicago Tribune Seattle Post-Intelligencer People Entertainment Weekly The Christian Science Monitor The Plain Dealer The Atlantic Rocky Mountain News Library Journal

    At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.

    As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life - sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition - its conflicts, its tragedies and joys, and the endurance it requires.

    The inspiration for the Emmy Award-winning HBO miniseries starring Frances McDormand, Richard Jenkins, and Bill Murray 

    ©2008 Elizabeth Strout (P)2019 Random House Audio

    Kritikerstimmen

    Olive Kitteridge still lingers in memory like a treasured photograph.” (Seattle Post-Intelligencer)

    “Rarely does a story collection pack such a gutsy emotional punch.” (Entertainment Weekly

    “Strout animates the ordinary with astonishing force.... [She] makes us experience not only the terrors of change but also the terrifying hope that change can bring: she plunges us into these churning waters and we come up gasping for air.” (The New Yorker

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    so good!

    amazing how slow the plot is, how much one can imagine the characters, what full persons they become throughout the narrative.