Close to the Knives

Harriet Burden ist die Frau eines einflussreichen New Yorker Galeristen. Nach dessen vorzeitigem Tod beginnt sie ein heimliches Experiment: eine Karriere als Installationskünstlerin, die sich hinter dem angeblichen Werk dreier männlicher "Masken" verbirgt, das in Wahrheit sie selbst erschaffen hat. Doch der Faustische Handel schlägt fehl - einer dieser Maskenmänner, selbst ein bekannter Künstler, durchkreuzt ihr Rollenspiel und setzt sein eigenes dagegen. Es kommt zum Kampf zweier widerstreitender großer Geister - einem Kampf auf Leben und Tod.

Hans ist Anwalt, reich und erfolgreich, doch seine Ehe funktioniert nicht mehr und statt mit seiner neuen Therapeutin an seinen Problemen zu arbeiten, verliebt er sich in sie. Seine Schwester Masha ist 39 Jahre alt, als sie beschließt, ein Kind zu bekommen und sich panisch auf die Suche nach einem Vater macht. Alexander und Barbara, die Eltern der beiden, sind seit über vierzig Jahren verheiratet und müssen sich jetzt im Alltag eines Rentnerpaars einrichten.

Frances is a 21-year-old college student in Dublin; she performs at spoken word events with her best friend and ex-lover, Bobbi. When they are profiled by journalist Melissa, they enter an orbit of beautiful houses and raucous dinner parties. Initially unimpressed, Frances begins an affair with Nick, Melissa's husband, which gives way to an unexpected intimacy.

'I would like to ask that we begin to dream about and plan for a different world. A fairer world. A world of happier men and happier women who are truer to themselves. And this is how to start: we must raise our daughters differently. We must also raise our sons differently....' What does feminism mean today? In this personal, eloquently argued essay - adapted from her much-admired TEDx talk of the same name - Chimamanda Ngozi Adichie offers listeners a unique definition of feminism for the 21st century, one rooted in inclusion and awareness.

In February 2014, Reni Eddo-Lodge posted an impassioned argument on her blog about her deep-seated frustration with the way discussions of race and racism in Britain were constantly being shut down by those who weren't affected by it. She gave the post the title 'Why I'm No Longer Talking to White People About Race'. Her sharp, fiercely intelligent words hit a nerve, and the post went viral, spawning a huge number of comments from people desperate to speak up about their own similar experiences.

In The Trip to Echo Spring, Olivia Laing examines the link between creativity and alcohol through the work and lives of six of America's finest writers: F. Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever, and Raymond Carver. All six of these men were alcoholics, and the subject of drinking surfaces in some of their finest work, from Cat on a Hot Tin Roof to A Moveable Feast.

Maya Angelou's six volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination and extreme poverty, but also hope, joy, achievement, and celebration. In this first volume of her six books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. She learns the power of the white folks at the other end of town and suffers the terrible trauma of rape by her mother's lover.

Already translated into twenty languages, The End of Eddy captures the violence and desperation of life in a French factory town. It is also a sensitive, universal portrait of boyhood and sexual awakening. Like Karl Ove Knausgaard or Edmund White, Édouard Louis writes from his own undisguised experience, but he writes with an openness and a compassionate intelligence that are all his own. The result - a critical and popular triumph - has made him the most celebrated French writer of his generation.

A woman writer goes to Athens to teach a writing course. Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives. The more they talk the more certain themes begin to emerge: the experience of loss, the difficulty of intimacy, and the mystery of creativity itself.

A Field Guide to Getting Lost draws on emblematic moments and relationships in Solnit's own life to explore issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery.

From one of America’s greatest and most iconic writers: an honest and courageous portrait of age and motherhood. Several days before Christmas 2003, Joan Didion’s only daughter, Quintana, fell seriously ill. In 2010, Didion marked the sixth anniversary of her daughter’s death. Blue Nights is a shatteringly honest examination of Joan Didion’s life as a mother, a woman and a writer.

Wie werden wir, wie wir sind? Anhand von Erinnerungen, Melodien und Gegenständen vergegenwärtigt Annie Ernaux die Jahre, die hinter ihr liegen, taucht tief ein in ihre Vergangenheit und damit auch in die ihres Landes: die 50er-Jahre, die Algerienkrise, ihre Universitätskarriere, das Schreiben, eine unglückliche Ehe, die Mutterschaft, das Jahr 1968, sexuelle Unterdrückung und Befreiung, die Nullerjahre und schließlich das eigene Altern.

The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman, trapped between her role as her alcoholic father's carer and her day job as a secretary at the prison. When the charismatic Rebecca Saint John arrives as the new counsellor at the prison, Eileen is enchanted and unable to resist what appears to be a miraculously budding friendship.

"Life changes fast....You sit down to dinner and life as you know it ends." These were among the first words Joan Didion wrote in January 2004. Her daughter was lying unconscious in an intensive care unit, a victim of pneumonia and septic shock. Her husband, John Gregory Dunne, was dead. The night before New Year's Eve, while they were sitting down to dinner, he suffered a massive and fatal coronary. The two had lived and worked side by side for nearly 40 years.

For decades we've been told that positive thinking is the key to a happy, rich life. "F*ck positivity," Mark Manson says. "Let's be honest, shit is f*cked, and we have to live with it." In his wildly popular Internet blog, Manson doesn't sugarcoat or equivocate. He tells it like it is - a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F*ck is his antidote to the coddling, let's-all-feel-good mind-set that has infected modern society and spoiled a generation, rewarding them with gold medals just for showing up.