Ergebnis von "Elizabeth Campbell" in Alle Kategorien

Elizabeth Gaskell was one of Victorian England's pre-eminent female novelists. Admired by Charles Dickens, who described her as his 'dear Scheherazade', she mingled storytelling and social realism to superb effect in her highly acclaimed fiction. This comprehensive collection comprises dramas and readings of her finest works and some lesser-known pieces.

New York Times Bestseller The Future is Emotionally Intelligent From two early childhood experts, an essential guidebook that empowers parents to help their little ones navigate their big feelings—including tantrums, outbursts, and separation anxiety—while laying the groundwork for a...

Twenty tales of terror and suspense, brought to you by sinister storyteller Vincent Price. Horror legend Vincent Price presents an anthology of eerie, unsettling tales with a devilish twist - some purportedly based on his own adventures, others narrated by him in his own inimitable style.

Narrated by Joseph Tabler, Science Fiction Stories of the Future from the Past consists of the following works: “The Automatic Maid of All Work” by M. L. Campbell; “Ely’s Automatic Housemaid” by Elizabeth W. Bellamy; “Mr. Meek—Musketeer” by Clifford D. Simak; “Mr. Meek Plays Polo” by Clifford D. Simak; “In the Year Ten Thousand” by William Harben; “Service with a Smile” by Charles L. Fontenay; “Family Tree” by Charles L. Fontenay; and “Glow Worm” by Harlan Ellison. All stories are in the public domain.

Authors Jack Campbell and Elizabeth Moon discuss fact vs. fiction in science fiction and fantasy; reviving old series and bringing new series to an end; steampunk; and much more.

Art looting is commonly recognized as a central feature of Nazi expropriation. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories. Well-publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?